Hall to McNair: March 25, 1982
Editorial note about this letter: Below is the poem Don questions in his letter, leading me to put it aside. Still, I knew by the depth of feeling I had reached in “To My Father” that it would be an important poem for me if I could ever sort out the material it contained. Though I never completed the poem, “To My Father” turned out to be crucial, its themes and images resurfacing years later in my long narrative, “My Brother Running,” and in poems I wrote afterward, particularly “Weeds.”
To My Father
Your were so tall your loved face
moved across ceilings. Your voice,
a cigarette’s light, floated
high in my bedroom’s dark. This is why,
after I asked mother had you gone
over and over, it seemed right
to think of you floating
and moving in some world beyond
my reach, why when you came back
twenty years later, I was so down.
You were not supposed to be
who you were: shorter than me,
slightly drunk and, the worst
of it, unable to see the difference
between living in the high world
I had imagined, and just
saying you did. And yet tonight,
having dealt with all the expectations
of the world and my own sons,
I don’t quite think of you
as a failed father, but more
like me, lost in a patch of weeds
and doing the best you could with it.
So I write this poem partly for me,
Partly just in case where you are now
they read, to say that in the end
of your booze-ridden life,
when your eyesight and second family
gave out at the same time
and, having no story left
in your crazy head, you lay down
on your back yard to plant seeds
you could hardly see, I wish
I had stood in that darkness,
as you once stood for me,
to tell you that I saw the garden
you meant, the bright flowers blooming
everywhere, no matter if weeds should grow,
no matter if, by some accident of timing,
you should not be there to tend it.