I am very glad you like the present
version of “Seeing Cooch.” The Atlantic
has published “Shorty Towers,” the only poem
I know of that was pending (April issue).
Does he have others?
I love Cooch now. First-rate. OK, they both go to
The Atlantic. If this one should come back from the
Atlantic, maybe then I will save it for the New Yorker.
I’m not sure that Peter wants to see poems when the
poems have not yet come out…but we will find out.
Maybe there was a special cell of people named McNair.
I thought you might have missed this review in the
Harvard Advocate. This undergraduate misses your music,
cannot hear it…but on the whole it is not a bad review,
as reviews go, and I thought you might enjoy it.
Enclosed, a revision of the last poem I sent.
Please let me know if you doubt anything.
Otherwise, it’s Joey’s. Thanks very much for all your help, as usual. As usual, you were right!
I’ve also enclosed a copy of “The Shooting.”
I’d like you to send both to The Atlantic
now, forgetting The New Yorker, if that seems OK.
Only, though, if “Seeing Cooch” seems OK.
How odd to think it two unrelated Communist
McNairs in this area at roughly the same
time! Thank you for the sleuthing!
Love,
Wes
P.S. Went to lunch with Mike Pride yesterday-
I paid in his honor. He sure is excited about that
Nieman! And I am excited for him. One of the great
benefits of that interview was I got to know him!
Good to talk with you. And I like “Seeing Cooch.” I have a
couple of questions, about possible ambiguities. He will be out on
his porch, “lifting/ a tire or something/ without a door.” It seems
to say that he would be “lifting something without a door.” What, which
lacks a door, would he be lifting? If I sound dumb, it is genuine. I
think of “something without a door” as if it were a car rotting in the
front yard, a doorless car – but then he wouldn’t be lifting that. And
I don’t know what sort of object, lacking a door, that he would be lifting…
But I don’t really understand what it is that he is doing. Then the next
“sentence” isn’t a sentence. And it seems to me not exactly connected.
Or it seems to me that the things beginning “ or some night/ in a room/
beyond his/…”; that it depends on “you see” many many lines earlier.
How does “or” follow “without a door”?
Other little things. First I had trouble connecting “it,” and then
I decided that it was probably my fault. Then I wondered if you really
needed “nobody/ wants.” What sort of thing is a loaf of bread that nobody
wants? I love it described as a great loaf of bread…but when you say that
this is that kind of loaf of bread (the kind we all know) that nobody wants…
maybe you complicate it a little more than you need to? It remains visual,
if it is wrapped like a big loaf of bread…but if it is wrapped like a
big loaf of bread…the kind that nobody wants…it goes beyond the visual
to something else that may confuse the visual.
I love almost everything that is here – I guess except “without a door”…
and I love the end of it. But maybe it is too elliptical right now?
Another question. If you find it finished now, or if it is finished
in the next draft, do you want it to go out this summer? Or do you want
to wait to try The New Yorker in the fall? Poetry is shut down all summer
also. At least it usually is, and I believe that it will be now also.
Also, could you send me another copy of The Shooting? It is in
the house some place, but I cannot find it. It came back from The New Yorker.
P.S. The McNair who taught at Tilton School was called Luther, as I
understand. So I guess it is another one – but that is quite a coincidence,
another Communist.
Joey would be happy to send these two poems to Robert Wallace – though
Joey himself doesn’t really think that they are light. But that is not up to
Joey, but to Robert Wallace. However, are you assured that “When Paul Flew
Away” will come out in Ironwood before the new Light Year will be
published? Ironwood would not be amused, to have publication anticipated
by the anthology. Probably you have ascertained this – but reassure me,
please.
Love as ever,
Don
A note from McNair about this letter: After Don’s critique of “Seeing Cooch,” responding to a draft that no longer exists, I revised my poem for the last time. The poem’s final version, below, bears hints of Don’s earlier suggestions.
I enclose When Paul Flew Away and
The Fat Enter Heaven. If Joey
thinks its OK, I’d like to have
these sent to Robert Wallace, for
his annual anthology, Light Year.
The anthology accepts poems that have
been accepted or printed elsewhere–
The address is:
ROBERT WALLACE
BITS PRESS
DEPARTMENT OF ENGLISH
CASE WESTERN RESERVE UNIVERSITY
CLEVELAND, OH 44106
Many thanks!
Wes
P.S. I don’t mean to burden Joey,
only to avoid confusion . If you
want me to send the poems, I’d
be glad to!
THE FAT ENTER HEAVEN
It is understood, with the clarity possible only in heaven,
that none have loved food better than these.
Angels gather to admire their small mouths and their arms
rouns as the fenders of Hudson Hornets. In their past
they have been among the world’s most meek,
the farm boy who lived with his mother, the grade-school teacher
who led the flag salute with expression, day after day.
Now their commonplace lives, the guilt about weight, the ridicule
fade and disappear. They come to the table
arrayed with perfect food, shedding their belts and girdles
for the last time. Here, where fat itself is heavenly,
they fill their plates and float upon the sky.
–Wesley McNair
(printed in Poetry)
WHEN PAUL FLEW AWAY
It was the same as always,
Paul opening the big, black lung
of it with that worried look
while the cats watched
from under the stove,
but when he closed
his eyes and begun to sink
down between the straps
of his bib overalls,
it was like he died. Except
the accordion was still breathing
a waltz between his hands,
except he called back
to us every so often
from wherever he was, Shit.
Which meant everything
he had ever known
in his life up to that
moment, but this song.
Not some sock-drawer
music of getting a tune out
and then rummaging
for the chord to match,
but together, exactly like
he was breathing the thing
himself. No stomping
either, Just Paul twisting
like he was after some deep
itch, only right then
he was starting to lift
out of his chair. Slowly
at first, like flypaper
in a small breeze, then
the whole enormous weight
of him hanging over the sink. God,
he was happy, and I
and the kids was laughing
and happy, when all
at once it come to me,
2—WHEN PAUL FLEW AWAY
this is it. Paul is leaving
the old Barcolounger
stuck in second
position, and the TV on top
of the TV, that don’t
work, and all my hand-paintings
of strawberries as if he never
said this would be Strawberry Farm.
Hey! I said out in the yard
because he was already going
right over the roof
of that goat-shed, pumping
that song. What about you
and me? And Paul
just got farther and smaller
until he looked like a kid
unfolding paper dolls over
and over, or like
he was clapping slowly
at himself, and then
like he was opening up the wings
of some wild, black bird
he had made friends with
just before he disappeared
into the sky above the clouds
over all of Wisconsin.
–Wesley McNair
(accepted by Ironwood)
[Text on back of envelope]
Thanks for that news about Tilton School!
I look forward to whatever additional
discoveries you may have!
A note from McNair about this letter: My envelope note refers to Don’s mention by phone that he’s learned of a McNair who was once on the faculty of the Tilton School, in New Hampshire, and a Communist, like my father. He elucidates in his next letter.
I learned today I got the first Honorable Mention
in poetry from the Great Lakes Colleges Association New
Writers Contest (for a first book). Somebody from the
Association says that’s the second place award of
the contest. Anthony Petrosky, I believe the Walt
Whitman Award winner for 1983, also got an
Honorable Mention. Since the first place prize was
won by a book which had not already gotten
an award (US, published by the Cleveland
State University Press), I am wondering if they
prefer to give this prize to an awardless book–?
–A way of consoling myself for not being first.
I want it all!
No letter has come about all this yet
(the announcement is sent to the nominating
publisher first). I was told by Joseph Parisi,
the new editor of Poetry, who was kind enough to
send me a note of congratulations, having
received a news release. More of this
2/
world-stopping news on Wednesday!
Love,
Wes
A note from McNair about this letter: Don has invited me by phone for a Wednesday visit at his farmhouse.
Thanks for the card. It was good to see you two –
though we didn’t do much more than see you. Nick was so
proud of that piece. I enjoyed his erudition, anyway.
Well, naturally, I have thoroughly rewritten A Sister
by the Pond…so you will have a chance to bring me back to
reality. I will send you the rewritten Day I Was Older and
Sister probably in a week or two. Every part of every poem
is altered I think. Some of them just a tiny bit. Well, I
think that maybe the first section of the Day I was Older is
not changed at all. The changes are all minor and crucial. EX-
cept with the last two parts of the Day I Was Older.