Hall to McNair: August 24, 1983
Editorial note about this letter: In the days after sending Hall his first version of “Remembering Aprons,” McNair revised the order of his third sentence, creating this final draft:
Read Remembering Aprons (published version)
A note from McNair about this letter: Days earlier, I phoned Don to tell him that the poet David Wagoner had selected The Faces of Americans in 1853 for the 1983 Devins Award (a cash prize of $500, with book publication and a public reading at the University of Missouri). He was as excited as I was.
A note from McNair about this letter: In the opening paragraph I refer to Don’s “straight talk” about “The Faith Healer.” His criticism hurt because in that poem, I felt I had found a way to deal with a father’s violence toward a son, violence that I knew from my relationship with my stepfather. As it turned out, this poem opened the way to my later poetry about that violence.
A note from McNair about this letter: I refer in my second paragraph to attending the new production of Don’s play, Ragged Mountain Elegies, in Peterborough, New Hampshire.
Editorial note about this letter: The poem Hall comments on is “The Faith Healer,” which McNair sent to him in his previous letter. (Eventually Hall changed his mind and liked the poem.)
Dispensing with the occasional dialect Hall mentions in this letter, McNair decided to keep the rest of “The Faith Healer” as he had it despite Hall’s objections, sending to Wilmot his new draft on 9/25/1983. This became the published version, appearing in Poetry magazine and receiving, together with “The Portuguese Dictionary” and “Remembering Aprons,” Poetry’s Eunice Tietjens prize for 1984. See the final paragraph of Hall’s letter on 10/7/1983, where he questions his criticism of the poem.
Read The Faith Healer (published version)