Ethnography and art can be forms of storytelling. Both can surface hidden patterns, invisible undercurrents, and fraught dimensions of life, revealing uncomfortable truths and subjugated knowledges. How does ethnography speak
Transcript: The World Isn’t Me
I took a friend of mine on a brief tour of Occupy Colby. “What does this mean?” she asks as we stand in front of the bear on the pile
Transcript: The Anthropocene: A New Era of Solitude
Begin by centering yourself in the middle of the mirror Keep your feet shoulder width apart Stand tall with your shoulders back Head straight Now slowly raise your arms out
Transcript: What is natural?
At what point is something natural? Was this helmet a part of nature before there was a beehive on it? Is this a piece that demonstrates an instance where nature
Transcript: DisORDER
“It is conceivable that our misunderstandings of the natural world, our misuse of it, and our conflicted relationship with it would not be conceivable without such ordering systems to formulate
Transcript: My Death Song
“Bird is the Word” soon will become Bird was the word A bird, perched on a peg. What type of life is that? Birds cannot fly inside a museum. Or
Below the Surface: Maya Lin and “Becoming-With” Nature
This essay is adapted from an assignment in the Colby College course Environmental Humanities: Stories of Crisis and Resilience, taught by Mellon Postdoctoral Fellow in Environmental Humanities Christopher Walker. Maya Lin’s Interrupted River: Penobscot
Murder, Chaos, and Fornication: Dystopian Environmental Futures in Alexis Rockman’s Paintings
This essay is adapted from an assignment in the Colby College course Environmental Humanities: Stories of Crisis and Resilience, taught by Mellon Postdoctoral Fellow in Environmental Humanities Christopher Walker. Alexis Rockman’s paintings Disney World
View a digital version of Up in Smoke, a companion to River Works: Whistler and the Industrial Thames
Click below to view a digital version of Up in Smoke, a companion guide now available in River Works: Whistler and the Industrial Thames. Up in Smoke features an essay by Gail
Nature and Culture in River Works: Whistler and the Industrial Thames
In these short essays, Tilly Peck ’22 and Mae Sefransky ’20 reflect on the nature vs. culture debate vis-a-vis River Works: Whistler and the Industrial Thames. Both pieces are adapted from
