Picasso's Suite Vollard and Its Contexts

  • Suite Vollard
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    • Historical Events, 1930-37
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    • 6. Nude Woman in Front of a Statue
    • 14. Startled Bathers
    • 23. Female Bullfighter, III
    • 43. Model Leaning on a Painting
    • 85. Bacchic Scene with Minotaur
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Brassaï’s memories and photographs of Picasso’s studio at 23, rue la Boétie:

“In the winter of 1932, when for the first time I crossed the threshold of his ‘studio’ at 23, rue La Boétie, where he lived for fourteen years, Pablo Picasso had just passed the age of fifty. If I have put ‘studio’ in quotation marks, it is because rue La Boétie was, in the guise of a studio, an apartment of four or five rooms transformed into a pigsty. The rooms, each with a marble fireplace surmounted by a mirror, were entirely emptied of furniture, but littered with stacks of paintings, cartons, wrapped packages, pails of all sizes…piles of books, reams of paper, bundles of sculpture molds, placed pell-mell across the floor and covered with a thick layer of dust….The doors between all the rooms had been removed, the apartment was transformed into a vast studio with several corners for the various activities of the painter. One walked on a floor carpeted with cigarette butts, long since deprived of any polish, coated here and there with splotches of paint. Picasso painted in the largest room, the most well-lit, with the Eiffel Tower in view…. Madame Picasso never came to this apartment. With the exception of a few friends, Picasso admitted no one to it. So the dust could fall where it would and remain there undisturbed, with no fear of the feather dusters of cleaning women.”


Images courtesy of the Colby College Museum of Art. All captions are taken from Stephen Coppel's Picasso Prints: The Vollard Suite. London: British Museum Press, 2012.

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