Suite Vollard
Bolliger, Hans. Picasso for Vollard. New York: Harry N. Abrams, 1956.
—. Picasso’s Vollard Suite. New York: H. N. Abrams, 1977.Coppel, Stephen. Picasso Prints: The Vollard Suite. London: British Museum Press, 2012.
Costello, Anita Coles. Picasso’s Vollard Suite. New York: Garland, 1979.
Dalzell Hatfield Galleries. Picasso, 100 etchings: “La Suite Vollard.” Exhibition July 18 to August 1. Los Angeles, CA: Dalzell Hatfield Galleries, 1956.
Florman, Lisa Carol. Myth and Metamorphosis: Picasso’s Classical Prints of the 1930s. Cambridge, MA: MIT Press, 2000.
John Szoke Gallery. “The Blind Minotaur.” John Szoke Gallery: Works on Paper of Picasso and Munch. http://www.johnszoke.com/essays/the-blind-minotaur
—. “The Minotaur.” John Szoke Gallery: Works on Paper of Picasso and Munch. http://www.johnszoke.com/essays/the-minotaur
—. “Rembrandt in the Suite Vollard.” John Szoke Gallery: Works on Paper of Picasso and Munch. http://www.johnszoke.com/essays/rembrandt-in-the-suite-vollard
—. “Sculptor and Studio.” John Szoke Gallery: Works on Paper of Picasso and Munch. http://www.johnszoke.com/essays/sculptorand39s-studio
—. “The Suite Vollard.” John Szoke Gallery: Works on Paper of Picasso and Munch. http://www.johnszoke.com/essays/the-suite-vollard
Kleinfelder, Karen L. The Artist, His Model, Her Image, His Gaze: Picasso’s Pursuit of the Model. Chicago: University of Chicago Press, 1993.
Marc Rosen Fine Art. Picasso: the Intaglio Prints, 1904–1968; Including La Suite des Saltimbanques, La Suite Vollard. New York: Marc Rosen Fine Art, 1999.
Picasso, 100 etchings, “La suite Vollard.” Exhibition July 18 to August 15: Also an Exhibition of Candid Camera Shots of Picasso by Clair Batigne and a Group of Picasso Ceramics. Los Angeles: Dalzell Hatfield Galleries, [1956?].
Picasso: Suite Vollard. Sevilla: Fundación El Monte: Bancaja, 2003.
Picasso’s Vollard Suite: From the Collection of Dartmouth College Museum & Galleries. Hanover, N.H.: The Museum, 1980.
Robbins, Daniel. Picasso’s Vollard Suite: From the Collection of Dartmouth College Museum & Galleries. Hanover, NH: The Museum, 1980.
Romero de Solis, Pedro. “Picasso: Suite Vollard.” Revista de Estudios Taurinos 17 (2003): 235–46.
Tinterow, Gary. “Vollard and Picasso.” In Cézanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde. New York: The Metropolitan Museum of Art, 2006.
Picasso
Brassaï. Picasso & Co. 1st publ. 1964. Transl. Francis Price, preface by Henry Miller, introduction by Roland Penrose. London: Thames & Hudson, 1967.
—. Conversations with Picasso. Trans. Jane Marie Todd. Chicago University Press, 1999.
Cowling, Elizabeth. Picasso: Style and Meaning. London: Phaidon, 2002.
Gilot, Françoise and Carlton Lake. Life with Picasso (1st publ. 1964). London: Virago, 1990, reprinted 1997.
Parmelin, Hélène. Picasso Says. South Brunswick, NJ: A.S. Barnes, 1969.
Penrose, Roland. Picasso: His Life and Work. Los Angeles: University of California Press, 1981.
Richardson, John. A Life of Picasso, vol. III: The Triumphant Years, 1917-32. London: Jonathan Cape, 2007.
Sabartès, Jaime. Picasso: An Intimate Portrait. (1st publ. 1946). London: W.H. Allen, 1949.
Vollard
Johnson, Una E. Ambroise Vollard, Editeur: Prints, Books, Bronzes. New York: Museum of Modern Art, 1977.
Rabinow, Rebecca A. ed. Cézanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde. New York: The Metropolitan Museum of Art, 2006.
Tinterow, Gary. “Vollard and Picasso.” In Rebecca A. Rabinow, ed., Cézanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde. New York: The Metropolitan Museum of Art, 2006.
Picasso and Printmaking
Baer, Brigitte. Picasso the Engraver: Selections from the Musée Picasso, Paris. New York: The Metropolitan Museum of Art, 1997.
—. Picasso the Printmaker: Graphics from the Marina Picasso Collection. Dallas: Dallas Museum of Art, 1983.
—. Picasso peintre graveur: Catalogue raisonné de l’oeuvre gravé et des monotypes. T. I, 1899-1931; T. II, 1932-1934 ; T. III, 1935-1945. Bern: Kornfeld 1986-1996.
Cohen, Janie. “Picasso’s Dialogue with Rembrandt’s Art.” In Isadora Rose-de Viejo, Etched on the Memory: The Presence of Rembrandt in the Prints of Goya and Picasso. Amsterdam and London: the Rembrandt House Museum with Lund Humphries, 2000. 80-122.
Cohen, Janie, ed. Picasso, Inside the Image: Prints from the Ludwig Museum, Cologne. London: Thames and Hudson and Robert Hull Fleming Museum, 1995.
Coppel, Stephen. Picasso and Printmaking in Paris. London: British Museum, 1998.
Florman, Lisa. Myth and Metamorphosis: Picasso’s Classical Prints of the 1930s. Cambridge: MIT Press, 2000.
Goeppert, Sebastian and Herma C. Goeppert-Frank. Minotauromachy by Pablo Picasso. Geneva: Patrick Cramer, 1987.
Marc Rosen Fine Art. Picasso: The Intaglio Prints, 1904–1968; Including La Suite des Saltimbanques, La Suite Vollard. New York: Marc Rosen Fine Art, 1999.
Wye, Deborah. A Picasso Portfolio: Prints from the Museum of Modern Art. New York: Museum of Modern Art, 2010.