This essay is adapted from an assignment in the Colby College course Environmental Humanities: Stories of Crisis and Resilience, taught by Mellon Postdoctoral Fellow in Environmental Humanities Christopher Walker. The exhibition Occupy Colby featured
Food Phreaking Issue 04: Seeds
Artists Zackery Denfeld and Cathrine Kramer of The Center for Genomic Gastronomy are two of the artists behind the SEED-O-MATIC, the world’s slowest vending machine, which dispenses unique seeds with
Gallery: I Am Not a Stranger photo corner
I Am Not a Stranger: Portraits by Séan Alonzo Harris posed a series of questions: who are the people we see everyday, and how do we get to know them? What
Art in Conversation with Climate Change: Anthropological Reflections
Ethnography and art can be forms of storytelling. Both can surface hidden patterns, invisible undercurrents, and fraught dimensions of life, revealing uncomfortable truths and subjugated knowledges. How does ethnography speak
Below the Surface: Maya Lin and “Becoming-With” Nature
This essay is adapted from an assignment in the Colby College course Environmental Humanities: Stories of Crisis and Resilience, taught by Mellon Postdoctoral Fellow in Environmental Humanities Christopher Walker. Maya Lin’s Interrupted River: Penobscot
Going with the Flow: Reflections on Dams, the Wild, and Interrupted Rivers
This essay is adapted from an assignment in the Colby College course Environmental Humanities: Stories of Crisis and Resilience, taught by Mellon Postdoctoral Fellow in Environmental Humanities Christopher Walker. Interrupted River: Penobscot by Maya
Murder, Chaos, and Fornication: Dystopian Environmental Futures in Alexis Rockman’s Paintings
This essay is adapted from an assignment in the Colby College course Environmental Humanities: Stories of Crisis and Resilience, taught by Mellon Postdoctoral Fellow in Environmental Humanities Christopher Walker. Alexis Rockman’s paintings Disney World
View a digital version of Up in Smoke, a companion to River Works: Whistler and the Industrial Thames
Click below to view a digital version of Up in Smoke, a companion guide now available in River Works: Whistler and the Industrial Thames. Up in Smoke features an essay by Gail
2019 Miles and Katharine Culbertson Prentice Lecture: Carrie Mae Weems
On Thursday, October 23, 2019, the Colby College Museum of Art and the Lunder Institute for American Art were pleased to welcome Carrie Mae Weems to deliver the Miles and
Contemporary Communication, Contemporary Art: The Power of the Instagram Influencer
Instagram has become the social media platform of choice for many individuals and art institutions. Readily accessible and easy to learn how to navigate, it allows visual imagery to speak
