During yesterday’s class we discussed Impressionsim, which is probably one of the period’s I am most familiar with. However as it usually goes, I am struck by the profound influence of light and visible brushstrokes on the movement’s style. The goal of capturing the transitory feel of modern life, as a continuation of a form of realism, resonates deeply with me. Édouard Manet’s pivotal role as a hinge between Realism and Impressionism became evident as we delved into his works. “Flâneur” stands out as a portrayal of the modern city dweller, embodying intelligence and sophistication while navigating urban life.
In examining Manet’s paintings such as “Luncheon on the Grass” and “Olympia,” I couldn’t help but admire his bold departure from traditional conventions. The deliberate absence of depth in “Luncheon on the Grass,” coupled with its focus on the foreground, modernizes classical themes in a way that challenges viewers to reconsider their perspectives. Similarly, “Olympia” confronts societal norms with its portrayal of a Parisian prostitute, engaging viewers directly and presenting a stark contrast to traditional depictions of women in art. Manet’s commitment to supporting modern art through his rejection of conventional standards and embrace of visible brushwork and irregularities is both admirable and inspiring.