A special collaboration between the Colby College Museum of Art and The Metropolitan Museum of Art in New York, Marsden Hartley’s Maine enabled an in-depth study of works by the
Art and Artifacts
The Pestana Collection in Graphic Matters: George Bellows and World War I
Large and wonderfully varied, the Pestana Collection of World War I materials is a rich resource for the study of the 1914–1918 time period, reflecting Dr. Pestana’s long interest in World War I history and material culture.
A Trip to the Science Fair
The Art Doctor
“In examining works of art we can use the electromagnetic spectrum to our advantage, allowing us to see far more than we can with just our naked eye.”
’10, ’13, ’15, ’16
The Many Students Behind No Limits: Zao Wou-Ki
“Individuality is the most important quality I took away from Zao Wou-Ki and my time at Colby College. Since I graduated, I’ve found the strength to express my individuality and push myself to continue to challenge myself.”
From STEM to STEAM
Arts Integration at the Museum
“This student’s extensive research into the ecology represented shed new light on this artwork, and demonstrated the potential for arts integration to define alternative pathways in art history.”
A Friendship
Zao Wou-Ki and I. M. Pei
“The relationship between these modernist masters had its roots in their common cultural history, but flourished in environments distant from that time and place.”
Finding Zao Wou-Ki
A Global Project
“Two of the questions I have been hearing frequently since the opening of No Limits: Zao Wou-Ki on Mayflower Hill are Where did you get all of these paintings? and How did you find them?”
Peeking around the Back Side
The Art Doctor
“A look at the reverse of a painting can reveal a lot about its structure and stability; it’s a bit like examining the foundation of a house.”
A Suite Semester
My time with Picasso’s Vollard Suite
“In my seminar on the Vollard Suite, I learned how to look closely and how to help others look—for details, technique and style, visual connections to other works of art, and evidence of philosophical and symbolic influences.”
What Happened to Kitty James?
The Art Doctor
“How is it possible to be sure of an artist’s intent when examining evidence that is almost two hundred years old?”
