In my Visual Poetics course this January, the students and I explored the intersection between poetry and visual art, including a unit on ekphrasis (a verbal representation of a visual representation). Using
Art + Conversation: Roy Lichtenstein: History in the Making 1948–1960
Watch Elizabeth Finch and Marshall N. Price, co-curators of Roy Lichtenstein: History in the Making, 1948-1960 discuss the little-known early career of the Pop art legend and their collaborative work on
Art + Conversation with Kifah Abdulla
This virtual program offers a glimpse into calligraphy, one of the art forms featured in the exhibition, The Sea in a Jug: The Welch Collection of Islamic and Later Indian
Sailors’ Souvenirs: Cultural Appropriation Across the Globe
Sarah Timm, Manager of Interpretation at the Maine Maritime Museum in Bath, Maine, discusses objects from MMM’s collection that were collected by Maine captains and crews during their stops in ports
Watch: Lunder Institute Student Research Assistant Roundtable
In 2019–20, the Lunder Institute for American Art convened its inaugural cohort of Research Fellows, all scholars working on art by African Americans represented in the Colby Museum’s collections. The
Art + Conversation: River Works: Whistler and the Industrial Thames
Justin McCann, Lunder Curator for Whistler Studies at the Colby College Museum of Art, offers a virtual tour of the River Works: Whistler and the Industrial Thames exhibition, featuring a
Art + Conversation: Hew Locke: Here’s the Thing
Sarah Duff, assistant professor of history at Colby College, and Diana Tuite, Katz Curator of Modern and Contemporary Art, discuss the Queen Victoria figurehead in the Colby Museum collection and
Art + Conversation: SEED-O-MATIC
Spring is the perfect time to start a garden. The SEED-O-MATIC, the world’s slowest vending machine, can help—even in the age of social distancing. Developed by the Center for Genomic
Spotlight on Climate Change
This fall, the Colby Museum is featuring a slate of exhibitions and objects that examine the complex relationships between humans and the environment. To continue the conversations started in our
You’re Speaking My Language: Cultivating Creativity
When I started working at the Colby College Museum of Art, the art museum was going through a transition of identifying their audiences and creating more diverse, inclusive and innovative