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Michael D. Burke

Writer, Professor

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Books

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The Art of the Myth:  Maine Essays

Collecting 25 essays and features from over 35 years of living in and writing about Maine, Michael Burke tries to do justice to the vanished Maine, the odd Maine, the Maine that takes time and interest to find.

Alameda Press, November 1, 2024.

The Same River Twice: A Boatman’s Journey Home

University of Arizona Press, 2006.

In the summer of 1991 Michael Burke, an experienced river guide, embarks on a three-week journey down a series of remote rivers in British Columbia. Leaving behind his pregnant wife, he embraces the perils of a voyage with a companion he barely knows in a raft that may not weather the trip. He attempts to reconcile the shifting fates of his life—his transition from river guide to husband, father, and academic. At the same time, he hopes to explore his connection to a distant relative, Sid Barrington, who was a champion “swiftwater pilot of the North” in the late 19th and early 20th centuries.

As Burke contemplates what he and Sid may have had in common, he meditates on the changing meaning of rivers, and the impossibility of fully recovering the past. In clear and graceful prose, Burke blends Sid’s colorful history with his own uncommon journey. He also reflects upon the quick currents of time and the fierce passion he shares with Sid for the life of river running in Alaska and the west. Unlike most river-running books that often describe waterways in the lower forty-eight states, The Same River Twice introduces readers to rough, austere, and unfamiliar rivers in the northern wilderness. Burke has an intimate understanding of these remote, free-flowing rivers. He effectively captures the thrill of moving water, the spirit of rivers and river canyons, and the life of river guides. This insightful memoir brings readers into a confluence of rivers, where past and present merge, revealing the power of wilderness and the truth about changing course.

Maine’s Place in the Environmental Imagination

Cambridge Scholars Press, November 2008.

The essays in Maine’s Place in the Environmental Imagination address – from a variety of perspectives – how Maine’s unique identity among the states of the United States has been formed, and what that identity is: A place that is still imagined by others primarily through its environmental associations, its “nature” and landscape, rather than through its social arrangements and human history. The collection attempts a foundational study, not of a regional literature, but of a state literature. In doing so, it makes the case that Maine was constructed imaginatively and environmentally through its literature, and that this image is the one that endures even now. 

The essays suggest how this identity was formed, by discussing writings ranging from the recently recovered work of Joseph Nicolar, a member of the Penobscot Nation in the late 19th century, to the contemporary Maine author Carolyn Chute; from Thoreau’s canonical essay, “Ktaadn,” to the modernist E.B. White, whose works have an under-appreciated environmental project. Contributors include scholars Nathaniel Lewis, Annette Kolodny, Linda Kornasky, Daniel Malachuk, Kent Ryden, and Lynn Wake.

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