In this class, we talked about the different things that can be manipulated in a portrait. This includes appearances, lighting, context, landscape, the viewer (in what they say), and the sitter based on how they want to be portrayed. This was evident in Jean-Auguste-Dominique Ingres, King Charles X in Coronation Robes, 1829. Oil on canvas. Bayonne: Musee Bonnat in which the sitter wore regalia to give a powerful impression to the viewer. We also talked about the condition of women in the Renaissance. We learned about the difficulty of women having power and spoke about the Guerilla Girls.