In this lecture, we talked about the women in Renaissance appearing as painting objects, patrons, and artists. The images of women in the Renaissance are often depicted as totally or partially naked and thus contain erotic meaning to please patrons and customers, who were mostly men in the Renaissance. Some examples include Lucas Cranach the Elder and Titian’s Venus of Urbino. In the latter one, it is interesting to notice the dog that falls asleep. Because the dog is always characterized as a symbol of fidelity, its sleeping status reveals a “turn off” of the woman’s fidelity in the image, as she is naked and enticing. The room in the background is in contemporary adoration, so as the way the woman’s hair is done. These details indicate that the image may be the patron’s wife or mistress instead of Venus. In Marcus Gheeraerts the Younger’s Queen Elizabeth I, the queen looks young and huge and is standing on the map with sun and moon behind her figure. Such a design interestingly expresses the message that she is the ruler of anything (space of world) and anytime (day and night).