Robert Campin’s Mérode Triptych stood out to me because of all the disguised symbolism Campin includes in this work of art. I found the inclusion of symbolism of both the Old and New Testament a unique take on the Annunciation scene because it neatly alludes the move from old to new and depicts the start of something new: the Birth of Christ. Additionally, I found Campin’s use of Rising Perspective to be an effective method of allowing for as much detail as possible in the painting. Additionally, the slanted nature of the table makes it seem like the viewer is looking up at the scene which is very fitting of the subject. While there is a significant move towards more naturalism in this work of art, parts seem unnatural. For example, the detail of a tiny figure shooting down into Mary’s womb is very unique take on how Mary became impregnated but not very realistic. However, given that this triptych is for personal use I think the depiction of Mary’s impregnation is quite fitting since it adds a fun, humorous aspect to this decor.