{"id":318,"date":"2016-10-12T14:55:58","date_gmt":"2016-10-12T18:55:58","guid":{"rendered":"http:\/\/web.colby.edu\/vollard\/?page_id=318"},"modified":"2018-03-26T10:37:12","modified_gmt":"2018-03-26T14:37:12","slug":"bibliography","status":"publish","type":"page","link":"https:\/\/web.colby.edu\/vollard\/bibliography\/","title":{"rendered":"Sources"},"content":{"rendered":"<p class=\"p1\"><b><em>Suite Vollard<br \/>\n<\/em><\/b>Bolliger, Hans. <i>Picasso for Vollard<\/i>. New York: Harry N. Abrams, 1956.<br \/>\n\u2014<b>. <\/b><i>Picasso&#8217;s Vollard Suite<\/i>. New York: H. N. Abrams, 1977.Coppel, Stephen. <i>Picasso Prints: The Vollard Suite<\/i>. London: British Museum Press, 2012.<br \/>\nCostello, Anita Coles. <i>Picasso&#8217;s Vollard Suite<\/i>. New York: Garland, 1979.<br \/>\nDalzell Hatfield Galleries. <i>Picasso, 100 etchings: &#8220;La Suite Vollard.\u201d Exhibition July 18 to August 1.<\/i> Los Angeles, CA: Dalzell Hatfield Galleries, 1956.<br \/>\nFlorman, Lisa Carol. <i>Myth and Metamorphosis: Picasso\u2019s Classical Prints of the 1930s<\/i>. Cambridge, MA: MIT Press, 2000.<br \/>\nJohn Szoke Gallery. \u201cThe Blind Minotaur.\u201d <i>John Szoke Gallery: Works on Paper of Picasso and Munch<\/i>. <a href=\"http:\/\/www.johnszoke.com\/essays\/the-blind-minotaur\"><span class=\"s1\">http:\/\/www.johnszoke.com\/essays\/the-blind-minotaur<br \/>\n<\/span><\/a>\u2014. \u201cThe Minotaur.\u201d<i> John Szoke Gallery: Works on Paper of Picasso and Munch<\/i>. <a href=\"http:\/\/www.johnszoke.com\/essays\/the-minotaur\"><span class=\"s1\">http:\/\/www.johnszoke.com\/essays\/the-minotaur<br \/>\n<\/span><\/a>\u2014. \u201cRembrandt in the Suite Vollard.\u201d<i> John Szoke Gallery: Works on Paper of Picasso and Munch<\/i>. <a href=\"http:\/\/www.johnszoke.com\/essays\/rembrandt-in-the-suite-vollard\"><span class=\"s1\">http:\/\/www.johnszoke.com\/essays\/rembrandt-in-the-suite-vollard<br \/>\n<\/span><\/a>\u2014. \u201cSculptor and Studio.\u201d<i> John Szoke Gallery: Works on Paper of Picasso and Munch<\/i>. <a href=\"http:\/\/www.johnszoke.com\/essays\/sculptorand39s-studio\"><span class=\"s1\">http:\/\/www.johnszoke.com\/essays\/sculptorand39s-studio<br \/>\n<\/span><\/a>\u2014. \u201cThe Suite Vollard.\u201d<i> John Szoke Gallery: Works on Paper of Picasso and Munch<\/i>. <a href=\"http:\/\/www.johnszoke.com\/essays\/the-suite-vollard\"><span class=\"s1\">http:\/\/www.johnszoke.com\/essays\/the-suite-vollard<br \/>\n<\/span><\/a>Kleinfelder, Karen L.\u00a0 <i>The Artist, His Model, Her Image, His Gaze: Picasso\u2019s Pursuit of the Model<\/i>. Chicago: University of Chicago Press, 1993.<br \/>\nMarc Rosen Fine Art. <i>Picasso: the Intaglio Prints, 1904\u20131968; Including <\/i>La Suite des Saltimbanques<i>, <\/i>La Suite Vollard. New York: Marc Rosen Fine Art, 1999.<br \/>\n<i>Picasso, 100 etchings, \u201cLa suite Vollard.\u201d Exhibition July 18 to August 15: Also an Exhibition of Candid Camera Shots of Picasso by Clair Batigne and a Group of Picasso Ceramics.<\/i> Los Angeles: Dalzell Hatfield Galleries, [1956?].<br \/>\n<i>Picasso: Suite Vollard. <\/i>Sevilla: Fundaci\u00f3n El Monte: Bancaja, 2003.<br \/>\n<i>Picasso&#8217;s <\/i>Vollard Suite<i>: From the Collection of Dartmouth College Museum &amp; Galleries.<\/i> Hanover, N.H.: The Museum, 1980.<br \/>\nRobbins, Daniel<i>. Picasso&#8217;s Vollard Suite: From the Collection of Dartmouth College Museum &amp; Galleries<\/i>. Hanover, NH: The Museum, 1980.<br \/>\nRomero de Solis, Pedro. \u201cPicasso: Suite Vollard.\u201d <i>Revista de Estudios Taurinos<\/i> 17 (2003): 235\u201346.<br \/>\nTinterow, Gary. \u201cVollard and Picasso.\u201d In <i>C\u00e9zanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde<\/i>. New York: The Metropolitan Museum of Art, 2006.<br \/>\n<em><b>Picasso<br \/>\n<\/b><\/em>Brassa\u00ef. <i>Picasso &amp; Co. <\/i>1<span class=\"s2\"><sup>st<\/sup><\/span> publ. 1964. Transl. Francis Price, preface by Henry Miller, introduction by Roland Penrose. London: Thames &amp; Hudson, 1967.<br \/>\n\u2014.\u00a0<i>Conversations with Picasso. <\/i>Trans. Jane Marie Todd. Chicago University Press, 1999.<br \/>\nCowling, Elizabeth. <i>Picasso: Style and Meaning<\/i>. London: Phaidon, 2002.<br \/>\nGilot, Fran\u00e7oise and Carlton Lake. <i>Life with Picasso<\/i> (1<span class=\"s2\"><sup>st<\/sup><\/span> publ. 1964). London: Virago, 1990, reprinted 1997.<br \/>\nParmelin, H\u00e9l\u00e8ne. <i>Picasso Says<\/i>. South Brunswick, NJ: A.S. Barnes, 1969.<br \/>\n<i>Penrose, Roland. Picasso: His Life and Work. Los Angeles: University of California Press, 1981.<br \/>\n<\/i>Richardson, John. <i>A Life of Picasso<\/i>, <i>vol. III: The Triumphant Years, 1917-32<\/i>. London: Jonathan Cape, 2007.<br \/>\nSabart\u00e8s, Jaime.<i> Picasso: An Intimate Portrait. (1<\/i><span class=\"s2\"><i><sup>st<\/sup><\/i><\/span><i> publ. 1946). London: W.H. Allen, 1949.<br \/>\n<\/i><em><b>Vollard<br \/>\n<\/b><\/em>Johnson, Una E. <i>Ambroise Vollard, Editeur: Prints, Books, Bronzes<\/i>. New York: Museum of Modern Art, 1977.<br \/>\nRabinow, Rebecca A. ed. <i>C\u00e9zanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde<\/i>. New York: The Metropolitan Museum of Art, 2006.<br \/>\nTinterow, Gary. \u201cVollard and Picasso.\u201d In Rebecca A. Rabinow, ed.,<b> <\/b><i>C\u00e9zanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde<\/i>. New York: The Metropolitan Museum of Art, 2006.<br \/>\n<em><b>Picasso and Printmaking<\/b><\/em><br \/>\nBaer, Brigitte. <i>Picasso the Engraver: Selections from the Mus\u00e9e Picasso, Paris<\/i>. New York: The Metropolitan Museum of Art, 1997.<br \/>\n\u2014. <i>Picasso the Printmaker: Graphics from the Marina Picasso Collection<\/i>. Dallas: Dallas Museum of Art, 1983.<br \/>\n\u2014. <i>Picasso peintre graveur<\/i>: <i>Catalogue raisonn\u00e9 de l&#8217;oeuvre grav\u00e9 et des monotypes. <\/i>T. I, 1899-1931; T. II, 1932-1934 ; T. III, 1935-1945. Bern: Kornfeld 1986-1996.<br \/>\nCohen, Janie. \u201cPicasso\u2019s Dialogue with Rembrandt\u2019s Art.\u201d In Isadora Rose-de Viejo<i>, Etched on the Memory: The Presence of Rembrandt in the Prints of Goya and Picasso. <\/i>Amsterdam and London: the Rembrandt House Museum with Lund Humphries, 2000. 80-122.<br \/>\nCohen, Janie, ed. Picasso, <i>Inside the Image: Prints from the Ludwig Museum<\/i>, Cologne. London: Thames and Hudson and Robert Hull Fleming Museum, 1995.<br \/>\nCoppel, Stephen. <i>Picasso and Printmaking in Paris<\/i>. London: British Museum, 1998.<br \/>\nFlorman, Lisa. <i>Myth and Metamorphosis: Picasso\u2019s Classical Prints of the 1930s<\/i>. Cambridge: MIT Press, 2000.<br \/>\nGoeppert, Sebastian and Herma C. Goeppert-Frank. <i>Minotauromachy by Pablo Picasso<\/i>. Geneva: Patrick Cramer, 1987.<br \/>\nMarc Rosen Fine Art. <i>Picasso: The Intaglio Prints, 1904\u20131968; Including <\/i>La Suite des Saltimbanques<i>, <\/i>La Suite Vollard<i>.<\/i> New York: Marc Rosen Fine Art, 1999.<br \/>\nWye, Deborah.<b> <\/b><i>A Picasso<\/i> <i>Portfolio: Prints from the Museum of Modern Art. <\/i>New York: Museum of Modern Art, 2010.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Suite Vollard Bolliger, Hans. Picasso for Vollard. New York: Harry N. Abrams, 1956. \u2014. Picasso&#8217;s Vollard Suite. New York: H. N. Abrams, 1977.Coppel, Stephen. Picasso Prints: The Vollard Suite. London: British Museum Press, 2012. Costello, Anita Coles. Picasso&#8217;s Vollard Suite. New York: Garland, 1979. Dalzell Hatfield Galleries. Picasso, 100 etchings: &#8220;La Suite Vollard.\u201d Exhibition July [&hellip;]<\/p>\n","protected":false},"author":7111,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","ngg_post_thumbnail":0,"footnotes":""},"_links":{"self":[{"href":"https:\/\/web.colby.edu\/vollard\/wp-json\/wp\/v2\/pages\/318"}],"collection":[{"href":"https:\/\/web.colby.edu\/vollard\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/web.colby.edu\/vollard\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/web.colby.edu\/vollard\/wp-json\/wp\/v2\/users\/7111"}],"replies":[{"embeddable":true,"href":"https:\/\/web.colby.edu\/vollard\/wp-json\/wp\/v2\/comments?post=318"}],"version-history":[{"count":21,"href":"https:\/\/web.colby.edu\/vollard\/wp-json\/wp\/v2\/pages\/318\/revisions"}],"predecessor-version":[{"id":666,"href":"https:\/\/web.colby.edu\/vollard\/wp-json\/wp\/v2\/pages\/318\/revisions\/666"}],"wp:attachment":[{"href":"https:\/\/web.colby.edu\/vollard\/wp-json\/wp\/v2\/media?parent=318"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}