{"id":5334,"date":"2024-07-19T10:18:43","date_gmt":"2024-07-19T14:18:43","guid":{"rendered":"https:\/\/web.colby.edu\/thelantern\/?p=5334"},"modified":"2024-07-22T10:38:36","modified_gmt":"2024-07-22T14:38:36","slug":"alive-kicking-inspired-playlist","status":"publish","type":"post","link":"https:\/\/web.colby.edu\/thelantern\/2024\/07\/19\/alive-kicking-inspired-playlist\/","title":{"rendered":"&#8220;Alive &#038; Kicking&#8221; Inspired Playlist"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">Drawing on themes of exuberance, vibrancy, and playfulness in the summer exhibition <\/span><i><span style=\"font-weight: 400;\">Alive &amp; Kicking<\/span><\/i><span style=\"font-weight: 400;\">, Maria DiBari brings together a playlist capturing the essence of being unapologetically joyful and alive.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The <\/span><a href=\"https:\/\/museum-exhibitions.colby.edu\/exhibition\/alive-kicking-fantastic-installations-by-thomas-lanigan-schmidt-catalina-schliebener-munoz-and-gladys-nilsson\/\"><span style=\"font-weight: 400;\"><em>Alive &amp; Kicking<\/em><\/span><\/a><span style=\"font-weight: 400;\"> exhibition assembles the work of three contemporary artists known for their punchy, surreal installations. Gladys Nilsson and Catalina Schliebener Mu\u00f1oz created original works on-site in the gallery, featuring spirited, strange, cartoonish scenes. These are accompanied by Thomas Lanigan-Schmidt&#8217;s <\/span><i><span style=\"font-weight: 400;\">Mysterium Tremendum<\/span><\/i><span style=\"font-weight: 400;\"> (late 1980s), a quasi-autobiographical tale illustrated across 125 aluminum lasagna pans. Through absurdly colorful and playful visuals, the works capture the everyday in its entirety: the sweet, the sour, and the unpredictability of life!<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In the spirit of tamed chaos, I took up the challenge of creating a playlist in response to <em>Alive &amp; Kicking<\/em>, stringing together selections from Lanigan-Schmidt, Nilsson, and Schliebener Mu\u00f1oz along with songs of my choice. The combined soundtrack creates a musical journey that complements the exhibition and reflects the lives of the artists. To tell their stories I sought out songs that I categorized as upbeat and groovy with vibrant and exaggerated motion, songs by Queer identifying artists, and songs that tell a story of growth and identity utilizing religious motifs. <\/span><\/p>\n<p><iframe title=\"Spotify Embed: Artist\u2019s Picks\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/playlist\/09pYC9TtHuBSb1aZ010a8Y?si=533a103ea764491a&#038;utm_source=oembed\"><\/iframe><\/p>\n<p><span style=\"font-weight: 400;\">Art and music live within the same realm of storytelling and expression, prompting vivid imagery bursting with emotion. Before entering the rabbit hole with Wolfgang Mozart, David Bowie, and Chappell Roan, among others, I\u2019d like to introduce our \u201ckicking\u201d artists and their stories, accompanied by their chosen music that lead to this whole production.<\/span><\/p>\n<h1 style=\"text-align: center;\"><span style=\"color: #333333;\"><b>Artist Picks: A Personal Touch<\/b><\/span><\/h1>\n<div class=\"tiled-gallery type-square tiled-gallery-unresized\" data-original-width=\"840\" data-carousel-extra='{&quot;blog_id&quot;:4183,&quot;permalink&quot;:&quot;https:\\\/\\\/web.colby.edu\\\/thelantern\\\/2024\\\/07\\\/19\\\/alive-kicking-inspired-playlist\\\/&quot;,&quot;likes_blog_id&quot;:57690379}' itemscope itemtype=\"http:\/\/schema.org\/ImageGallery\" > <div class=\"gallery-row\" style=\"width: 840px; height: 280px;\" data-original-width=\"840\" data-original-height=\"280\" > <div class=\"gallery-group\" style=\"width: 280px; height: 280px;\" data-original-width=\"280\" data-original-height=\"280\" > <div class=\"tiled-gallery-item \" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <meta itemprop=\"width\" content=\"276\"> <meta itemprop=\"height\" content=\"276\"> <img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"5386\" data-orig-file=\"https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/Tommy-Lanigan-Schmidt_Hyperallergic-1.jpeg\" data-orig-size=\"266,275\" data-comments-opened=\"\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Lanigan-Schmidt_Hyperallergic\" data-image-description=\"\" data-medium-file=\"https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/Tommy-Lanigan-Schmidt_Hyperallergic-1.jpeg\" data-large-file=\"https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/Tommy-Lanigan-Schmidt_Hyperallergic-1.jpeg\" src=\"https:\/\/i0.wp.com\/web.colby.edu\/thelantern\/files\/2024\/07\/Tommy-Lanigan-Schmidt_Hyperallergic-1.jpeg?w=276&#038;h=276&#038;crop=1&#038;ssl=1\" width=\"276\" height=\"276\" data-original-width=\"276\" data-original-height=\"276\" itemprop=\"http:\/\/schema.org\/image\" title=\"Lanigan-Schmidt_Hyperallergic\" alt=\"Tommy Lanigan-Schmidt. Photo by Hrag Vartanian, Hyperallergic. https:\/\/hyperallergic.com\/879471\/thomas-lanigan-schmidt-the-story-of-one-of-the-only-artists-at-the-stonewall-uprising\/.\" style=\"width: 276px; height: 276px;\" \/> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Tommy Lanigan-Schmidt. Photo by Hrag Vartanian, Hyperallergic. https:\/\/hyperallergic.com\/879471\/thomas-lanigan-schmidt-the-story-of-one-of-the-only-artists-at-the-stonewall-uprising\/. <\/div> <\/div> <\/div> <div class=\"gallery-group\" style=\"width: 280px; height: 280px;\" data-original-width=\"280\" data-original-height=\"280\" > <div class=\"tiled-gallery-item \" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <meta itemprop=\"width\" content=\"276\"> <meta itemprop=\"height\" content=\"276\"> <img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"5382\" data-orig-file=\"https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/Gladys-CloseUp.jpg\" data-orig-size=\"708,658\" data-comments-opened=\"\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;Screenshot&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;Screenshot&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Gladys-Nilsson_\" data-image-description=\"\" data-medium-file=\"https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/Gladys-CloseUp-300x279.jpg\" data-large-file=\"https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/Gladys-CloseUp.jpg\" src=\"https:\/\/i0.wp.com\/web.colby.edu\/thelantern\/files\/2024\/07\/Gladys-CloseUp.jpg?w=276&#038;h=276&#038;crop=1&#038;ssl=1\" width=\"276\" height=\"276\" data-original-width=\"276\" data-original-height=\"276\" itemprop=\"http:\/\/schema.org\/image\" title=\"Gladys-Nilsson_\" alt=\"Gladys Nilsson. Photo: Kendall deBoer.\" style=\"width: 276px; height: 276px;\" \/> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Gladys Nilsson. Photo: Kendall deBoer. <\/div> <\/div> <\/div> <div class=\"gallery-group\" style=\"width: 280px; height: 280px;\" data-original-width=\"280\" data-original-height=\"280\" > <div class=\"tiled-gallery-item \" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <meta itemprop=\"width\" content=\"276\"> <meta itemprop=\"height\" content=\"276\"> <img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"5383\" data-orig-file=\"https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/Catalina-CloseUp.jpg\" data-orig-size=\"622,604\" data-comments-opened=\"\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;Screenshot&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;Screenshot&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Schliebener-Mu\u00f1oz_\" data-image-description=\"\" data-medium-file=\"https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/Catalina-CloseUp-300x291.jpg\" data-large-file=\"https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/Catalina-CloseUp.jpg\" src=\"https:\/\/i0.wp.com\/web.colby.edu\/thelantern\/files\/2024\/07\/Catalina-CloseUp.jpg?w=276&#038;h=276&#038;crop=1&#038;ssl=1\" width=\"276\" height=\"276\" data-original-width=\"276\" data-original-height=\"276\" itemprop=\"http:\/\/schema.org\/image\" title=\"Schliebener-Mu\u00f1oz_\" alt=\"Catalina Schliebener Mu\u00f1oz. Photo: Kendall deBoer.\" style=\"width: 276px; height: 276px;\" \/> <div class=\"tiled-gallery-caption\" itemprop=\"caption description\"> Catalina Schliebener Mu\u00f1oz. Photo: Kendall deBoer. <\/div> <\/div> <\/div> <\/div> <\/div>\n<p><span style=\"font-weight: 400;\">I had the pleasure of speaking with Kris Nuzzi (Thomas Lanigan-Schmidt\u2019s assistant), Gladys Nilsson, and Catalina Schliebener Mu\u00f1oz; I asked the artists to share a few songs they consider to be their favorites or inspiration for their artistry or being as well as a brief explanation of their significance.<\/span><\/p>\n<div class=\"mceTemp\">&nbsp;<\/div>\n<h3 style=\"text-align: center;\"><b><span style=\"color: #d21244;\">Thomas Lanigan-Schmidt<\/span> <\/b><\/h3>\n<p style=\"text-align: right;\">b. 1948; Elizabeth, New Jersey<br \/>\n<span style=\"font-weight: 400;\"><i>&#8212;&#8212;&#8212;&#8212;&#8212;<br \/>\nMysterium Tremendum<\/i>, late 1980s<br \/>\n<\/span><span style=\"font-weight: 400;\">Mixed media including mylar paper, lined<br \/>\npaper, marker, pencil, pen, glitter, and<br \/>\nwatercolor on 125 aluminum lasagna trays<br \/>\n<\/span><\/p>\n<figure id=\"attachment_5358\" aria-describedby=\"caption-attachment-5358\" style=\"width: 2560px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/AK-Installation-2-1-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"5358\" data-permalink=\"https:\/\/web.colby.edu\/thelantern\/2024\/07\/19\/alive-kicking-inspired-playlist\/ak-installation-2-1\/\" data-orig-file=\"https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/AK-Installation-2-1-scaled.jpg\" data-orig-size=\"2560,1293\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;8&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;NIKON D750&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1719332320&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;50&quot;,&quot;iso&quot;:&quot;900&quot;,&quot;shutter_speed&quot;:&quot;0.016666666666667&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"A&#038;K-Installation-2 (1)\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/AK-Installation-2-1-300x152.jpg\" data-large-file=\"https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/AK-Installation-2-1-1024x517.jpg\" class=\"wp-image-5358 size-full\" src=\"https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/AK-Installation-2-1-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1293\" srcset=\"https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/AK-Installation-2-1-scaled.jpg 2560w, https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/AK-Installation-2-1-300x152.jpg 300w, https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/AK-Installation-2-1-1024x517.jpg 1024w, https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/AK-Installation-2-1-768x388.jpg 768w, https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/AK-Installation-2-1-1536x776.jpg 1536w, https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/AK-Installation-2-1-2048x1034.jpg 2048w, https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/AK-Installation-2-1-236x119.jpg 236w\" sizes=\"(max-width: 2560px) 100vw, 2560px\" \/><\/a><figcaption id=\"caption-attachment-5358\" class=\"wp-caption-text\">Installation in the Colby Museum\u2019s Joan Dignam Schmaltz Gallery of Art at the Paul J. Schupf Art Center, Waterville, Maine, 2024. Photo: Andrew Witte.<\/figcaption><\/figure>\n<p><span style=\"color: #000000;\"><span style=\"color: #d21244;\"><b>Bio<\/b><\/span><b><span style=\"color: #d21244;\">:<\/span> <span style=\"font-weight: 400;\">Known for his large-scale yet intricate mixed-media creations, artist Thomas Lanigan-Schmidt infuses his work with lived experiences and with the zest for life as one of the few openly gay artists who participated in the 1969 Stonewall Uprisings<\/span><\/b><\/span><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p><span style=\"color: #000000;\"><b><span style=\"color: #d21244;\">Selected Songs:<\/span> <span style=\"font-weight: 400;\">Lanigan-Schmidt recommended a number of songs by artists that he believes encompass his mentality and spirit of resilience while reminding him of his journey to where he is today. Here are the highlights<\/span><\/b><\/span><span style=\"font-weight: 400;\">:<\/span><\/p>\n<h5 style=\"padding-left: 40px;\"><span style=\"color: #000000;\"><b>\u201cWalking in the Rain\u201d by The Ronettes<\/b><\/span><\/h5>\n<blockquote><p><span style=\"font-weight: 400;\">&#8220;It&#8217;s so beautiful and covers a lot of ground.&#8221;&nbsp;<\/span><\/p><\/blockquote>\n<p style=\"padding-left: 40px;\"><span style=\"font-weight: 400;\">This song captures the bittersweet emotions and multifaceted experiences reflected in his art as well as the romantic and melancholic tone of the song mirrors his nuanced, layered storytelling. He felt that this song says exactly what it is, naming a lot of names and wrapping it all up just as a story comes to a satisfying end.<\/span><\/p>\n<h5 style=\"padding-left: 40px;\"><span style=\"color: #000000;\"><b>\u201cDancing in the<\/b> <strong>Street\u201d<\/strong><b> by Martha Reeves &amp; The Vandellas<\/b><\/span><\/h5>\n<blockquote><p><span style=\"font-weight: 400;\">&#8220;Dancing at the Stonewall is what makes the riot happen.&#8221;&nbsp;<\/span><\/p><\/blockquote>\n<p style=\"padding-left: 40px;\"><span style=\"font-weight: 400;\">The song embodies the joy and rebellion central to the Stonewall uprising, much like the spirited defiance in his artworks. He recalls his youthful desire to be a normal teenager, dancing wherever his feet brought him, yet he found that the only safe dance floors were in the homes of close friends.<\/span><\/p>\n<h5 style=\"padding-left: 40px;\"><span style=\"color: #000000;\"><b>\u201cHalfway to Paradise\u201d by Tony Orlando<\/b><\/span><\/h5>\n<blockquote><p><span style=\"font-weight: 400;\">&#8220;The title says it all\u2026halfway to what total love could or should be about.&#8221;&nbsp;<\/span><\/p><\/blockquote>\n<p style=\"padding-left: 40px;\"><span style=\"font-weight: 400;\">This song mirrors the longing for acceptance and love that permeates his work<\/span><span style=\"font-weight: 400;\">.&nbsp;<\/span><\/p>\n<p style=\"padding-left: 40px;\"><span style=\"font-weight: 400;\">Lanigan-Schmidt also recommended <\/span><span style=\"color: #000000;\"><b>\u201cThe Shoop Shoop Song\u201d by Betty Everet<\/b><\/span><span style=\"font-weight: 400;\"> and <\/span><span style=\"color: #000000;\"><b>\u201cRunaround Sue\u201d by Dion<\/b><\/span><span style=\"font-weight: 400;\"> which share in the dynamic and upbeat nature of his other selections.<\/span><\/p>\n<h3 style=\"text-align: center; padding-left: 40px;\"><span style=\"color: #d21244;\"><strong>Gladys Nilsson<\/strong><\/span><i style=\"text-align: right; font-family: roboto, sans-serif; font-size: 21px;\"><\/i><i><\/i><\/h3>\n<p style=\"text-align: right;\">b. 1940; Chicago, Illinois<br \/>\n<i><span style=\"font-weight: 400;\">&#8212;&#8212;&#8212;&#8212;&#8212;<br \/>\nRounding Rosie\u2019s Ring: Dance, You Fools, Dance<\/span><\/i><span style=\"font-weight: 400;\">, 2024<br \/>\n<\/span><span style=\"font-weight: 400;\">Charcoal, graphite, chalk, marker, wall paint<\/span><\/p>\n<figure id=\"attachment_5348\" aria-describedby=\"caption-attachment-5348\" style=\"width: 991px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/WEB_GladysNilsson_FullComposite.png\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"5348\" data-permalink=\"https:\/\/web.colby.edu\/thelantern\/2024\/07\/19\/alive-kicking-inspired-playlist\/web_gladysnilsson_fullcomposite\/\" data-orig-file=\"https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/WEB_GladysNilsson_FullComposite.png\" data-orig-size=\"3000,770\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"WEB_GladysNilsson_FullComposite\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/WEB_GladysNilsson_FullComposite-300x77.png\" data-large-file=\"https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/WEB_GladysNilsson_FullComposite-1024x263.png\" class=\"wp-image-5348\" src=\"https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/WEB_GladysNilsson_FullComposite.png\" alt=\"\" width=\"991\" height=\"254\" srcset=\"https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/WEB_GladysNilsson_FullComposite.png 3000w, https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/WEB_GladysNilsson_FullComposite-300x77.png 300w, https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/WEB_GladysNilsson_FullComposite-1024x263.png 1024w, https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/WEB_GladysNilsson_FullComposite-768x197.png 768w, https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/WEB_GladysNilsson_FullComposite-1536x394.png 1536w, https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/WEB_GladysNilsson_FullComposite-2048x526.png 2048w, https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/WEB_GladysNilsson_FullComposite-236x61.png 236w\" sizes=\"(max-width: 991px) 100vw, 991px\" \/><\/a><figcaption id=\"caption-attachment-5348\" class=\"wp-caption-text\">Installation in the Colby Museum\u2019s Joan Dignam Schmaltz Gallery of Art at the Paul J. Schupf Art Center, Waterville, Maine, 2024. Photo: Kendall deBoer.<\/figcaption><\/figure>\n<p><span style=\"color: #d21244;\"><b>Bio<\/b><\/span><b><span style=\"color: #d21244;\">: <\/span><span style=\"font-weight: 400;\">Known for her playful and cartoonish art style, Gladys Nilsson\u2019s work is a delightful explosion of color and whimsy using an endless array of materials breathing life into giant forms<\/span><\/b><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p><span style=\"color: #000000;\"><b><span style=\"color: #d21244;\">Selected Songs:<\/span> <span style=\"font-weight: 400;\">Nilsson recommended a library\u2019s worth of music, including practically the entire discography of numerous artists such as <\/span><span style=\"color: #000000;\">Willie Nelson<span style=\"font-weight: 400;\">,<\/span> Bob Dillon<span style=\"font-weight: 400;\">, <\/span>Wagner\u2019s<\/span><span style=\"font-weight: 400;\"> Ring Cycle opera<\/span>, <span style=\"font-weight: 400;\">playful<\/span> Mozart<span style=\"font-weight: 400;\">, early<\/span> <span style=\"color: #000000;\">Beatles<span style=\"font-weight: 400;\">, <\/span>Fred Astaire<\/span><span style=\"font-weight: 400;\"><span style=\"color: #000000;\">,<\/span> and<\/span> <span style=\"color: #000000;\">Mick Jagger\u2019s<\/span> <span style=\"font-weight: 400;\">gritty sound. Nilsson gave me free range of songs by these artists but highlighted a few songs and provided her reasoning<\/span><\/b><\/span><span style=\"font-weight: 400;\">.&nbsp;<\/span><\/p>\n<h5 style=\"padding-left: 40px;\"><span style=\"color: #000000;\"><b>\u201cLong Tall Sally\u201d by The Beatles<\/b><\/span><\/h5>\n<blockquote><p><span style=\"font-weight: 400;\">&#8220;It reflects the gritty and impactful nature of my artwork.&#8221;&nbsp;<\/span><\/p><\/blockquote>\n<p style=\"padding-left: 40px;\"><span style=\"font-weight: 400;\">The raw energy of early Beatles music parallels the bold, dynamic quality of Nilsson\u2019s art. Within her own art, she wishes to replicate the gut punching feeling a painting that you\u2019ve known and loved for years has when you\u2019ve finally encountered it in person, just \u201cwham.\u201d<\/span><\/p>\n<h5 style=\"padding-left: 40px;\"><span style=\"color: #000000;\"><b>Willie Nelson and Bob Dylan<\/b><\/span><\/h5>\n<blockquote><p><span style=\"font-weight: 400;\">&#8220;Their poetic and raw music mirrors the authenticity in my art.&#8221;&nbsp;<\/span><\/p><\/blockquote>\n<p style=\"padding-left: 40px;\"><span style=\"font-weight: 400;\">Both artists\u2019 music captures the spirit of genuine expression and storytelling that Nilsson embodies. It\u2019s \u201csublime.\u201d<\/span><\/p>\n<h5 style=\"padding-left: 40px;\"><span style=\"color: #000000;\"><b>Fred Astaire\u2019s early musical film songs<\/b><\/span><\/h5>\n<blockquote><p><span style=\"text-align: center;\">&#8220;I love to listen to his unique voice.&#8221;<\/span><\/p><\/blockquote>\n<ul>\n<li style=\"list-style-type: none;\"><span style=\"font-weight: 400;\">Astaire&#8217;s playful yet sophisticated style complements Nilsson\u2019s lighthearted while intricately detailed creations. Though recording songs are not his specialty, just as Nilsson had never worked at such a large scale for this exhibition, he brought with it a special pizzazz.<\/span><\/li>\n<\/ul>\n<h3 style=\"text-align: center;\"><span style=\"color: #d21244;\"><b>Catalina Schliebener Mu\u00f1oz<\/b><\/span><\/h3>\n<p style=\"text-align: right;\">b. 1980; Santiago, Chile<br \/>\n<i><span style=\"font-weight: 400;\">&#8212;&#8212;&#8212;&#8212;&#8212;<br \/>\nAnimales dom\u00e9sticos<\/span><\/i><span style=\"font-weight: 400;\">, 2024<br \/>\n<\/span><span style=\"font-weight: 400;\">Vinyl cut-outs, polyester, acrylic and synthetic<br \/>\nfabrics, coloring book pages, wall paint<\/span><\/p>\n<figure id=\"attachment_5359\" aria-describedby=\"caption-attachment-5359\" style=\"width: 2560px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/MofA-First-Friday-July-2024-42-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"5359\" data-permalink=\"https:\/\/web.colby.edu\/thelantern\/2024\/07\/19\/alive-kicking-inspired-playlist\/mofa-first-friday-july-2024-42\/\" data-orig-file=\"https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/MofA-First-Friday-July-2024-42-scaled-e1721151616289.jpg\" data-orig-size=\"2560,913\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;5&quot;,&quot;credit&quot;:&quot;John T. Meader&quot;,&quot;camera&quot;:&quot;Canon EOS R&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1720219774&quot;,&quot;copyright&quot;:&quot;2022&quot;,&quot;focal_length&quot;:&quot;10&quot;,&quot;iso&quot;:&quot;2000&quot;,&quot;shutter_speed&quot;:&quot;0.0125&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"MofA First Friday July 2024&#8211;42\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/MofA-First-Friday-July-2024-42-scaled-e1721151616289-300x107.jpg\" data-large-file=\"https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/MofA-First-Friday-July-2024-42-scaled-e1721151616289-1024x365.jpg\" class=\"wp-image-5359 size-full\" src=\"https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/MofA-First-Friday-July-2024-42-scaled-e1721151616289.jpg\" alt=\"\" width=\"2560\" height=\"913\" srcset=\"https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/MofA-First-Friday-July-2024-42-scaled-e1721151616289.jpg 2560w, https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/MofA-First-Friday-July-2024-42-scaled-e1721151616289-300x107.jpg 300w, https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/MofA-First-Friday-July-2024-42-scaled-e1721151616289-1024x365.jpg 1024w, https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/MofA-First-Friday-July-2024-42-scaled-e1721151616289-768x274.jpg 768w, https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/MofA-First-Friday-July-2024-42-scaled-e1721151616289-1536x548.jpg 1536w, https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/MofA-First-Friday-July-2024-42-scaled-e1721151616289-2048x730.jpg 2048w, https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/MofA-First-Friday-July-2024-42-scaled-e1721151616289-236x84.jpg 236w\" sizes=\"(max-width: 2560px) 100vw, 2560px\" \/><\/a><figcaption id=\"caption-attachment-5359\" class=\"wp-caption-text\">Installation in the Colby Museum\u2019s Joan Dignam Schmaltz Gallery of Art at the Paul J. Schupf Art Center, Waterville, Maine, 2024. Photo: John Meader.<\/figcaption><\/figure>\n<p><span style=\"color: #d21244;\"><b>Bio<\/b><b>: <\/b><\/span><span style=\"font-weight: 400;\">Catalina Schliebener Mu\u00f1oz is known for their remixes of recognizable characters (many from Disney) forming fantastical beings that resist easy categorization while being particularly aware of the ways that children&#8217;s media can replicate and perpetuate stereotypes.<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #d21244;\"><b>Selected Songs: <\/b><\/span><span style=\"font-weight: 400;\">Music is a core part of Schliebener Mu\u00f1oz, and they certainly couldn\u2019t limit their life and inspiration to one song. Instead, they graced me with a handful of music, most with explanations providing a deeper look into their youth and passions as an artist.<\/span><\/p>\n<h5 style=\"padding-left: 40px;\"><span style=\"color: #000000;\"><b>\u201cShip of Fools\u201d and \u201cAlways\u201d by Erasure<\/b><\/span><\/h5>\n<blockquote>\n<p style=\"text-align: left;\"><span style=\"font-weight: 400;\">\u201c\u2018<\/span><span style=\"font-weight: 400;\">Ship of Fools\u2019 by Erasure has a really pretty music video by Pierre et Gilles with a pastel pink and aquamarine color palette. And they also did the music video for \u2018Always\u2019 by Erasure. Through Erasure, I learned of this other amazing artist (Pierre et Gilles) that I also love, and a lot of my artist references come from music.\u201d<\/span><\/p>\n<\/blockquote>\n<h5 style=\"padding-left: 40px;\"><span style=\"color: #000000;\"><b>\u201cWhat?\u201d by Soft Cell<\/b><\/span><\/h5>\n<blockquote>\n<p style=\"text-align: left;\"><span style=\"font-weight: 400;\">\u201c<\/span><span style=\"font-weight: 400;\">I love Marc Almond, and this is his first band. I love that \u2018What?\u2019 is an upbeat sounding song, but it also has so many emotions about breakup and drama. This has a dancey feel even though it\u2019s about heartbreak, mixing that pain with fun and dancing.\u201d<\/span><\/p>\n<\/blockquote>\n<h5 style=\"padding-left: 40px;\"><span style=\"color: #000000;\"><b>\u201cDeadbeat Club\u201d by The B-52&#8217;s<\/b><\/span><\/h5>\n<blockquote><p><span style=\"font-weight: 400;\">&#8220;A key album from my youth that influenced my art and identity.&#8221;&nbsp;<\/span><\/p><\/blockquote>\n<p style=\"padding-left: 40px;\"><span style=\"font-weight: 400;\">The nostalgic and carefree vibe of the B-52&#8217;s mirrors the joyful and introspective elements in Schliebener Mu\u00f1oz\u2019s work which houses this concept of \u201cother,\u201d the inbetween or outside, a liminal space of sorts. It acts as a club for us to celebrate with each other.<\/span><\/p>\n<h5 style=\"padding-left: 40px;\"><span style=\"color: #000000;\"><b>\u201cShiny Happy People\u201d by R.E.M. and The B-52&#8217;s<\/b><\/span><\/h5>\n<blockquote><p><span style=\"font-weight: 400;\">&#8220;<\/span><span style=\"font-weight: 400;\">All my memories are attached to images and music. I remember being a kid and watching MTV at my best friend\u2019s place. They\u2019d play this video often. I love how gender was really playful. And I love that they\u2019re singing about being happy but there\u2019s a melancholic aspect to their voices.<\/span><span style=\"font-weight: 400;\">\u201d<\/span><\/p><\/blockquote>\n<p style=\"padding-left: 40px;\"><span style=\"font-weight: 400;\">This song\u2019s playful take on happiness, with its undercurrent of melancholy, aligns with the nuanced exploration of identity that Schliebener Mu\u00f1oz focuses on.<\/span><\/p>\n<h5 style=\"padding-left: 40px;\"><b><span style=\"color: #000000;\">&#8220;Mis-Shapes&#8221; and &#8220;The Day After the Revolution&#8221; by Pulp<\/span><\/b><\/h5>\n<blockquote><p><b>\u201c<\/b><span style=\"font-weight: 400;\">My last two songs are by Pulp. Pulp was important to me when I was a teenager, and from the age when I really started paying attention to lyrics. Their lyrics are really smart, and they often write about class in a playful way.\u201d<\/span><\/p><\/blockquote>\n<p style=\"padding-left: 80px;\"><span style=\"color: #000000;\"><b>\u201cMis-Shapes&#8221; &#8212;<\/b><\/span><\/p>\n<blockquote>\n<p style=\"text-align: left;\"><span style=\"font-weight: 400;\">&#8220;A manifesto to me when I was younger.&#8221;&nbsp;<\/span><\/p>\n<\/blockquote>\n<p style=\"text-align: left; padding-left: 40px;\"><span style=\"font-weight: 400;\">The song\u2019s lyrics about class and individuality resonate with Schliebener Mu\u00f1oz\u2019s focus on personal identity and societal roles.<\/span><\/p>\n<p style=\"padding-left: 80px;\"><span style=\"color: #000000;\"><b>&#8220;The Day After the Revolution\u201d &#8212;<\/b><\/span><\/p>\n<blockquote>\n<p style=\"text-align: left;\"><span style=\"font-weight: 400;\">\u201cspoke to me a lot as I became more aware about economic class and its relationship to accessing certain opportunities\u201d<\/span><\/p>\n<\/blockquote>\n<p>&nbsp;<\/p>\n<hr>\n<h1 style=\"text-align: center;\"><span style=\"color: #333333;\"><b>Author\u2019s Note<\/b><\/span><\/h1>\n<p><span style=\"font-weight: 400;\">To complement their stories with music of my choice, I decided to start with a dramatic build with the help of Wolfgang Mozart, foreshadowing what&#8217;s to come through our odyssey, a prolonged revelation. After the comfort and drawn out suspense of the instrumentals subsides, you\u2019re quickly thrown into the deep end with Chappell Roan\u2019s magnetic voice. It\u2019s a little jarring. However, like art, it evokes strong emotions and an array of feelings; this transition prepares you for the exhibition containing work that\u2019s not like anything you\u2019ve seen before with their unusual materials and subjects and live installations. You almost question its acceptance in this location just as Mozart followed by Chappell Roan would typically seem questionable, but she is \u201cyour artist\u2019s favorite artist,\u201d after all.&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Our journey consists of three phases that work together to write a narrative of unapologetically joyful lives, lived vibrantly and authentically. The gradual build parallels the time it takes to grasp how layered the work in the exhibition is. Just as the playlist takes time to tell its story one song after another, we reach an understanding of the beauty found in the details of individual lives. Our experiences and passions inform our identity and inspire our work. Art is a vehicle of expression and conversation. You could spend hours on end unpacking their art and still find more to learn, nevertheless, for now we can just unravel some highlights of my playlist.<\/span><\/p>\n<p><span style=\"color: #d21244;\"><strong>\u21d2 Phase 1 <\/strong><\/span>is nostalgic, representing the<br \/>\npassage of self-discovery, embracing individuality,<br \/>\nand seeking confidence in one\u2019s uniqueness.<br \/>\nThe songs in this phase whisper of estrangement<br \/>\nand concern for living outside of expectations,<br \/>\nnevertheless, they are swiftly overcome by the<br \/>\nenergetic unpredictability of youth, celebrating<br \/>\nthe freedom to explore and define oneself.<\/p>\n<p style=\"text-align: left; padding-left: 120px;\"><span style=\"color: #d21244;\"><strong>\u21d2 Phase 2 <\/strong><\/span>is about living unapologetically,<br \/>\nhaving found your strut, and inviting others to<br \/>\njoin your dance! It reflects the themes of resilience,<br \/>\ncommunity, and celebration of perpetual change.<br \/>\nThe songs here are vibrant ,carefree, and mirror<br \/>\nthe dynamic and lively nature of life as art;<br \/>\nthey\u2019re not trying to be anything in particular<br \/>\nother than an extension of the artists.<\/p>\n<p style=\"padding-left: 280px; text-align: left;\"><span style=\"color: #d21244;\"><strong>\u21d2 Phase 3 <\/strong><\/span>looks forward with optimism and hope. It celebrates dreams, aspirations, and the trek towards a bright future. The songs here are reflective, mystical, and uplifting, resonating with the exhibition&#8217;s exploration of self-discovery and transformation. In the final songs, we are left open ended on a more pensive note as our futures remain as unpredictable as ever.<\/p>\n<h1><span style=\"color: #333333;\"><b>Phase 1: Youth and Identity<\/b><\/span><\/h1>\n<h5><span style=\"color: #000000;\"><b>\u201cSuper Graphic Ultra Modern\u201d by Chappell Roan<\/b><\/span><\/h5>\n<pre><b>Feeling:<\/b><span style=\"font-weight: 400;\"> Energetic, bold, girlhood<\/span><\/pre>\n<p><span style=\"font-weight: 400;\">Following Mozart\u2019s build, Roan paints us a vivid image of a night in a girl\u2019s life. She captures an internal conversion with oneself, looking for self-assurance that progressively becomes more intimate and untethered as she is decisive in her being while maintaining her inner child. Roan sets the tone for the exhibition with the mix of sound, preparing visitors for wildly vibrant and unique artworks that have a lot to say in mixed material.<\/span><\/p>\n<blockquote><p>\u201cNot overdramatic, I know what I want&#8221;<\/p><\/blockquote>\n<p><span style=\"font-weight: 400;\">Being called overdramatic is synonymous with throwing a tantrum but Roan reframes it as her decisiveness and being unapologetically herself. She quickly shuts down the external voices, following her path and desires.&nbsp;<\/span><\/p>\n<blockquote><p>&#8220;Telling secrets, there on the mattress \/<br \/>\nWearing nothing but glitter and lashes&#8221;<\/p><\/blockquote>\n<p><span style=\"font-weight: 400;\">The first line feels juvenile, like being a little kid at a sleepover under the covers giggling relentlessly, but, by the second line, the subject shifts yet still maintains a childlike shine that memories of youth hold. This song transports me into the world of Schliebener Mu\u00f1oz\u2019s and Nilsson\u2019s art installations; first you see the vibrant colors and familiar Disney designs, but with the next moment, you start registering the obscurities and peculiar forms that still hold the light, airiness of adolescence. Nilsson\u2019s work plays with what it means to be clothed, blurring the difference between the body and material like \u201cwearing nothing but glitter and lashes.\u201d<\/span><\/p>\n<h3><span style=\"color: #000000;\"><b>\u201cThe Bottom of It\u201d by Fruit Bats<\/b><\/span><\/h3>\n<pre><b>Feeling:<\/b><span style=\"font-weight: 400;\"> Reflective, joyous, celebratory<\/span><\/pre>\n<p><span style=\"font-weight: 400;\">In the fourth song on the playlist, the Fruit Bats sing of self-discovery and contentment, resonating with the artists&#8217; expressions of their most authentic selves. The peculiar lyrics align with the unique and outside-the-norm artworks they crafted. My narrative truly begins here, and by the title, it represents exactly what I mean. We are starting from the beginning, the bottom and building up to understanding these artists and their unique experiences that inspired their artwork, whether it be by the feeling or the lyrical set up.&nbsp; The emotions drudged up by this song and its instrumentals spur a similar feeling I had while wandering around Nilsson\u2019s artwork in the center of the downtown gallery. It made me feel like one of those inflatable air dancers.<\/span><\/p>\n<blockquote><p>\u201cNow that you\u2019ve gotten to the autumn of \/<br \/>\nYour years and you feel your best yet \/<br \/>\n\u2026<br \/>\nso happy that you got to the bottom of \/<br \/>\nThe fears that were fettering you \/<br \/>\nAnd you found a round stone and you\u2019re wearing it around like a jewel\u201d<\/p><\/blockquote>\n<p><span style=\"font-weight: 400;\">These lines convey the build up of emotions experienced while coming of age. There\u2019s a sense of contentment while reflecting on personal growth. It resonates with all three of the artists\u2019 work as this song talks about feeling the best you\u2019ve ever felt and you got to the bottom of it\u2013 they found their most authentic selves, pushing past their fears.&nbsp;<\/span><\/p>\n<blockquote><p>\u201cNow that you\u2019ve wandered to the clearing in \/<br \/>\nThe woods where the wheat swayed in the wind \/<br \/>\nAnd you found a dead deer and you made it into moccasins \u201d<\/p><\/blockquote>\n<p><span style=\"font-weight: 400;\">This song is quite bizarre, similar to the artwork of the exhibition; it\u2019s outside of what people may consider the \u201cnorm\u201d for art, especially in a museum. These artists emphasize the peculiarities in life, heavily influenced from their youth, and exaggerate art forms to fit their narratives.<\/span><\/p>\n<blockquote><p>\u201cOverjoyed that you\u2019ve gotten to the flat spot \/<br \/>\nIn the field and you\u2019re starting to feel \/<br \/>\nThat it\u2019s heartening to something heartening \/<br \/>\nDoors creaking loud, swing wide open \/<br \/>\nAnd you found yourself, man, and that\u2019s something&#8221;<\/p><\/blockquote>\n<p><span style=\"font-weight: 400;\">Here we encounter a metaphor for self-discovery and acceptance. The artists are finally in the open spotlight, taking a moment to stop and breathe freely, feeling everything unconstrained at last.&nbsp;<\/span><\/p>\n<h3><span style=\"color: #000000;\"><b>\u201cBeacon\u201d by Matt Duncan<\/b><\/span><\/h3>\n<pre><b>Feeling:<\/b><span style=\"font-weight: 400;\"> Upbeat, confident, groovy<\/span><\/pre>\n<figure id=\"attachment_5399\" aria-describedby=\"caption-attachment-5399\" style=\"width: 234px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"5399\" data-permalink=\"https:\/\/web.colby.edu\/thelantern\/2024\/07\/19\/alive-kicking-inspired-playlist\/screenshot-3\/\" data-orig-file=\"https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/Cover-of-Beacon-by-Matt-Duncan.jpg\" data-orig-size=\"592,592\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;Screenshot&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;Screenshot&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Screenshot\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Screenshot&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/Cover-of-Beacon-by-Matt-Duncan-300x300.jpg\" data-large-file=\"https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/Cover-of-Beacon-by-Matt-Duncan.jpg\" class=\"wp-image-5399\" title=\"Duncan_Beacon_Album_Cover\" src=\"https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/Cover-of-Beacon-by-Matt-Duncan-150x150.jpg\" alt=\"\" width=\"234\" height=\"234\" srcset=\"https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/Cover-of-Beacon-by-Matt-Duncan-150x150.jpg 150w, https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/Cover-of-Beacon-by-Matt-Duncan-300x300.jpg 300w, https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/Cover-of-Beacon-by-Matt-Duncan-350x350.jpg 350w, https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/Cover-of-Beacon-by-Matt-Duncan-236x236.jpg 236w, https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/Cover-of-Beacon-by-Matt-Duncan.jpg 592w\" sizes=\"(max-width: 234px) 100vw, 234px\" \/><figcaption id=\"caption-attachment-5399\" class=\"wp-caption-text\"><i>Beacon<\/i> album cover<\/figcaption><\/figure>\n<p><span style=\"font-weight: 400;\">Next we are struck by the playful instrumentals of \u201cBeacon,\u201d inviting us to sway as the music cradles us to a jazzy lullabye. Each instrument is in conversation with one&nbsp;another, in some sort of call and response manner, supporting the singer\u2019s lyrical reassurance. The title \u201cBeacon\u201d made me think of Nilsson\u2019s installation at the center of the room, big and impossible to miss yet it doesn&#8217;t take away from the rest of the exhibit; it honestly uplifts it all. It\u2019s loud n\u2019 proud, for lack of a better word. It builds and builds, creating this feeling of confidence increasing with each verse: confident in \u201cwhat to do.\u201d<\/span><\/p>\n<blockquote><p>\u201cHold your head up, you\u2019re a beacon\u2026We know who you are\u201d<\/p><\/blockquote>\n<p><span style=\"font-weight: 400;\">These lines encourage self-confidence and visibility, relating to the bold and expressive nature of the artworks, but one could also imagine this song to be a supportive parent encouraging their child to not waive and trust in themselves.&nbsp;<\/span><\/p>\n<blockquote><p>\u201cYou know what to do \/<br \/>\nYou know what to do \/<br \/>\nYou know what to do \/<br \/>\nYou know what to do\u201d<\/p><\/blockquote>\n<p><span style=\"font-weight: 400;\">Repeated affirmations of external and internal assurance to be unapologetically yourself. This cycle of repetition ties us back to the visuals and literal name of Nilsson\u2019s installation <\/span><i><span style=\"font-weight: 400;\">Rounding Rosie\u2019 s Ring<\/span><\/i><span style=\"font-weight: 400;\">, as her figures dance around the gallery room in their purest forms and connected to one another creating an infinite loop.<\/span><\/p>\n<h3><span style=\"color: #000000;\"><b>\u201cStill Feel\u201d by Half\u2022Alive<\/b><\/span><\/h3>\n<pre><b>Feeling:<\/b><span style=\"font-weight: 400;\"> Uplifting, hopeful, continuous&nbsp;<\/span><\/pre>\n<p><span style=\"font-weight: 400;\">Teetering on the edge of Phase 1 and dipping ever so slightly into Phase 2, \u201cStill Feel\u201d reflects the <\/span>travels<span style=\"font-weight: 400;\"> from hopelessness to confidence and everything in between. It expresses how fluid this <\/span>journey<span style=\"font-weight: 400;\"> is, falling in and out of doubt and certainty. Rather than the song wrapping up at the end, it remains strong into the final beats till it fades out. This song is otherworldly.<\/span><\/p>\n<blockquote><p>\u201cFalling forward \/<br \/>\nBack into orbit \/<br \/>\nI can feel it \/<br \/>\nIt ain&#8217;t hopeless \u2018cause I start to notice \/<br \/>\nI can feel it \/<br \/>\nFalling Forward\u201d<\/p><\/blockquote>\n<p><span style=\"font-weight: 400;\">Throughout the song is this cycle of doubt and certainty. The syncopated beat within this cycle crafts a sense of being outside of the \u201cnorm\u201d but ensures there\u2019s a place for it. These lines emphasize resilience and finding hope, resonating with themes of identity and self-assurance. We\u2019re enveloped by this floaty feeling, insisting that we dance, boogey, and JUST FEEL!<\/span><\/p>\n<blockquote><p>\u201cAnd it\u2019s pulling me back to Earth to let me know \/<br \/>\n(Ohh-oh-oh-woah-oh) \/<br \/>\nI am not a slave can\u2019t be contained\u201d<\/p><\/blockquote>\n<p><span style=\"font-weight: 400;\">Art can tether you to the world but give you a floaty mental feeling as it expands past any one person\u2019s mind.<\/span><\/p>\n<h1><span style=\"color: #333333;\"><b>Phase 2: Living Unapologetically<\/b><\/span><\/h1>\n<h3><span style=\"color: #000000;\"><b>\u201cChanges\u201d by David Bowie<\/b><\/span><\/h3>\n<pre><b>Feeling:<\/b><span style=\"font-weight: 400;\"> Reflective, empowering, transformative<\/span><\/pre>\n<figure id=\"attachment_5402\" aria-describedby=\"caption-attachment-5402\" style=\"width: 234px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"5402\" data-permalink=\"https:\/\/web.colby.edu\/thelantern\/2024\/07\/19\/alive-kicking-inspired-playlist\/screenshot-6\/\" data-orig-file=\"https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/Cover-of-Changes-by-David-Bowie.jpg\" data-orig-size=\"592,592\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;Screenshot&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;Screenshot&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"&#8220;Changes&#8221; album cover\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;&#8220;Changes&#8221; album cover&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/Cover-of-Changes-by-David-Bowie-300x300.jpg\" data-large-file=\"https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/Cover-of-Changes-by-David-Bowie.jpg\" class=\"wp-image-5402\" title=\"Bowie_Hunky_Dory_Album_Cover\" src=\"https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/Cover-of-Changes-by-David-Bowie-150x150.jpg\" alt=\"\" width=\"234\" height=\"234\" srcset=\"https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/Cover-of-Changes-by-David-Bowie-150x150.jpg 150w, https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/Cover-of-Changes-by-David-Bowie-300x300.jpg 300w, https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/Cover-of-Changes-by-David-Bowie-350x350.jpg 350w, https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/Cover-of-Changes-by-David-Bowie-236x236.jpg 236w, https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/Cover-of-Changes-by-David-Bowie.jpg 592w\" sizes=\"(max-width: 234px) 100vw, 234px\" \/><figcaption id=\"caption-attachment-5402\" class=\"wp-caption-text\"><i>Hunky Dory<\/i> album cover for &#8220;Changes&#8221;<\/figcaption><\/figure>\n<p><span style=\"font-weight: 400;\">Chanting along with David Bowie about taking change face on, this song captures the fluidity of identity. It conveys a&nbsp;sense of self-discovery and the courage to evolve for one\u2019s self rather than for the approval of others.<\/span><\/p>\n<blockquote><p>&#8220;Ch-ch-ch-ch-changes \/<br \/>\nTurn and face the strange&#8221;<\/p><\/blockquote>\n<p><span style=\"font-weight: 400;\">Bowie emphasizes the inevitability of change and the importance of embracing it in a perpetual progress of growth and transformation that life entails.<\/span><\/p>\n<blockquote><p>\u201cTime may change me \/<br \/>\nBut I can&#8217;t trace time \/<br \/>\nOh-yeah \/<br \/>\nI watch the ripples change their size \/<br \/>\nBut never leave the stream of warm impermanence, and&#8221;<\/p><\/blockquote>\n<p><span style=\"font-weight: 400;\">Here we find ourselves reflecting on the passage of time and its impact on identity. Like our exhibition, Bowie explores the ever-evolving nature of selfhood and the importance of staying true to oneself amidst change. He suggests that while changes happen, there is a continuity to life, mirroring the exhibition&#8217;s dynamic and ever-evolving nature.<\/span><\/p>\n<h3><span style=\"color: #000000;\"><b>\u201cHot Rod\u201d by Dayglow<\/b><\/span><\/h3>\n<pre><b>Feeling:<\/b><span style=\"font-weight: 400;\"> Playful, empowering, motion<\/span><\/pre>\n<p><span style=\"font-weight: 400;\">Embraces change and self-acceptance, resonating with the exhibition&#8217;s themes of motion, movement, and dance. The song has an upbeat and carefree vibe that encourages self-acceptance and embracing change. Its light-heartedness and dynamic energy make it a perfect fit for the theme of living unapologetically.<\/span><\/p>\n<blockquote><p>\u201cComplicated theories of life, sarcastically \/<br \/>\nBut we both know-oh-oh\u201d<\/p><\/blockquote>\n<p><span style=\"font-weight: 400;\">This line suggests a playful take on life&#8217;s complexities: the joy, playfulness, and the dynamic nature of identity. &#8220;Sarcastically&#8221; adds a lighthearted tone, emphasizing the importance of not taking life too seriously and enjoying the moment.<\/span><\/p>\n<blockquote><p>\u201cThe way it\u2019s gonna go-oh-oh in the same way \u201d<\/p><\/blockquote>\n<p><span style=\"font-weight: 400;\">The sense of predictability and acceptance of life&#8217;s path hints at the growth within our <\/span>quest<span style=\"font-weight: 400;\"> of self-discovery. It suggests confidence and a laid-back attitude toward life&#8217;s unfolding events.&nbsp;<\/span><\/p>\n<blockquote><p>\u201cMaybe I\u2019m not all that you thought \/<br \/>\nAnd we don\u2019t mo-o-ove \/<br \/>\nLike we used to do-o-o in the same way\u201d<\/p><\/blockquote>\n<p><span style=\"font-weight: 400;\">Here, themes of change and self-acceptance rise. These lines acknowledge that people change over time and may not fit into others&#8217; expectations so why not be unapologetically yourself. You have control over yourself but not those around you or how they perceive your work so find what you love most and follow through with it!<\/span><\/p>\n<blockquote><p>\u201cMaybe you\u2019re not such a hot rod\u201d<\/p><\/blockquote>\n<p><span style=\"font-weight: 400;\">The song finally embraces and accepts the change. It\u2019s unabashedly confident and has a matter of fact tone with this statement, nevertheless, behind the lyrics, it can\u2019t hide its playful beat. This embodies the act of aging; at each new stage of life we collect our youth within. Each person is a compilation of that kid, teenager, 20-something, etc that you\u2019ve been, peeking out of our beings and coloring our worlds. Moreover, this line also challenges idealized perceptions and encourages a more genuine view of oneself and others.&nbsp;<\/span><\/p>\n<blockquote><p>&#8220;Do you break it? \/<br \/>\nIt feels like we&#8217;re breaking up&#8221;<\/p><\/blockquote>\n<p><span style=\"font-weight: 400;\">This line immediately stuck out as it reminds me of Lanigan-Schmidt\u2019s story: a moment of introspection and potential change in relationships and the idea of evolving connections and the impact on one&#8217;s sense of self.<\/span><\/p>\n<h3><span style=\"color: #000000;\"><b>\u201cUpside Down\u201d by Jack Johnson<\/b><\/span><\/h3>\n<pre><b>Feeling:<\/b><span style=\"font-weight: 400;\"> Playful, light-hearted, bouncy<\/span><\/pre>\n<figure id=\"attachment_5401\" aria-describedby=\"caption-attachment-5401\" style=\"width: 234px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"5401\" data-permalink=\"https:\/\/web.colby.edu\/thelantern\/2024\/07\/19\/alive-kicking-inspired-playlist\/screenshot-5\/\" data-orig-file=\"https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/Cover-of-Upside-Down-by-Jack-Johnson.jpg\" data-orig-size=\"592,592\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;Screenshot&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;Screenshot&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"&#8220;Upside Down&#8221; album cover\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;&#8220;Upside Down&#8221; album cover&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/Cover-of-Upside-Down-by-Jack-Johnson-300x300.jpg\" data-large-file=\"https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/Cover-of-Upside-Down-by-Jack-Johnson.jpg\" class=\"wp-image-5401\" title=\"Johnson_Upside_Down_Album_Cover\" src=\"https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/Cover-of-Upside-Down-by-Jack-Johnson-150x150.jpg\" alt=\"\" width=\"234\" height=\"234\" srcset=\"https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/Cover-of-Upside-Down-by-Jack-Johnson-150x150.jpg 150w, https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/Cover-of-Upside-Down-by-Jack-Johnson-300x300.jpg 300w, https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/Cover-of-Upside-Down-by-Jack-Johnson-350x350.jpg 350w, https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/Cover-of-Upside-Down-by-Jack-Johnson-236x236.jpg 236w, https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/Cover-of-Upside-Down-by-Jack-Johnson.jpg 592w\" sizes=\"(max-width: 234px) 100vw, 234px\" \/><figcaption id=\"caption-attachment-5401\" class=\"wp-caption-text\"><i>Jack Johnson And Friends<\/i> album cover for &#8220;Upside Down&#8221;<\/figcaption><\/figure>\n<p><span style=\"font-weight: 400;\">The playful bop of Jack Johnson\u2019s \u201cUpside Down\u201d encourages curiosity and openness to new possibilities that lay in our past, present, and future: our past as it captures the memories of childhood (for me and many others, it\u2019s a reminder of watching Curious George when we were little), our present as it causes&nbsp;us to open out eyes to the world around with a new perspective, and our future, as we are told nothing\u2019s impossible if we keep moving. This song embodies a carefree spirit, capturing the joy of living in the moment and seeing the world from different perspectives.&nbsp;<\/span><\/p>\n<blockquote><p>&#8220;I wanna turn the whole thing upside down \/<br \/>\nI&#8217;ll find the things they say just can&#8217;t be found \/<br \/>\nI\u2019ll share this love I find with everyone&#8221;<\/p><\/blockquote>\n<p><span style=\"font-weight: 400;\">These lines express a desire to challenge norms and explore new perspectives, resonating with the theme of living unapologetically by questioning conventional expectations and embracing curiosity.<\/span><\/p>\n<blockquote><p>&#8220;Who&#8217;s to say what&#8217;s impossible and can\u2019t be found \/<br \/>\nI don\u2019t want this feeling to go away&#8221;<\/p><\/blockquote>\n<p><span style=\"font-weight: 400;\">Johnson encourages a mindset of limitless possibilities and resilience in the face of perpetual change and growth in a dynamic and playful way. He prompts us to reflect on the importance of presence and connection, aligning with themes of identity and community.<\/span><\/p>\n<h1><b>Phase 3: Future, Hope, and Dreams<\/b><\/h1>\n<h3><span style=\"color: #000000;\"><b>\u201cCreature\u201d by Half\u2022Alive<\/b><\/span><\/h3>\n<pre><b>Feeling:<\/b><span style=\"font-weight: 400;\"> Reflective, mystical, dynamic<\/span><\/pre>\n<figure id=\"attachment_5403\" aria-describedby=\"caption-attachment-5403\" style=\"width: 234px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"5403\" data-permalink=\"https:\/\/web.colby.edu\/thelantern\/2024\/07\/19\/alive-kicking-inspired-playlist\/screenshot-7\/\" data-orig-file=\"https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/Cover-of-Creature-by-HalfAlive.jpg\" data-orig-size=\"592,592\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;Screenshot&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;Screenshot&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"&#8220;Creature&#8221; album cover\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;&#8220;Creature&#8221; album cover&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/Cover-of-Creature-by-HalfAlive-300x300.jpg\" data-large-file=\"https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/Cover-of-Creature-by-HalfAlive.jpg\" class=\"wp-image-5403\" title=\"HalfAlive_Creature_Album_Cover\" src=\"https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/Cover-of-Creature-by-HalfAlive-150x150.jpg\" alt=\"\" width=\"234\" height=\"234\" srcset=\"https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/Cover-of-Creature-by-HalfAlive-150x150.jpg 150w, https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/Cover-of-Creature-by-HalfAlive-300x300.jpg 300w, https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/Cover-of-Creature-by-HalfAlive-350x350.jpg 350w, https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/Cover-of-Creature-by-HalfAlive-236x236.jpg 236w, https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/Cover-of-Creature-by-HalfAlive.jpg 592w\" sizes=\"(max-width: 234px) 100vw, 234px\" \/><figcaption id=\"caption-attachment-5403\" class=\"wp-caption-text\"><i>Now, Not Yet<\/i> album cover for &#8220;Creature&#8221;<\/figcaption><\/figure>\n<p><span style=\"font-weight: 400;\">Bringing us into our final phase, Half\u2022Alive\u2019s unique sound propels us into a new world with its deviant tone. We start to question the end, the beginning, and the middle of everything we know again, but now, we have a stronger sense of self. With each line in this song, we make connections and comparisons to what we know and what we don\u2019t yet see.&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cCreature,\u201d<\/span> <span style=\"font-weight: 400;\">as explained by the band, is \u201cin pursuit of a mystery.\u201d It asks what is the human soul? Where no answers are concrete or certain. Where humans are fluid and dynamic\u2013 ever-so changing, moldable from day one.<\/span><\/p>\n<blockquote><p>\u201cDeath and resurrection, life\u201d<\/p><\/blockquote>\n<p><span style=\"font-weight: 400;\">Half\u2022Alive creates an equation that produces life\u2013 the book ends that simplify our existence, capturing growth and transformation.<\/span><\/p>\n<blockquote><p>\u201cMy body is a sacred note \/ Sung between the flesh and hope \/ My dirt transformed within a breath\u201d<\/p><\/blockquote>\n<p><span style=\"font-weight: 400;\">&nbsp;It reflects the human experience and the <\/span><b>pilgrimage<\/b><span style=\"font-weight: 400;\"> towards self-understanding, tying into the exhibition&#8217;s exploration of selfhood. It\u2019s our connection to the world that we feel rooted to, while we try to understand fresh uncertainties. It takes the intangible and gives us yin and yang comparisons, good and bad, this and that.<\/span><\/p>\n<blockquote><p>\u201cHumanity is not alone \/ When Jesus Christ sits on the throne \/<br \/>\nThese hidden mirrors expose the mess \/ The selfish turns to selflessness\u201d<\/p><\/blockquote>\n<p><span style=\"font-weight: 400;\">&nbsp;To understand something we can&#8217;t comprehend, we can only relate it to what we already know and have- making links and creating a web of synonyms and comparisons we\u2019ve lived, loved, and learned.<\/span><\/p>\n<blockquote><p>\u201cTranscends to walking in the light \/<br \/>\nAnd slowly I\u2019m recovering \/<br \/>\nThe beauty of discovery\u201d<\/p><\/blockquote>\n<p><span style=\"font-weight: 400;\">&nbsp;In a way, the human soul is experience. In this exhibit we experience the souls of these artists via their life\u2019s work that evolved into art: art as a vehicle to tell a story of identity, being alive, and still kicking!<\/span><\/p>\n<h3><span style=\"color: #000000;\"><b>\u201cLearning To Fly\u201d by Tom Petty and the Heartbreakers<\/b><\/span><\/h3>\n<pre><b>Feeling:<\/b><span style=\"font-weight: 400;\"> Uplifting, reflective, forward-focused <\/span><\/pre>\n<p><span style=\"font-weight: 400;\">\u201cLearning to Fly\u201d pulls us into the metaphoric experience of a bird\u2019s first journey from its nest that it\u2019s known all its life but now is entering an unfamiliar world where it must learn again how to live.<\/span><\/p>\n<blockquote><p>&#8220;I&#8217;m learning to fly, but I ain&#8217;t got wings \/<br \/>\nComing down is the hardest thing&#8221;<\/p><\/blockquote>\n<p><span style=\"font-weight: 400;\">These lines convey the idea of striving and growing despite limitations. It reflects on the challenges of returning to reality after moments of freedom or success, resonating with themes of resilience and transformation.<\/span><\/p>\n<blockquote><p>&#8220;The good old days may not return \/<br \/>\nAnd the rocks might melt and the sea may burn&#8221;<\/p><\/blockquote>\n<p><span style=\"font-weight: 400;\">Here we acknowledge the impermanence of the past which we\u2019ve grown familiar with and the need to move forward to grow. This song speaks to the <\/span><b>process<\/b><span style=\"font-weight: 400;\"> of growth and the pursuit of dreams. Its hopeful and uplifting lyrics resonate with the themes of future and aspirations, encouraging listeners to keep reaching for their goals.<\/span><\/p>\n<h3><span style=\"color: #000000;\"><b>&nbsp;\u201cUnbelievers\u201d by Vampire Weekend<\/b><\/span><\/h3>\n<pre><b>Feeling<\/b><span style=\"font-weight: 400;\">: Energetic, contemplative, questioning&nbsp;<\/span><\/pre>\n<p><span style=\"font-weight: 400;\">There is something so powerful about religious imagery that has had a choke hold on this playlist and in mass amounts of art; the idea of \u201cother\u201d in both the sense of being outside of the societal norm and \u201cother\u201d as being greater than ourselves. Like this song, the use of religious imagery to convey the meaning of life\u2019s ups and downs and past, presets and future, always for wider audiences to grasp the more nuanced details in art when comparing it to imagery many resonate with in various lights.<\/span><\/p>\n<blockquote><p>&#8220;Got a little soul \/<br \/>\nThe world is a cold, cold place to be \/<br \/>\nWant a little warmth \/<br \/>\nBut who\u2019s going to save a little warmth for me?&#8221;<\/p><\/blockquote>\n<p><span style=\"font-weight: 400;\">These lines acknowledge the challenges of the world while emphasizing the importance of inner strength. They speak to the need for hope and belief in a better future.<\/span><\/p>\n<blockquote><p>&#8220;We know the fire awaits unbelievers \/<br \/>\nAll of the sinners the same&#8221;<\/p><\/blockquote>\n<p><span style=\"font-weight: 400;\">The use of religious imagery here is to explore themes of belief, doubt, and consequence, adding depth to the exhibition&#8217;s exploration of identity and self-expression.<\/span><\/p>\n<blockquote><p>&#8220;I&#8217;m not excited, but should I be? \/<br \/>\nIs this the fate that half of the world has planned for me?&#8221;<\/p><\/blockquote>\n<p><span style=\"font-weight: 400;\">Being an unbeliever pulls at societal expectations and personal agency. It highlights the struggle between belief and doubt, resonating with the exhibition&#8217;s exploration of identity and the complexity of selfhood while looking at the infinite possibilities ahead.<\/span><\/p>\n<blockquote><p>&#8220;We know the fire awaits unbelievers \/<br \/>\nAll of the sinners the same \/<br \/>\nGirl, you and I will die unbelievers\u201d<\/p><\/blockquote>\n<p><span style=\"font-weight: 400;\">This is a call to action and underscores the importance of sharing one&#8217;s beliefs, building or finding a community where you thrive and uplift one another to grow in the light.<\/span><\/p>\n<h3><span style=\"color: #000000;\"><b>\u201cAll Things End\u201d by Hozier<\/b><\/span><\/h3>\n<pre><b>Feeling: <\/b><span style=\"font-weight: 400;\">Reflective, somber, open-ended<\/span><\/pre>\n<p><span style=\"font-weight: 400;\">As the playlist concludes with the somber voice of Hozier, we reflect on our journey full of vivid imagery of self-discovery, self-confidence, and self-reflection. Hozier leaves us with the comfort of being known.<\/span><\/p>\n<blockquote><p>&#8220;A two-tonne weight around my chest feels like \/<br \/>\nIt just dropped a 20 storey height&#8221;<\/p><\/blockquote>\n<figure id=\"attachment_5473\" aria-describedby=\"caption-attachment-5473\" style=\"width: 234px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"5473\" data-permalink=\"https:\/\/web.colby.edu\/thelantern\/2024\/07\/19\/alive-kicking-inspired-playlist\/screenshot-8\/\" data-orig-file=\"https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/cover-of-All-Things-End-by-Hozier-1.jpg\" data-orig-size=\"536,534\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;Screenshot&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;Screenshot&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;&#8220;Unreal Earth&#8221; album Cover for &#8220;All Things End&#8221;&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/cover-of-All-Things-End-by-Hozier-1-300x300.jpg\" data-large-file=\"https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/cover-of-All-Things-End-by-Hozier-1.jpg\" class=\"wp-image-5473\" title=\"Hozier_All_Things_End_Album_Cover\" src=\"https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/cover-of-All-Things-End-by-Hozier-1-150x150.jpg\" alt=\"\" width=\"234\" height=\"233\" srcset=\"https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/cover-of-All-Things-End-by-Hozier-1-150x150.jpg 150w, https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/cover-of-All-Things-End-by-Hozier-1-300x300.jpg 300w, https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/cover-of-All-Things-End-by-Hozier-1-350x350.jpg 350w, https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/cover-of-All-Things-End-by-Hozier-1-236x236.jpg 236w, https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/cover-of-All-Things-End-by-Hozier-1.jpg 536w\" sizes=\"(max-width: 234px) 100vw, 234px\" \/><figcaption id=\"caption-attachment-5473\" class=\"wp-caption-text\"><i>Unreal Earth<\/i> album cover for &#8220;All Things End&#8221;<\/figcaption><\/figure>\n<p><span style=\"font-weight: 400;\">Hozier expresses a deep emotional burden, reflecting on themes of struggle and acceptance after a long journey with oneself.<\/span><\/p>\n<blockquote><p>&#8220;All things end \/<br \/>\nAll that we intend is scrawled in sand or slips right through our hands&#8221;<\/p><\/blockquote>\n<p><span style=\"font-weight: 400;\">We reflect on the impermanence of life and the inevitability of endings as we transform at every second that passes in our lives.<\/span><\/p>\n<blockquote><p>&#8220;This, too, shall pass, we&#8217;ll see it through \/<br \/>\nAnd I won&#8217;t say goodbye until you&#8217;re ready to&#8221;<\/p><\/blockquote>\n<p><span style=\"font-weight: 400;\">He speaks to resilience and the importance of supporting each other through difficult times, resonating with the exhibition&#8217;s themes of community and connection. The future is full of promise but not guarantees so we must keep on headset straight and be grateful for our present.<\/span><\/p>\n<hr>\n<p><span style=\"color: #000000;\"><b>\u2014Maria DiBari \u201926, Miller Family Curatorial Intern<\/b><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Drawing on themes of exuberance, vibrancy, and playfulness in the summer exhibition Alive &amp; Kicking, Maria DiBari brings together a playlist capturing the essence of being unapologetically joyful and alive.<\/p>\n","protected":false},"author":18943,"featured_media":5480,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[351291,526145,526146],"tags":[99394],"jetpack_featured_media_url":"https:\/\/web.colby.edu\/thelantern\/files\/2024\/07\/GladysBack-scaled.jpg","jetpack_shortlink":"https:\/\/wp.me\/p3U3TZ-1o2","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/web.colby.edu\/thelantern\/wp-json\/wp\/v2\/posts\/5334"}],"collection":[{"href":"https:\/\/web.colby.edu\/thelantern\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/web.colby.edu\/thelantern\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/web.colby.edu\/thelantern\/wp-json\/wp\/v2\/users\/18943"}],"replies":[{"embeddable":true,"href":"https:\/\/web.colby.edu\/thelantern\/wp-json\/wp\/v2\/comments?post=5334"}],"version-history":[{"count":135,"href":"https:\/\/web.colby.edu\/thelantern\/wp-json\/wp\/v2\/posts\/5334\/revisions"}],"predecessor-version":[{"id":5488,"href":"https:\/\/web.colby.edu\/thelantern\/wp-json\/wp\/v2\/posts\/5334\/revisions\/5488"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/web.colby.edu\/thelantern\/wp-json\/wp\/v2\/media\/5480"}],"wp:attachment":[{"href":"https:\/\/web.colby.edu\/thelantern\/wp-json\/wp\/v2\/media?parent=5334"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/web.colby.edu\/thelantern\/wp-json\/wp\/v2\/categories?post=5334"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/web.colby.edu\/thelantern\/wp-json\/wp\/v2\/tags?post=5334"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}