{"id":3504,"date":"2020-05-05T12:00:38","date_gmt":"2020-05-05T16:00:38","guid":{"rendered":"http:\/\/web.colby.edu\/thelantern\/?p=3504"},"modified":"2020-09-24T11:31:31","modified_gmt":"2020-09-24T15:31:31","slug":"art-conversation-river-works-whistler-and-the-industrial-thames","status":"publish","type":"post","link":"https:\/\/web.colby.edu\/thelantern\/2020\/05\/05\/art-conversation-river-works-whistler-and-the-industrial-thames\/","title":{"rendered":"Art + Conversation: <em>River Works: Whistler and the Industrial Thames<\/em>"},"content":{"rendered":"<p>Justin McCann, Lunder Curator for Whistler Studies at the Colby College Museum of Art, offers a virtual tour of the <em><a href=\"https:\/\/www.colby.edu\/museum\/exhibition\/river-works-whistler-and-the-industrial-thames\/\">River Works: Whistler and the Industrial Thames<\/a><\/em> exhibition, featuring a series of works created during the artist&#8217;s time living in Victorian London environs. Justin sheds a light on the environmental hazards of air pollution and &#8220;Great Stinks&#8221; apparent in Whistler&#8217;s depictions of the working waterfront.<\/p>\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"840\" height=\"473\" src=\"https:\/\/www.youtube.com\/embed\/EXaD7dvrYeM?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation\"><\/iframe><\/span><\/div>\n<p>Works Shown:<\/p>\n<p>H.S. Mendelssohn,&nbsp;<em>Portrait of Whistler<\/em>, c. 1885.&nbsp;Albumen print,&nbsp;10 in. x 6 11\/16 in. (25.4 cm x 16.99 cm). The Lunder Collection. Accession Number: 028.2006.<\/p>\n<p>Anonymous,&nbsp;<em>Whistler with Cape and Cane<\/em>, c. 1885. The Lunder Collection. Accession Number: 026.2006.<\/p>\n<p>James McNeill Whistler, <em>Thames Warehouses<\/em>, 1859. Etching and drypoint in black ink on cream laid paper; fourth state (of five), (76 x 203 mm; 213 x 343 mm). The Lunder Collection. Accession Number: 2013.437.<\/p>\n<p>James McNeill Whistler, <em>Eagle Wharf<\/em>, 1859. Etching in black ink on ivory laid paper; only state, (137 x 213 mm; 228 x 360 mm). The Lunder Collection. Accession Number: 2013.338.<\/p>\n<p>James McNeill Whistler, <em>Black Lion Wharf<\/em>, 1859. Etching in black ink on ivory laid paper; fourth (final) state, (148 x 224 mm; 229 x 362 mm). The Lunder Collection. Accession Number: 2013.321.<\/p>\n<p>James McNeill Whistler,&nbsp;<em>Limehouse<\/em>, 1859. Etching and drypoint in black ink on ivory laid paper; fourth state (of six), (127 x 200 mm; 229 x 361 mm). The Lunder Collection. Accession Number: 2013.366.<\/p>\n<p>James McNeill Whistler, <em>Wapping &#8211; The Pool<\/em>, 1878-1879. Etching and drypoint in black ink on ivory laid paper, (image: 188 x 277 mm; sheet: 199 x 277 mm). The Lunder Collection. Accession Number: 075.2013.<\/p>\n<p>James McNeill Whistler, <em>Rotherhithe<\/em>, 1860. Etching and drypoint in black ink on off-white paper; sixth (final) state, 11 7\/16 x 8 7\/16 in. (29.1 x 21.5 cm). The Lunder Collection. Accession Number: 2013.420.<\/p>\n<p>James McNeill Whistler, <em>The Tiny Pool<\/em>, 1876-1878. Etching, 8 x 6 5\/16 in. (20.3 x 16 cm). The Lunder Collection. Accession Number: 2017.432.<\/p>\n<p>James McNeill Whistler, <em>Old Westminster Bridge<\/em>, 1859. Etching and drypoint in black ink on ivory laid paper; third state (of four), (76 x 203 mm; 102 x 230 mm). The Lunder Collection. Accession Number: 2013.401.<\/p>\n<p>James McNeill Whistler, <em>Westminster Bridge in Progress<\/em>, 1861. Etching and drypoint in black ink on ivory laid paper; only state, (151 x 352 mm; 202 x 410 mm). The Lunder Collection. Accession Number: 2013.495.<\/p>\n<p>James McNeill Whistler, <em>Old Hungerford Bridge<\/em>, 1861. Etching and drypoint in black ink on ivory laid paper; fourth (final) state, (137 x 213 mm; 231 x 360 mm). The Lunder Collection. Accession Number: 2013.398.<\/p>\n<p>James McNeill Whistler, <em>Self-Portrait<\/em>, c. 1872. Charcoal and wash on paper, 10 3\/8 in. x 6 13\/16 in. (26.35 cm x 17.3 cm). The Lunder Collection. Accession Number: 2013.304.<\/p>\n<p>James McNeill Whistler, <em>Chelsea in Ice<\/em>, 1864. Oil on canvas, 17 3\/4 in. x 24 in. (45.09 cm x 60.96 cm). The Lunder Collection. Accession Number: 2013.293.<\/p>\n<p>James McNeill Whistler, <em>Early Morning<\/em>, 1878. Lithotint on paper, 7 1\/8 in. x 10 5\/8 in. (18.1 cm x 26.99 cm). The Lunder Collection. Accession Number: 2013.342.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Justin McCann, Lunder Curator for Whistler Studies at the Colby College Museum of Art, offers a virtual tour of the River Works: Whistler and the Industrial Thames exhibition, featuring a<\/p>\n","protected":false},"author":10190,"featured_media":3505,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[351291,526146],"tags":[99394,101973],"jetpack_featured_media_url":"https:\/\/web.colby.edu\/thelantern\/files\/2020\/05\/2013.321_001_cd.jpg","jetpack_shortlink":"https:\/\/wp.me\/p3U3TZ-Uw","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/web.colby.edu\/thelantern\/wp-json\/wp\/v2\/posts\/3504"}],"collection":[{"href":"https:\/\/web.colby.edu\/thelantern\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/web.colby.edu\/thelantern\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/web.colby.edu\/thelantern\/wp-json\/wp\/v2\/users\/10190"}],"replies":[{"embeddable":true,"href":"https:\/\/web.colby.edu\/thelantern\/wp-json\/wp\/v2\/comments?post=3504"}],"version-history":[{"count":7,"href":"https:\/\/web.colby.edu\/thelantern\/wp-json\/wp\/v2\/posts\/3504\/revisions"}],"predecessor-version":[{"id":3637,"href":"https:\/\/web.colby.edu\/thelantern\/wp-json\/wp\/v2\/posts\/3504\/revisions\/3637"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/web.colby.edu\/thelantern\/wp-json\/wp\/v2\/media\/3505"}],"wp:attachment":[{"href":"https:\/\/web.colby.edu\/thelantern\/wp-json\/wp\/v2\/media?parent=3504"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/web.colby.edu\/thelantern\/wp-json\/wp\/v2\/categories?post=3504"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/web.colby.edu\/thelantern\/wp-json\/wp\/v2\/tags?post=3504"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}