{"id":1378,"date":"2016-09-23T01:14:53","date_gmt":"2016-09-23T01:14:53","guid":{"rendered":"http:\/\/colbysites.org\/lantern\/?p=347"},"modified":"2016-09-23T01:14:53","modified_gmt":"2016-09-23T01:14:53","slug":"quilted-conversations","status":"publish","type":"post","link":"https:\/\/web.colby.edu\/thelantern\/2016\/09\/23\/quilted-conversations\/","title":{"rendered":"Quilted Conversations"},"content":{"rendered":"<p style=\"text-align: left\"><i><span style=\"font-weight: 400\"><div class=\"rightside\"><div class=\"bigred\"><\/span><\/i><span style=\"font-weight: 400\"><em>Teresa Margolles: We Have a Common Thread<\/em> is on view through December 13, 2016.<\/span><i><span style=\"font-weight: 400\"><\/div><\/div>This fall, the Colby Museum of Art will be holding a series\u00a0of three workshops in conjunction with our new exhibition<\/span><\/i><span style=\"font-weight: 400\">, <a href=\"http:\/\/www.colby.edu\/museum\/exhibition\/teresa-margolles-we-have-a-common-thread\/\">Teresa Margolles: We Have a Common Thread<\/a>\u00a0looking at the relationship between art making and contemporary social problems. In this post, Miriam Valle-Mancilla, Assistant for Access and Outreach shares more on <\/span><i><span style=\"font-weight: 400\">Quilted Conversations: Voicing Challenges in Our Own Communities<\/span><\/i><span style=\"font-weight: 400\"> and how you can participate.<\/span><\/p>\n<figure id=\"attachment_1273\" aria-describedby=\"caption-attachment-1273\" style=\"width: 645px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/web.colby.edu\/museumblog\/files\/2016\/09\/MARGO19291.jpg\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"1273\" data-permalink=\"https:\/\/web.colby.edu\/thelantern\/2016\/12\/13\/loose-threads\/margo19291\/\" data-orig-file=\"https:\/\/web.colby.edu\/thelantern\/files\/2016\/09\/MARGO19291.jpg\" data-orig-size=\"1992,2183\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"MARGO19291\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Teresa Margolles, Boee Chocami \/ Black Path, 2014. Embroidery on fabric permeated with blood from the body of a woman assassinated in Ciudad Juarez, Mexico. Created with the participation of Rar\u00e1muri (Tarahumara) women in Ciudad Juarez: Maria Elena Guadalajar, Rosalinda Guadalajara, Maria Isidora P\u00e9rez, and Herminia Sandoval&lt;br \/&gt;\n33 x 36 inches. Photography by Jim Frank. Courtesy of Teresa Margolles and Galerie Peter Kilchmann&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/web.colby.edu\/thelantern\/files\/2016\/09\/MARGO19291-274x300.jpg\" data-large-file=\"https:\/\/web.colby.edu\/thelantern\/files\/2016\/09\/MARGO19291-934x1024.jpg\" class=\"size-large wp-image-1273\" src=\"http:\/\/web.colby.edu\/museumblog\/files\/2016\/09\/MARGO19291-934x1024.jpg\" alt=\"Teresa Margolles, Boee Chocami \/ Black Path, 2014. Embroidery on fabric permeated with blood from the body of a woman assassinated in Ciudad Juarez, Mexico. Created with the participation of Rar\u00e1muri (Tarahumara) women in Ciudad Juarez: Maria Elena Guadalajar, Rosalinda Guadalajara, Maria Isidora P\u00e9rez, and Herminia Sandoval 33 x 36 inches. Photography by Jim Frank. Courtesy of Teresa Margolles and Galerie Peter Kilchmann\" width=\"645\" height=\"707\" srcset=\"https:\/\/web.colby.edu\/thelantern\/files\/2016\/09\/MARGO19291-934x1024.jpg 934w, https:\/\/web.colby.edu\/thelantern\/files\/2016\/09\/MARGO19291-274x300.jpg 274w, https:\/\/web.colby.edu\/thelantern\/files\/2016\/09\/MARGO19291-768x842.jpg 768w, https:\/\/web.colby.edu\/thelantern\/files\/2016\/09\/MARGO19291-695x762.jpg 695w, https:\/\/web.colby.edu\/thelantern\/files\/2016\/09\/MARGO19291-137x150.jpg 137w, https:\/\/web.colby.edu\/thelantern\/files\/2016\/09\/MARGO19291.jpg 1992w\" sizes=\"(max-width: 645px) 100vw, 645px\" \/><\/a><figcaption id=\"caption-attachment-1273\" class=\"wp-caption-text\">Teresa Margolles, Boee Chocami \/ Black Path, 2014. Embroidery on fabric permeated with blood from the body of a woman assassinated in Ciudad Juarez, Mexico. Created with the participation of Rar\u00e1muri (Tarahumara) women in Ciudad Juarez: Maria Elena Guadalajar, Rosalinda Guadalajara, Maria Isidora P\u00e9rez, and Herminia Sandoval.\u00a033 x 36 inches. Photography by Jim Frank. Courtesy of Teresa Margolles and Galerie Peter Kilchmann<\/figcaption><\/figure>\n<p><span style=\"font-weight: 400\">On September 13, 2016, the Colby College Museum of Art opened an exhibit of work by Mexican artist Teresa Margolles. <\/span><i><span style=\"font-weight: 400\">Teresa Margolles: We Have a Common Thread<\/span><\/i><span style=\"font-weight: 400\"> highlights her collaborations with native embroiderers from Brazil, Guatemala, Mexico, Nicaragua, Panama, and the United States. In most cases, Margolles invited the embroiderers to create textiles from fabric stained with the bodily fluids of womxn who had suffered violent deaths. This process was used to elicit conversations about the violence and social problems in their respective communities. <\/span><span style=\"font-weight: 400\">Margolles&#8217;s work borrows <\/span><span style=\"font-weight: 400\">from a variety of needle arts such as stitching, threading, and embroidery. Using these methods, art is created over marks of violence, representing a multitude of struggles that occur in neighboring countries. For me, this brings into perspective the notion that violence is global; we cry about similar things all over the world. \u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">The videos that documented the process of making these testimonial quilts awoke many emotions I have personally tried to hide or protect. Violence against womxn and marginalized groups is a continuous battle and an ongoing topic of discussion here at Colby. The response to such violence manifests itself in a variety of ways: kept silent, shared in personal conversation, or publicly acknowledged in demonstrations or protests.<\/span><\/p>\n<p><span style=\"font-weight: 400\">The quilts not only share testimonies of victims\u2019 lives, but also offer opportunities to overcome pain together. The womxn who created these works have transformed tragedy into something honorable for those who died, using a process both inspiring and breathtaking due to the actual physical traces of the women. Experiencing the quilts puts viewers face-to-face with death.<\/span><\/p>\n<p><span style=\"font-weight: 400\">In conjunction with this exhibition, the Museum is partnering with Colby\u2019s Feminist Alliance, Students Organized for Black and Hispanic Unity (SOBHU), and the Womxn of Color Alliance (WOCA) to put together a series of events entitled <\/span><i><span style=\"font-weight: 400\">Quilted Conversations: Voicing Challenges in Our Own Communities <\/span><\/i><span style=\"font-weight: 400\">that will take place over the course of three sessions.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Saturday, September 17 will be dedicated to watching Margolles&#8217; videos, viewing the quilts, and thinking about them as a collective in order to reflect upon the art-making process. Katz Curator Diana Tuite will help guide participants through watching the videos as well as examining the artwork. A deeper understanding of the issues as they relate to different groups may be reached as we discuss and share personal concerns.<\/span><\/p>\n<figure id=\"attachment_1274\" aria-describedby=\"caption-attachment-1274\" style=\"width: 645px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/web.colby.edu\/museumblog\/files\/2016\/09\/MARGO19747-1024x693.jpg\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"1274\" data-permalink=\"https:\/\/web.colby.edu\/thelantern\/margo19747\/\" data-orig-file=\"https:\/\/web.colby.edu\/thelantern\/files\/2016\/09\/MARGO19747.jpg\" data-orig-size=\"3002,2031\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"MARGO19747\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Teresa Margolles, american Juju for the Tapestry of Truth, 2015. Mixed media on a textile imprinted on the spot in Staten Island where Eric Garner died while being placed under arrest. Created with the participation of members of the Harlem Needle Arts cultural arts institute: Michelle Bishop, Sahara Briscoe, Laura R. Gadson, and Jerry Gant. Produced with the support of the Neuberger Museum of Art, Purchase College, SUNY, Purchase, New York. 66 x 98 in. New York City, United States. Photography by Jim Frank. Courtesy of Teresa Margolles and Galerie Peter Kilchmann&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/web.colby.edu\/thelantern\/files\/2016\/09\/MARGO19747-300x203.jpg\" data-large-file=\"https:\/\/web.colby.edu\/thelantern\/files\/2016\/09\/MARGO19747-1024x693.jpg\" class=\"wp-image-1274 size-large\" src=\"http:\/\/web.colby.edu\/museumblog\/files\/2016\/09\/MARGO19747-1024x693.jpg\" width=\"645\" height=\"437\" srcset=\"https:\/\/web.colby.edu\/thelantern\/files\/2016\/09\/MARGO19747-1024x693.jpg 1024w, https:\/\/web.colby.edu\/thelantern\/files\/2016\/09\/MARGO19747-300x203.jpg 300w, https:\/\/web.colby.edu\/thelantern\/files\/2016\/09\/MARGO19747-768x520.jpg 768w, https:\/\/web.colby.edu\/thelantern\/files\/2016\/09\/MARGO19747-695x470.jpg 695w, https:\/\/web.colby.edu\/thelantern\/files\/2016\/09\/MARGO19747-222x150.jpg 222w\" sizes=\"(max-width: 645px) 100vw, 645px\" \/><\/a><figcaption id=\"caption-attachment-1274\" class=\"wp-caption-text\">Teresa Margolles, american Juju for the Tapestry of Truth, 2015. Mixed media on a textile imprinted on the spot in Staten Island where Eric Garner died while being placed under arrest. Created with the participation of members of the Harlem Needle Arts cultural arts institute: Michelle Bishop, Sahara Briscoe, Laura R. Gadson, and Jerry Gant. Produced with the support of the Neuberger Museum of Art, Purchase College, SUNY, Purchase, New York. 66 x 98 in. New York City, United States. Photography by Jim Frank. Courtesy of Teresa Margolles and Galerie Peter Kilchmann<\/figcaption><\/figure>\n<p><span style=\"font-weight: 400\">On Saturday, September 24, a professional textile artist will introduce a variety of techniques before participants begin work on their own quilt blocks. Ultimately, all the blocks will be sewn together, creating a community quilt to be presented to the campus, along with artist statements, on Thursday, September 29, the final workshop day.<\/span><\/p>\n<p><span style=\"font-weight: 400\">This exhibition plays a powerful role at the Colby College Museum of Art because it invites visitors to discuss the violence happening in our own communities and worldwide. This is evident in <\/span><i><span style=\"font-weight: 400\">american Juju for the Tapestry of Truth,<\/span><\/i><span style=\"font-weight: 400\"> 2015, the one work produced in the United States, which expresses concerns about daily violence faced by members of the African-American community. This topic has been covered nationwide, mostly in connection with police brutality. It is also important to recognize the violence happening in Latinx communities, such as the shooting at the Pulse nightclub in Orlando, Florida. These are but a few of the many, often silenced, types of violence that occur today. With this exhibition may come the start of a new dialogue, the recognition of similar experiences members of different communities have shared, and an environment in which new voices are welcome.<\/span><\/p>\n<p><span style=\"font-weight: 400\">I hope that <\/span><i><span style=\"font-weight: 400\">Quilted Conversations<\/span><\/i><span style=\"font-weight: 400\"> will help spark participants\u2019 imagination in creating alternative, nonverbal forms of storytelling. Margolles\u2019 work operates in this vein, compelling visitors to look at death and violence through the eyes of her collaborators.<\/span><\/p>\n<p><span style=\"font-weight: 400\">You can RSVP for the workshops <\/span><a href=\"https:\/\/docs.google.com\/a\/colby.edu\/forms\/d\/e\/1FAIpQLScVzIQOnoVEmvZEGIY4d-KzQtwM-vxQQj-4QEZkYZPuRazddA\/viewform\"><span style=\"font-weight: 400\">here<\/span><\/a><span style=\"font-weight: 400\">.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Museum is partnering with Colby\u2019s Feminist Alliance, Students Organized for Black and Hispanic Unity (SOBHU), and the Womxn of Color Alliance (WOCA) to put together a series of workshops. <\/p>\n","protected":false},"author":7103,"featured_media":1349,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[],"tags":[101973,101996,102002,102003,102008,102014],"jetpack_featured_media_url":"https:\/\/web.colby.edu\/thelantern\/files\/2016\/09\/MARGO19291-1.jpg","jetpack_shortlink":"https:\/\/wp.me\/p3U3TZ-me","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/web.colby.edu\/thelantern\/wp-json\/wp\/v2\/posts\/1378"}],"collection":[{"href":"https:\/\/web.colby.edu\/thelantern\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/web.colby.edu\/thelantern\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/web.colby.edu\/thelantern\/wp-json\/wp\/v2\/users\/7103"}],"replies":[{"embeddable":true,"href":"https:\/\/web.colby.edu\/thelantern\/wp-json\/wp\/v2\/comments?post=1378"}],"version-history":[{"count":0,"href":"https:\/\/web.colby.edu\/thelantern\/wp-json\/wp\/v2\/posts\/1378\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/web.colby.edu\/thelantern\/wp-json\/wp\/v2\/media\/1349"}],"wp:attachment":[{"href":"https:\/\/web.colby.edu\/thelantern\/wp-json\/wp\/v2\/media?parent=1378"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/web.colby.edu\/thelantern\/wp-json\/wp\/v2\/categories?post=1378"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/web.colby.edu\/thelantern\/wp-json\/wp\/v2\/tags?post=1378"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}