{"id":579,"date":"2016-04-06T20:10:52","date_gmt":"2016-04-06T20:10:52","guid":{"rendered":"http:\/\/colbysites.org\/womenpoets\/poeteskrysinskabiblio\/"},"modified":"2018-04-06T18:17:25","modified_gmt":"2018-04-06T22:17:25","slug":"biblio-4","status":"publish","type":"page","link":"https:\/\/web.colby.edu\/poetes\/biblio-4\/","title":{"rendered":"Marie Krysinska (1857-1908) &#8211; bibliographie"},"content":{"rendered":"<div id=\"row-light\">\n\n\t\t<style type=\"text\/css\">\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 25%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-1' class='gallery galleryid-579 gallery-columns-4 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/web.colby.edu\/poetes\/krysinska\/1_mariekrysinska\/'><img loading=\"lazy\" decoding=\"async\" width=\"144\" height=\"190\" src=\"https:\/\/web.colby.edu\/poetes\/files\/2016\/04\/1_krysinska.jpg\" class=\"attachment-medium size-medium\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/web.colby.edu\/poetes\/krysinska\/2_krizinska-marie\/'><img loading=\"lazy\" decoding=\"async\" width=\"149\" height=\"190\" src=\"https:\/\/web.colby.edu\/poetes\/files\/2016\/04\/2_KRIZINSKA-Marie.jpg\" class=\"attachment-medium size-medium\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/web.colby.edu\/poetes\/krysinska\/4_marie-krysinska-portrait-photo\/'><img loading=\"lazy\" decoding=\"async\" width=\"144\" height=\"189\" src=\"https:\/\/web.colby.edu\/poetes\/files\/2016\/04\/4_Marie-Krysinska-portrait-photo.jpg\" class=\"attachment-medium size-medium\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/web.colby.edu\/poetes\/krysinska\/5_krysinska_letcher\/'><img loading=\"lazy\" decoding=\"async\" width=\"144\" height=\"190\" src=\"https:\/\/web.colby.edu\/poetes\/files\/2016\/04\/5_krysinska_letcher.jpg\" class=\"attachment-medium size-medium\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<\/div>\n<p>&nbsp;<\/p>\n<h3 style=\"text-align: center\">sources primaires&nbsp;<\/h3>\n<p>\u201cLes artistes maudits.\u201d <em>La<\/em> <em>Revue<\/em> (15 August 1901): 384\u201397.<\/p>\n<p>\u201cLes cenacles artistiques et litteraires: Autour de Maurice Rollinat.\u201d <em>La Revue<\/em> 51 (15 August 1904): 477\u201391.<\/p>\n<p>\u201cChronique parisienne: Essai sur la danse.\u201d <em>Revue d\u2019\u00c9gypte et d\u2019Orient<\/em> (February 1905): 76\u201384.<\/p>\n<p>\u201cCompte rendu d\u2019<em>\u00c0 se tordre<\/em>, par Alphonse Allais, et <em>Contes du Chat Noir<\/em>, par Rodolphe Salis.\u201d <em>La Revue Ind\u00e9pendante<\/em> 21,<br \/>\n&nbsp;&nbsp;&nbsp;&nbsp; no. 60 (October 1891): 134.<\/p>\n<p>\u201cConflit de la rime et de la raison.\u201d <em>La Fronde<\/em>, 11 July 1899.<\/p>\n<p>\u201cDe la nouvelle ecole: \u00c0 propos de l\u2019article de M. Anatole France dans <em>Le Temps<\/em> sur M. Jean Moreas.\u201d<em> La Revue<br \/>\n&nbsp;&nbsp;&nbsp;&nbsp; Independante<\/em> 18, no. 52 (February 1891): 265\u201367.<\/p>\n<p>&#8220;L\u2019evolution poetique: Devant l\u2019Academie.\u201d <em>Revue Universelle<\/em> 5 (2 February 1901): 102\u20133.<\/p>\n<p>\u201cLes femmes de lettres anglaises.\u201d <em>Revue Universelle<\/em> 46 (16 November 1901): 1085\u201388. Reprinted as \u201cQuelques femmes<br \/>\n&nbsp;&nbsp;&nbsp;&nbsp; de lettres anglaises.\u201d <em>La Fronde<\/em>, 18 September 1926, 2; 19 September 1926, 2; 22 September 1926, 2.<\/p>\n<p><i>Folle de son corps<\/i>. Paris: Victor-Havard, 1896.<\/p>\n<p><i>La force du d\u00e9sir<\/i>. Paris: Mercure de France, 1905.<br \/>\n<a href=\"http:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k660626.r=Marie%20Krysinska?rk=85837;2\">Cliquer sur ce lien pour acc\u00e9der&nbsp;au&nbsp;recueil&nbsp;num\u00e9ris\u00e9 sur Gallica.<\/a><br \/>\n<a href=\"http:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k660626.r=Marie%20Krysinska?rk=85837;2\">Click here to view the digitalized collection on Gallica.<\/a><\/p>\n<p><i>Interm\u00e8des: Nouveaux rythmes pittoresques<\/i>. Edited by L\u00e9on Vanier. Paris:&nbsp;Librairie L\u00e9on Vanier\/Messein Succr, 1904.<br \/>\n<a href=\"http:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k113352n.r=Marie%20Krysinska?rk=42918;4\">Cliquer sur ce lien pour acc\u00e9der&nbsp;au&nbsp;recueil&nbsp;num\u00e9ris\u00e9 sur Gallica.<\/a><br \/>\n<a href=\"http:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k113352n.r=Marie%20Krysinska?rk=42918;4\">Click here to view the digitalized collection on Gallica.<\/a><\/p>\n<p>\u201cIntroduction: Sur les \u00e9volutions rationnelles: Esth\u00e9tique et philologie.\u201d In her <em>Interm\u00e8des<\/em>, v\u2013xxxix.<\/p>\n<p><i>Joies errantes: Nouveaux rythmes pittoresques<\/i>. Paris: Lemerre, 1894.<br \/>\n<a href=\"http:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k54844s.r=marie%20krysinska?rk=64378;0\">Cliquer sur ce lien pour acc\u00e9der&nbsp;au&nbsp;recueil&nbsp;num\u00e9ris\u00e9 sur Gallica.<\/a><br \/>\n<a href=\"http:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k54844s.r=marie%20krysinska?rk=64378;0\">Click here to view the&nbsp;digitalized&nbsp;collection on Gallica.<\/a><\/p>\n<p>\u201cLa musique de Chopin.\u201d <em>Le Figaro: Suppl\u00e9ment Litt\u00e9raire<\/em> 27 (6 July 1895): 105.<\/p>\n<p><em>Poemes choisis, suivis d\u2019\u00e9tudes critiques.<\/em> Edited by Seth Whidden. Saint-\u00c9tienne: L\u2019Universite\u0301de Saint-\u00c9tienne, 2013.<\/p>\n<p>\u201cPour le vers libre.\u201d Le XIXe Si\u00e8cle (18 August 1902): 4.<\/p>\n<p>\u201cPsychologie du costume et de la parure.\u201d <em>La Plume<\/em> (1\u201315 March 1905): 167\u201378.<\/p>\n<p>&#8220;Race Slave.\u201d<em> Le Figaro: Suppl\u00e9ment Litt\u00e9raire<\/em> 52 (29 December 1894): 209\u201310.<\/p>\n<p><i>Rythmes pittoresques<\/i>. Paris: Lemerre, 1890.<br \/>\n<a href=\"http:\/\/web.colby.edu\/poetes\/krysinska\/works-5\/rythmes-pittoresques-1890\/\">Cliquez sur ce lien pour acc\u00e9der directement \u00e0 la table des mati\u00e8res et aux po\u00e8mes.<\/a><br \/>\n<a href=\"http:\/\/web.colby.edu\/poetes\/krysinska\/works-5\/rythmes-pittoresques-1890\/\">Click here to view the table of contents and poems.<\/a><\/p>\n<p>\u201cSymphonie des parfums.\u201d <em>La Chronique Parisienne<\/em> (1881): n.p<\/p>\n<p>\u201cSymphonie en gris.\u201d<em> Le Chat Noir<\/em> 43 (4 November 1882): 4.<\/p>\n<h3 style=\"text-align: center\">sources secondaires<\/h3>\n<p>Dujardin, Edouard. <i>Les premiers po\u00e8tes du vers libre<\/i>. Paris: Mercure, 1922.<\/p>\n<p>Gaddis-Rose, Marilyn. &#8220;Marie Krysinska.&#8221; <i>An Encyclopedia of Continental Women Writers<\/i>, ed. Katharina M. Wilson. New<br \/>\n&nbsp;&nbsp;&nbsp;&nbsp; York: Garland, 1991. 672-673<\/p>\n<p>Goulesque, Florence. &#8220;&#8216;Le &#8216;Hibou&#8217; qui voulait danser: Marie Krysinska, une innovatrice du vers libre doubl\u00e9e d&#8217;une<br \/>\n&nbsp; &nbsp;&nbsp; th\u00e9oricienne de la po\u00e9sie moderne.&#8221; <i>Symposium<\/i> 53, no. 4 (Winter 2000): 220-33.<\/p>\n<p>Goulesque, Florence. <i>Une femme po\u00e8te symboliste: Marie Krysinska, la Calliope du Chat Noir.<\/i> Paris: Honor\u00e9 Champion,<br \/>\n&nbsp;&nbsp;&nbsp;&nbsp; 2001.<br \/>\nHauser, Fernand. &#8220;Madame Marie Krysinska.&#8221; <i>Simple Revue<\/i> (16 May 1894): 49-52.<\/p>\n<p>Kahn, Gustave. <i>Symbolistes et d\u00e9cadents<\/i>. Paris: Vanier, 1902.<\/p>\n<p>Mickel, Emanuel, Jr. &#8220;Dario and Krysinska&#8217;s Symphonie en gris&#8221;: The Gautier-Verlaine Legacy. <i>Latin American Literary<br \/>\n&nbsp;&nbsp;&nbsp;&nbsp; Review<\/i> 15 (1979): 12-24.<\/p>\n<p>Paliyenko, Adrianna M. &#8220;In the Shadow of Eve: Marie Krysinska and the Force of Poetic Desire.&#8221; In <em>Women Seeking<br \/>\n&nbsp;&nbsp;&nbsp;&nbsp; Expression: France, 1789-1914,&nbsp;<\/em>edited by&nbsp;Rosemary Lloyd and Brian Nelson, 159-79. &nbsp;Melbourne: Monash Romance<br \/>\n&nbsp;&nbsp;&nbsp;&nbsp; Studies, 2000.<\/p>\n<p>Rodenbach, Georges. &#8220;La po\u00e9sie nouvelle: \u00c0 propos des d\u00e9cadents et des symbolistes.&#8221; <i>Revue Politique et Litt\u00e9raire: Revue<br \/>\n&nbsp;&nbsp;&nbsp;&nbsp; Bleue<\/i> (4 April&nbsp;1891): 422-30.<\/p>\n<p>Shyrock, Richard. <i>Lettres \u00e0 Gustave Kahn et Rachel Kahn (1886-1934)<\/i>. Saint-Genouph: Nizet, 1996.<\/p>\n<p>Velter, Andr\u00e9, ed. <i>Les po\u00e8tes du Chat Noir<\/i>. Paris: Gallimard, 1996.<\/p>\n<p>Whidden, Seth. &#8220;Le corps f\u00e9minin comme objet en mouvement: Arthur Rimbaud et Marie Krysinska.&#8221; In <i>Po\u00e9tiques de l&#8217;objet<br \/>\n&nbsp;&nbsp;&nbsp;&nbsp; en France<\/i><em>: L\u2019objet dans la po\u00e9sie fran\u00e7aise du Moyen \u00c2ge au XXe si\u00e8cle<\/em>, edited by Fran\u00e7ois Rouget and John Stout,<br \/>\n&nbsp;&nbsp;&nbsp;&nbsp; 95-115. Paris: Champion, 2001.<\/p>\n<p>Whidden, Seth. &#8220;Marie Krysinska: A Bibliography.&#8221; <i>Bulletin of Bibliography<\/i> 58, no. 1 (March 2001) : 1-10.<\/p>\n<p>Whidden, Seth. &#8220;Marie Kryinska&#8217;s Prefaces and Letters: Not d&#8217;un Voyant, but d&#8217;une D\u00e9fiante.&#8221; In <em>Women Seeking Expression:<br \/>\n&nbsp;&nbsp;&nbsp;&nbsp; France 1789-1914,&nbsp;<\/em>edited by Rosemary&nbsp;Lloyd and Brian Nelson, 180-93. Melbourne: Monash Romance Studies, 2000.<\/p>\n<p>Whidden, Seth. &#8220;Sur la&nbsp;<em>supercherie&nbsp;<\/em>de Marie Krysinska: Vers une lecture s\u00e9rieuse de &#8216;Symphonie en gris.'&#8221; In&nbsp;<em>Le vers libre<br \/>\n&nbsp;&nbsp;&nbsp;&nbsp; dans tous ses \u00e9tats: Histoire et po\u00e9tique d&#8217;une forme (1886-1814),&nbsp;<\/em>edited by Catherine Boschian-Campaner, 79-88. Paris:<br \/>\n&nbsp;&nbsp;&nbsp;&nbsp; L&#8217;Harmattan, 2009.<\/p>\n<p><a href=\"http:\/\/web.colby.edu\/poetes\/krysinska\/\">Retour&nbsp;\u00e0 la page d&#8217;accueil<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; sources primaires&nbsp; \u201cLes artistes maudits.\u201d La Revue (15 August 1901): 384\u201397. \u201cLes cenacles artistiques et litteraires: Autour de Maurice Rollinat.\u201d La Revue 51 (15 August 1904): 477\u201391. \u201cChronique parisienne: Essai sur la danse.\u201d Revue d\u2019\u00c9gypte et d\u2019Orient (February 1905):&#8230; <a class=\"more-link\" href=\"https:\/\/web.colby.edu\/poetes\/biblio-4\/\">Continue Reading &rarr;<\/a><\/p>\n","protected":false},"author":14,"featured_media":0,"parent":0,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"template-fullwidth.php","meta":{"ngg_post_thumbnail":0,"footnotes":""},"_links":{"self":[{"href":"https:\/\/web.colby.edu\/poetes\/wp-json\/wp\/v2\/pages\/579"}],"collection":[{"href":"https:\/\/web.colby.edu\/poetes\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/web.colby.edu\/poetes\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/web.colby.edu\/poetes\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/web.colby.edu\/poetes\/wp-json\/wp\/v2\/comments?post=579"}],"version-history":[{"count":19,"href":"https:\/\/web.colby.edu\/poetes\/wp-json\/wp\/v2\/pages\/579\/revisions"}],"predecessor-version":[{"id":7493,"href":"https:\/\/web.colby.edu\/poetes\/wp-json\/wp\/v2\/pages\/579\/revisions\/7493"}],"wp:attachment":[{"href":"https:\/\/web.colby.edu\/poetes\/wp-json\/wp\/v2\/media?parent=579"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}