{"id":566,"date":"2016-04-06T20:08:57","date_gmt":"2016-04-06T20:08:57","guid":{"rendered":"http:\/\/colbysites.org\/womenpoets\/poetesblanchecotteresources\/"},"modified":"2021-09-17T12:29:02","modified_gmt":"2021-09-17T16:29:02","slug":"resources-3","status":"publish","type":"page","link":"https:\/\/web.colby.edu\/poetes\/resources-3\/","title":{"rendered":"Malvina Blanchecotte (1830-1897) &#8211; son temps, ses sources"},"content":{"rendered":"<div id=\"row-light\">\n\n<\/div>\n<div id=\"row-dark\">\n<hr>\n<h3>art<\/h3>\n<p><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Histoire_de_la_photographie\">Histoire des arts XIX\u00e8me si\u00e8cle : la photographie et le cin\u00e9matographie<\/a><\/p>\n<p><a href=\"http:\/\/www.encyclopedie.bseditions.fr\/article.php?pArticleId=170&amp;pChapitreId=33730&amp;pSousChapitreId=33733&amp;pArticleLib=L%92%E9poque%A0%3A+le+second+empire%2C+l%92art+acad%E9mique+et+les+d%E9buts+du+march%E9+de+l%92art+%5BL%92impressionnisme+%28Histoire+de+l%92art%29-%3EContextes+et+pr%E9curseurs%5D\">Le Second Empire et l&#8217;art<\/a><\/p>\n<hr>\n<h3>correspondance<\/h3>\n<p><a href=\"http:\/\/www.worldcat.org\/title\/correspondance-inedite-de-sainte-beuve-a-malvina-blanchecotte-chartres-galerie-de-chartres-7-rue-colin-dharville-5-juillet-1987-mes-jean-et-jean-pierre-lelievre-c-p\/oclc\/468960070&amp;referer=brief_results\">Correspondance in\u00e9dite de Sainte-Beuve \u00e0 Malvina Blanchecotte<\/a><\/p>\n<hr>\n<h3>histoire<\/h3>\n<p><a href=\"https:\/\/www.thefreelibrary.com\/The+ambivalent+picturesque+of+the+Paris+Commune+ruins.-a0208109700\">The Ambivalent Picturesque of the Paris Commune Ruins<\/a><\/p>\n<p class=\"entry-title\"><a href=\"https:\/\/matricien.org\/projet-promethee\/commune-de-paris\/\">La commune de Paris (1871)<\/a><\/p>\n<p><a href=\"http:\/\/www.larousse.fr\/encyclopedie\/divers\/second_Empire\/118024\">Le Second&nbsp;Empire<\/a><\/p>\n<p><a href=\"http:\/\/gw0.geneanet.org\/blanchecottemur?lang=fr&amp;m=N&amp;v=BLANCHECOTTE\">G\u00e9n\u00e9alogie de la famille Blanchecotte<\/a><\/p>\n<p><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Goguette\">Les goguettes<\/a><\/p>\n<p id=\"firstHeading\" class=\"firstHeading\" lang=\"fr\"><a href=\"https:\/\/fr.vikidia.org\/wiki\/Ouvriers_de_l%27industrie_au_XIXe_si%C3%A8cle\">Ouvriers de l&#8217;industrie au XIXe si\u00e8cle<\/a><\/p>\n<p><a href=\"http:\/\/crh.ehess.fr\/docannexe\/file\/3856\/15bcrh13ribard.pdf\">Le temps de la po\u00e9sie des ouvriers<\/a><\/p>\n<hr>\n<h3>litt\u00e9rature<\/h3>\n<p id=\"firstHeading\" class=\"firstHeading\" lang=\"fr\"><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Alphonse_de_Lamartine\">Alphonse de Lamartine (1790-1869) : un mentor<\/a><\/p>\n<p class=\"firstHeading\" lang=\"fr\" style=\"padding-left: 30px;\"><a href=\"https:\/\/gallica.bnf.fr\/services\/engine\/search\/sru?operation=searchRetrieve&amp;version=1.2&amp;query=%28gallica%20all%20%22Alphonse%20de%20Lamartine%22%29&amp;lang=en&amp;suggest=0\">\u0152uvres po\u00e9tiques\/Poetic works<\/a><\/p>\n<p class=\"firstHeading\" lang=\"fr\"><a href=\"http:\/\/www.cosmovisions.com\/SainteBeuve.htm\">Charles Augustin de Sainte-Beuve (1804-1869)<\/a><\/p>\n<p class=\"firstHeading\" lang=\"fr\" style=\"padding-left: 30px;\"><a href=\"http:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k2058478?rk=214593;2\">\u0152uvres po\u00e9tiques\/Poetic works<\/a><\/p>\n<p><a href=\"http:\/\/www.cndp.fr\/entrepot\/baccalaureat-musique\/le-timbre\/biographies\/pierre-jean-de-beranger.html\">Pierre-Jean de B\u00e9ranger (1780-1857)<\/a><\/p>\n<p style=\"padding-left: 30px;\"><a href=\"http:\/\/www.poesie-francaise.fr\/poemes-pierre-jean-de-beranger\/\">\u0152uvres po\u00e9tiques\/Poetic works<\/a><\/p>\n<hr>\n<h3>partitions musicales \/ musical scores<\/h3>\n<p class=\"p1\"><a href=\"http:\/\/data.bnf.fr\/16764862\/gabriel_pierne_melodies\/\"><span class=\"s1\">\u00ab&nbsp;<\/span>L&#8217;adieu supr\u00eame !&nbsp;<span class=\"s1\">\u00bb <\/span>Po\u00e9sie de Mme Blanchecotte, musique de Gabriel Piern\u00e9<\/a><\/p>\n<p class=\"p1\"><a href=\"http:\/\/data.bnf.fr\/13927472\/reynaldo_hahn_la_chere_blessure\/\"><span class=\"s1\">\u00ab&nbsp;<\/span>La ch\u00e8re blessure !&nbsp;<span class=\"s1\">\u00bb&nbsp;<\/span>Po\u00e9sie de Mme Blanchecotte, musique de Reynaldo Hahn<\/a><\/p>\n<p class=\"p1\"><a href=\"http:\/\/data.bnf.fr\/13927469\/reynaldo_hahn_la_delaissee\/\"><span class=\"s1\">\u00ab&nbsp;<\/span>La d\u00e9laiss\u00e9e !&nbsp;<span class=\"s1\">\u00bb&nbsp;<\/span>Po\u00e9sie de Mme Blanchecotte, musique de Reynaldo Hahn<\/a><\/p>\n<p class=\"p1\"><a href=\"http:\/\/www.worldcat.org\/title\/tears-of-the-past\/oclc\/842449809&amp;referer=brief_results\">Tears of the Past&nbsp;:&nbsp;Charles-Marie Widor<\/a><\/p>\n<hr>\n<h3>philosophie<\/h3>\n<p><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Omar_Khayyam\">Omar Khayyam (1048-1131)<\/a><\/p>\n<p style=\"padding-left: 30px;\"><em><a href=\"https:\/\/babel.hathitrust.org\/cgi\/pt?id=nyp.33433085767253;view=1up;seq=10\">Les quatrains de Kh\u00e8yam<\/a><\/em><\/p>\n<hr>\n<h3>politique<\/h3>\n<p><a href=\"https:\/\/www.commune1871.org\/la-commune-de-paris\/histoire-de-la-commune\/dossier-thematique\/les-femmes-de-la-commune\/565-l-emancipation-des-femmes-sous-le-second-empire\">L\u2019\u00e9mancipation des femmes sous le Second Empire&#8230;<\/a><\/p>\n<p><a href=\"http:\/\/www.thucydide.com\/realisations\/comprendre\/femmes\/femmes5.htm\">Les femmes et la R\u00e9publique en France (1848-1871)<\/a><\/p>\n<p><a href=\"https:\/\/www.herodote.net\/1851_1870-synthese-67.php\">Stabilit\u00e9 politique dans le Second Empire<\/a><\/p>\n<hr>\n<p><a href=\"http:\/\/web.colby.edu\/poetes\/blanchecotte\/\">Retour \u00e0 la page d\u2019accueil<\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>art Histoire des arts XIX\u00e8me si\u00e8cle : la photographie et le cin\u00e9matographie Le Second Empire et l&#8217;art correspondance Correspondance in\u00e9dite de Sainte-Beuve \u00e0 Malvina Blanchecotte histoire The Ambivalent Picturesque of the Paris Commune Ruins La commune de Paris (1871) Le&#8230; <a class=\"more-link\" href=\"https:\/\/web.colby.edu\/poetes\/resources-3\/\">Continue Reading &rarr;<\/a><\/p>\n","protected":false},"author":14,"featured_media":0,"parent":0,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"template-fullwidth.php","meta":{"ngg_post_thumbnail":0,"footnotes":""},"_links":{"self":[{"href":"https:\/\/web.colby.edu\/poetes\/wp-json\/wp\/v2\/pages\/566"}],"collection":[{"href":"https:\/\/web.colby.edu\/poetes\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/web.colby.edu\/poetes\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/web.colby.edu\/poetes\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/web.colby.edu\/poetes\/wp-json\/wp\/v2\/comments?post=566"}],"version-history":[{"count":38,"href":"https:\/\/web.colby.edu\/poetes\/wp-json\/wp\/v2\/pages\/566\/revisions"}],"predecessor-version":[{"id":8462,"href":"https:\/\/web.colby.edu\/poetes\/wp-json\/wp\/v2\/pages\/566\/revisions\/8462"}],"wp:attachment":[{"href":"https:\/\/web.colby.edu\/poetes\/wp-json\/wp\/v2\/media?parent=566"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}