{"id":562,"date":"2016-04-06T20:08:46","date_gmt":"2016-04-06T20:08:46","guid":{"rendered":"http:\/\/colbysites.org\/womenpoets\/poetesblanchecottebiblio\/"},"modified":"2023-04-14T16:53:40","modified_gmt":"2023-04-14T20:53:40","slug":"biblio-2","status":"publish","type":"page","link":"https:\/\/web.colby.edu\/poetes\/biblio-2\/","title":{"rendered":"Malvina Blanchecotte (1830-1897) – bibliographie"},"content":{"rendered":"
\n\n<\/div>\n

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sources primaires<\/h3>\n

Chants \u00e9l\u00e9giaques<\/i>, 1856.<\/p>\n

Impressions d’une femme: Pens\u00e9es, sentiments, et portraits. <\/i>Paris: Didier 1868.
\nCliquer sur ce lien pour acc\u00e9der au volume num\u00e9ris\u00e9 sur Gallica.<\/a>
\nClick here to view the digitized volume on Gallica.<\/a><\/p>\n

Lamartine: Lettre \u00e0 mon temps. <\/em>Soissons: Lallart, 1867.<\/p>\n

Le Long du chemin: Pens\u00e9es d’une solitaire. <\/em>Paris: Chez L’Auteur, 1864.<\/p>\n

Le Long de la vie: Nouvelles impressions d’une femme.<\/i> Paris: Didier, 1875.
\nCliquer sur ce lien pour acc\u00e9der au volume num\u00e9ris\u00e9 sur Gallica.<\/a>
\nClick here to view the digitized volume on Gallica.<\/a><\/p>\n

Les Militantes: Nouvelles impressions d’une femme. <\/i>Paris: Didier, 1875.<\/p>\n

Nouvelles poesies<\/em>. Paris: Perrotin, 1861.<\/p>\n

Nouvelles po\u00e9sies.<\/strong><\/em><\/a> Nouvelle \u00e9dition r\u00e9alis\u00e9e par \u00c9l\u00e9onore Rambaud et J\u00e9r\u00e9mie Pinguet. Paris: L\u2019Harmattan, \u00ab Po\u00e9sie(s) \u00bb, 2022.<\/p>\n

Olivier Goldsmith. <\/em>Paris: B\u00e9cus et Pyot, 1882.<\/p>\n

“Perlino.” Mus\u00e9e des Familles <\/em>31 <\/em>(3 August 1893): 489.<\/p>\n

R\u00eaves et r\u00e9alit\u00e9s. <\/i>Paris: Ledoyen, 1855; 2nd ed., Paris: Ledoyen, 1856; 3rd ed., Paris: Didier, 1871.
\nCliquez sur ce lien pour acc\u00e9der directement \u00e0 la table des mati\u00e8res et aux po\u00e8mes.<\/a>
\nClick here to view the table of contents and poems.<\/a><\/p>\n

<\/i>Tablette d’une femme pendant la Commune<\/i>, 1872. Paris Du L\u00e9rot, 1996.
\nCliquer sur ce lien pour acc\u00e9der au volume num\u00e9ris\u00e9 sur Gallica.<\/a>
\nClick here to view the digitized volume on Gallica.<\/a><\/p>\n

sources secondaires<\/h3>\n

Arseny, Hippolyte. \u201cGal\u00e9rie po\u00e9tique du XIX\u00e8me si\u00e8cle: Mme Blanchecotte.\u201d R\u00e9veil Litt\u00e9raire et Artistique<\/em> (20 November
\n     1875): 40.<\/p>\n

Coligny, Charles. \u201cLes muses parisiennes: Madame Malvina Blanchecotte.\u201d La Revue fantaisiste<\/em> 2 (March 1861): 107\u201315.<\/p>\n

James, Sara. \u201cMalvina Blanchecotte and \u2018la douleur chant\u00e9e\u2019: The Creation of a Female Poetic Self.\u201d In Pleasure and Pain in
\n     Nineteenth-Century French Literature and Culture<\/em>, edited by David Evans and Kate Griffiths, 141\u201357. Amsterdam :  
\n     Rodopi, 2008.<\/p>\n

Lemerre, Alphonse, ed. Anthologie des po\u00e8tes fran\u00e7ais du XIXeme si\u00e8cle<\/em>. 4 vols. Paris: Lemerre, 1887\u201388.<\/p>\n

Limayrac, Paulin. \u201cLes femmes po\u00e8tes : R\u00eaves et r\u00e9alit\u00e9s: Po\u00e9sies<\/em> par Mme A.-M. Blanchecotte.\u201d Le Constitutionnel<\/em>, 25 May
\n     1856.<\/p>\n

Marchand, Alfred. “R\u00eaves et r\u00e9alit\u00e9s <\/em>par Augustine-Malvina Blanchecotte.” Le Temps<\/i>, 2 January  1872.<\/p>\n

Sainte-Beuve, Charles Augustin. \u201cR\u00eaves et r\u00e9alit\u00e9s, po\u00e9sies par Madame Blanchecotte.\u201d 1855. In his Causeries du lundi<\/em>,
\n     15:327\u201332. 3rd ed. Paris : Garnier Fr\u00e8res, 1855.<\/p>\n

Retour \u00e0 la page d\u2019accueil<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

  sources primaires Chants \u00e9l\u00e9giaques, 1856. Impressions d’une femme: Pens\u00e9es, sentiments, et portraits. Paris: Didier 1868. Cliquer sur ce lien pour acc\u00e9der au volume num\u00e9ris\u00e9 sur Gallica. Click here to view the digitized volume on Gallica. Lamartine: Lettre \u00e0 mon temps. Soissons: Lallart,… Continue Reading →<\/a><\/p>\n","protected":false},"author":14,"featured_media":0,"parent":0,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"template-fullwidth.php","meta":{"ngg_post_thumbnail":0,"footnotes":""},"_links":{"self":[{"href":"https:\/\/web.colby.edu\/poetes\/wp-json\/wp\/v2\/pages\/562"}],"collection":[{"href":"https:\/\/web.colby.edu\/poetes\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/web.colby.edu\/poetes\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/web.colby.edu\/poetes\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/web.colby.edu\/poetes\/wp-json\/wp\/v2\/comments?post=562"}],"version-history":[{"count":26,"href":"https:\/\/web.colby.edu\/poetes\/wp-json\/wp\/v2\/pages\/562\/revisions"}],"predecessor-version":[{"id":8624,"href":"https:\/\/web.colby.edu\/poetes\/wp-json\/wp\/v2\/pages\/562\/revisions\/8624"}],"wp:attachment":[{"href":"https:\/\/web.colby.edu\/poetes\/wp-json\/wp\/v2\/media?parent=562"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}