{"id":2559,"date":"2023-04-20T18:07:53","date_gmt":"2023-04-20T18:07:53","guid":{"rendered":"https:\/\/web.colby.edu\/lcbates\/?page_id=2559"},"modified":"2023-04-25T03:24:50","modified_gmt":"2023-04-25T03:24:50","slug":"rachel-church","status":"publish","type":"page","link":"https:\/\/web.colby.edu\/lcbates\/rachel-church\/","title":{"rendered":"Rachel Church"},"content":{"rendered":"<h4><strong>Artist&#8217;s Statement<\/strong><\/h4>\n<figure id=\"attachment_2560\" aria-describedby=\"caption-attachment-2560\" style=\"width: 401px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/web.colby.edu\/lcbates\/files\/2023\/04\/campi_di_blu_e_stelle-1-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-2560 \" src=\"https:\/\/web.colby.edu\/lcbates\/files\/2023\/04\/campi_di_blu_e_stelle-1-300x201.jpg\" alt=\"\" width=\"401\" height=\"269\" srcset=\"https:\/\/web.colby.edu\/lcbates\/files\/2023\/04\/campi_di_blu_e_stelle-1-300x201.jpg 300w, https:\/\/web.colby.edu\/lcbates\/files\/2023\/04\/campi_di_blu_e_stelle-1-1024x685.jpg 1024w, https:\/\/web.colby.edu\/lcbates\/files\/2023\/04\/campi_di_blu_e_stelle-1-768x514.jpg 768w, https:\/\/web.colby.edu\/lcbates\/files\/2023\/04\/campi_di_blu_e_stelle-1-1536x1028.jpg 1536w, https:\/\/web.colby.edu\/lcbates\/files\/2023\/04\/campi_di_blu_e_stelle-1-2048x1371.jpg 2048w\" sizes=\"(max-width: 401px) 100vw, 401px\" \/><\/a><figcaption id=\"caption-attachment-2560\" class=\"wp-caption-text\">Rachel Church, <em>Campi di blu e stelle<\/em>, compound accordion artist\u2019s book with watercolor and collage, closed: 6.75 x 9.5 x 0.57 in.; open: 50 x 9.5 x 6.75 in., 2021.<\/figcaption><\/figure>\n<p><span style=\"font-weight: 400;\">This artist\u2019s book was created in response to a trip to Italy and France. I kept noticing this motif of stars on blue repeated in religious buildings, in civic spaces, and in modern art such as in Niki de Saint Phalle\u2019s Tarot Garden sculptures. Blue and stars became a visual symbolization of that trip, connecting the different places and experiences together and representing the balance between religion, history, art, and life in those places. Many of the pages were created while still overseas, then completed and bound once I returned home.<\/span><\/p>\n<figure id=\"attachment_2561\" aria-describedby=\"caption-attachment-2561\" style=\"width: 295px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/web.colby.edu\/lcbates\/files\/2023\/04\/cyanotype_1-1-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-2561 \" src=\"https:\/\/web.colby.edu\/lcbates\/files\/2023\/04\/cyanotype_1-1-201x300.jpg\" alt=\"\" width=\"295\" height=\"441\" srcset=\"https:\/\/web.colby.edu\/lcbates\/files\/2023\/04\/cyanotype_1-1-201x300.jpg 201w, https:\/\/web.colby.edu\/lcbates\/files\/2023\/04\/cyanotype_1-1-685x1024.jpg 685w, https:\/\/web.colby.edu\/lcbates\/files\/2023\/04\/cyanotype_1-1-768x1147.jpg 768w, https:\/\/web.colby.edu\/lcbates\/files\/2023\/04\/cyanotype_1-1-1028x1536.jpg 1028w, https:\/\/web.colby.edu\/lcbates\/files\/2023\/04\/cyanotype_1-1-1371x2048.jpg 1371w, https:\/\/web.colby.edu\/lcbates\/files\/2023\/04\/cyanotype_1-1-scaled.jpg 1713w\" sizes=\"(max-width: 295px) 100vw, 295px\" \/><\/a><figcaption id=\"caption-attachment-2561\" class=\"wp-caption-text\">Rachel Church, Untitled Cyanotype #1 from <em>Cyanotype Impressions of the Atlantic Ocean in Maine<\/em> series, compound accordion artist\u2019s book with watercolor and collage, 15 x 22 in. (unframed) 20 x 27 in. (framed), 2019.<\/figcaption><\/figure>\n<p><span style=\"font-weight: 400;\">This body of work is a modern take on Anna Atkins&#8217; 1843 <\/span><i><span style=\"font-weight: 400;\">Photographs of British Algae: Cyanotype Impressions<\/span><\/i><span style=\"font-weight: 400;\">, the very first book with photographic illustrations, using sea vegetation and plastic trash found on the Maine shoreline today. It highlights the similarities and differences between the natural and man-made elements in our oceans and the impacts of human activity on our environment. In addition to the historical connection to Atkins\u2019s work, cyanotype was chosen because of its lower toxicity when compared to other photographic processes, and its use of environmental elements of sunshine and water to create a match of medium and message.<\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Artist&#8217;s Statement This artist\u2019s book was created in response to a trip to Italy and France. I kept noticing this motif of stars on blue repeated in religious buildings, in civic spaces, and in modern art such as in Niki de Saint Phalle\u2019s Tarot Garden sculptures. Blue and stars became a visual symbolization of that [&hellip;]<\/p>\n","protected":false},"author":11819,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","ngg_post_thumbnail":0,"footnotes":""},"_links":{"self":[{"href":"https:\/\/web.colby.edu\/lcbates\/wp-json\/wp\/v2\/pages\/2559"}],"collection":[{"href":"https:\/\/web.colby.edu\/lcbates\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/web.colby.edu\/lcbates\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/web.colby.edu\/lcbates\/wp-json\/wp\/v2\/users\/11819"}],"replies":[{"embeddable":true,"href":"https:\/\/web.colby.edu\/lcbates\/wp-json\/wp\/v2\/comments?post=2559"}],"version-history":[{"count":2,"href":"https:\/\/web.colby.edu\/lcbates\/wp-json\/wp\/v2\/pages\/2559\/revisions"}],"predecessor-version":[{"id":2636,"href":"https:\/\/web.colby.edu\/lcbates\/wp-json\/wp\/v2\/pages\/2559\/revisions\/2636"}],"wp:attachment":[{"href":"https:\/\/web.colby.edu\/lcbates\/wp-json\/wp\/v2\/media?parent=2559"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}