{"id":2539,"date":"2023-04-19T03:20:57","date_gmt":"2023-04-19T03:20:57","guid":{"rendered":"https:\/\/web.colby.edu\/lcbates\/?page_id=2539"},"modified":"2023-06-21T12:00:08","modified_gmt":"2023-06-21T12:00:08","slug":"susanne-slavick","status":"publish","type":"page","link":"https:\/\/web.colby.edu\/lcbates\/susanne-slavick\/","title":{"rendered":"Susanne Slavick"},"content":{"rendered":"<h4><strong>Artist&#8217;s Statement&nbsp;<\/strong><\/h4>\n<figure id=\"attachment_2540\" aria-describedby=\"caption-attachment-2540\" style=\"width: 430px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/web.colby.edu\/lcbates\/files\/2023\/04\/Magic-Mountain_Tal_Afar_09_15x10_3MB-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-2540\" src=\"https:\/\/web.colby.edu\/lcbates\/files\/2023\/04\/Magic-Mountain_Tal_Afar_09_15x10_3MB-1-300x197.jpg\" alt=\"\" width=\"430\" height=\"282\" srcset=\"https:\/\/web.colby.edu\/lcbates\/files\/2023\/04\/Magic-Mountain_Tal_Afar_09_15x10_3MB-1-300x197.jpg 300w, https:\/\/web.colby.edu\/lcbates\/files\/2023\/04\/Magic-Mountain_Tal_Afar_09_15x10_3MB-1-1024x674.jpg 1024w, https:\/\/web.colby.edu\/lcbates\/files\/2023\/04\/Magic-Mountain_Tal_Afar_09_15x10_3MB-1-768x506.jpg 768w, https:\/\/web.colby.edu\/lcbates\/files\/2023\/04\/Magic-Mountain_Tal_Afar_09_15x10_3MB-1.jpg 1197w\" sizes=\"(max-width: 430px) 100vw, 430px\" \/><\/a><figcaption id=\"caption-attachment-2540\" class=\"wp-caption-text\">Susanne Slavick, <em>Magic Mountain<\/em>, gouache on archival inkjet print on Hahnem\u00fchle paper, 10 x 15 in., 2009.<\/figcaption><\/figure>\n<p><span style=\"font-weight: 400;\">Mangled machinery twisted in the rubble of war is flanked by a stylized landscape that is a setting for a rescue. Flowers bloom and birds blithely roost, oblivious to human havoc. The title, <\/span><i><span style=\"font-weight: 400;\">Magic Mountain<\/span><\/i><span style=\"font-weight: 400;\">, also refers to Thomas Mann\u2019s great novel that re-examines early 20th-century bourgeois society and explores the sources of the destructiveness that continue to emerge from \u201ccivilized\u201d humanity.<\/span><\/p>\n<figure id=\"attachment_2541\" aria-describedby=\"caption-attachment-2541\" style=\"width: 407px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/web.colby.edu\/lcbates\/files\/2023\/04\/Reveal_Pastoral_2800pix-1-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-2541\" src=\"https:\/\/web.colby.edu\/lcbates\/files\/2023\/04\/Reveal_Pastoral_2800pix-1-300x246.jpg\" alt=\"\" width=\"407\" height=\"334\" srcset=\"https:\/\/web.colby.edu\/lcbates\/files\/2023\/04\/Reveal_Pastoral_2800pix-1-300x246.jpg 300w, https:\/\/web.colby.edu\/lcbates\/files\/2023\/04\/Reveal_Pastoral_2800pix-1-1024x839.jpg 1024w, https:\/\/web.colby.edu\/lcbates\/files\/2023\/04\/Reveal_Pastoral_2800pix-1-768x629.jpg 768w, https:\/\/web.colby.edu\/lcbates\/files\/2023\/04\/Reveal_Pastoral_2800pix-1-1536x1259.jpg 1536w, https:\/\/web.colby.edu\/lcbates\/files\/2023\/04\/Reveal_Pastoral_2800pix-1-2048x1678.jpg 2048w\" sizes=\"(max-width: 407px) 100vw, 407px\" \/><\/a><figcaption id=\"caption-attachment-2541\" class=\"wp-caption-text\">Susanne Slavick, <em>Reveal: Pastoral<\/em>, gouache on archival inkjet print on Hahnem\u00fchle paper, 14.25 x 17.25 in., 24 3\/8 x 27 in., 2007.<\/figcaption><\/figure>\n<p><span style=\"font-weight: 400;\">Plumes from bombs rise from a seemingly empty landscape where their damage is hidden but no less real. They are framed by flora and fauna to recall a more idyllic, peacetime nature. <\/span><i><span style=\"font-weight: 400;\">Reveal <\/span><\/i><span style=\"font-weight: 400;\">juxtaposes the human impulse to destroy with our impulse to create. Weapons of war spread toxins and leave actual scars on the landscape, decimating species of all kinds. Our cultural expressions are representations of our aspirations but cannot alone repair nature or restore peace.<\/span><\/p>\n<figure id=\"attachment_2542\" aria-describedby=\"caption-attachment-2542\" style=\"width: 332px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/web.colby.edu\/lcbates\/files\/2023\/04\/Phantom-Limbs-Mist_1997_23.5x18in-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-2542\" src=\"https:\/\/web.colby.edu\/lcbates\/files\/2023\/04\/Phantom-Limbs-Mist_1997_23.5x18in-1-221x300.jpg\" alt=\"\" width=\"332\" height=\"451\" srcset=\"https:\/\/web.colby.edu\/lcbates\/files\/2023\/04\/Phantom-Limbs-Mist_1997_23.5x18in-1-221x300.jpg 221w, https:\/\/web.colby.edu\/lcbates\/files\/2023\/04\/Phantom-Limbs-Mist_1997_23.5x18in-1-756x1024.jpg 756w, https:\/\/web.colby.edu\/lcbates\/files\/2023\/04\/Phantom-Limbs-Mist_1997_23.5x18in-1-768x1040.jpg 768w, https:\/\/web.colby.edu\/lcbates\/files\/2023\/04\/Phantom-Limbs-Mist_1997_23.5x18in-1-1134x1536.jpg 1134w, https:\/\/web.colby.edu\/lcbates\/files\/2023\/04\/Phantom-Limbs-Mist_1997_23.5x18in-1.jpg 1185w\" sizes=\"(max-width: 332px) 100vw, 332px\" \/><\/a><figcaption id=\"caption-attachment-2542\" class=\"wp-caption-text\">Susanne Slavick, Phantom Limbs: Mist, gouache and ink on paper, 23.5 x 18 in., 1997.<\/figcaption><\/figure>\n<p><span style=\"font-weight: 400;\">The <\/span><i><span style=\"font-weight: 400;\">Phantom Limbs<\/span><\/i><span style=\"font-weight: 400;\"> series of drawings are dominated by floating braids tickling or teasing tree stumps with no roots. In <\/span><i><span style=\"font-weight: 400;\">Phantom Limbs: Mist<\/span><\/i><span style=\"font-weight: 400;\">, impossibly long plaits loop and contort, approaching but never connecting with a tree trunk of questionable stability and foundation. It is a suspended attraction, a union on the brink, a balancing act.<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Phantom Limbs<\/span><\/i><span style=\"font-weight: 400;\"> evolved during a 1997 teaching exchange in Amsterdam where I bicycled daily along the city\u2019s canals and wondered at the amputated willows that lined them. They seemed almost victimized in their stunted stature and gnarled scarred branches. Later, I learned that regular and severe pruning was a necessity: if the trees become top-heavy, they uproot and topple from the damp soil. Atypically, in this instance, human intervention actually preserves nature.<\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Artist&#8217;s Statement&nbsp; Mangled machinery twisted in the rubble of war is flanked by a stylized landscape that is a setting for a rescue. Flowers bloom and birds blithely roost, oblivious to human havoc. The title, Magic Mountain, also refers to Thomas Mann\u2019s great novel that re-examines early 20th-century bourgeois society and explores the sources of [&hellip;]<\/p>\n","protected":false},"author":11819,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","ngg_post_thumbnail":0,"footnotes":""},"_links":{"self":[{"href":"https:\/\/web.colby.edu\/lcbates\/wp-json\/wp\/v2\/pages\/2539"}],"collection":[{"href":"https:\/\/web.colby.edu\/lcbates\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/web.colby.edu\/lcbates\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/web.colby.edu\/lcbates\/wp-json\/wp\/v2\/users\/11819"}],"replies":[{"embeddable":true,"href":"https:\/\/web.colby.edu\/lcbates\/wp-json\/wp\/v2\/comments?post=2539"}],"version-history":[{"count":2,"href":"https:\/\/web.colby.edu\/lcbates\/wp-json\/wp\/v2\/pages\/2539\/revisions"}],"predecessor-version":[{"id":2671,"href":"https:\/\/web.colby.edu\/lcbates\/wp-json\/wp\/v2\/pages\/2539\/revisions\/2671"}],"wp:attachment":[{"href":"https:\/\/web.colby.edu\/lcbates\/wp-json\/wp\/v2\/media?parent=2539"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}