{"id":519,"date":"2023-07-31T09:48:03","date_gmt":"2023-07-31T13:48:03","guid":{"rendered":"https:\/\/web.colby.edu\/gianluca-rizzo\/?page_id=519"},"modified":"2023-08-17T15:51:15","modified_gmt":"2023-08-17T19:51:15","slug":"books-chapters","status":"publish","type":"page","link":"https:\/\/web.colby.edu\/gianluca-rizzo\/books-chapters\/","title":{"rendered":"Book Chapters"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"519\" class=\"elementor elementor-519\">\n\t\t\t\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-565eb92 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"565eb92\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-7b159b1\" data-id=\"7b159b1\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-5442ce0 elementor-widget elementor-widget-spacer\" data-id=\"5442ce0\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.18.0 - 08-12-2023 *\/\n.elementor-column .elementor-spacer-inner{height:var(--spacer-size)}.e-con{--container-widget-width:100%}.e-con-inner>.elementor-widget-spacer,.e-con>.elementor-widget-spacer{width:var(--container-widget-width,var(--spacer-size));--align-self:var(--container-widget-align-self,initial);--flex-shrink:0}.e-con-inner>.elementor-widget-spacer>.elementor-widget-container,.e-con>.elementor-widget-spacer>.elementor-widget-container{height:100%;width:100%}.e-con-inner>.elementor-widget-spacer>.elementor-widget-container>.elementor-spacer,.e-con>.elementor-widget-spacer>.elementor-widget-container>.elementor-spacer{height:100%}.e-con-inner>.elementor-widget-spacer>.elementor-widget-container>.elementor-spacer>.elementor-spacer-inner,.e-con>.elementor-widget-spacer>.elementor-widget-container>.elementor-spacer>.elementor-spacer-inner{height:var(--container-widget-height,var(--spacer-size))}.e-con-inner>.elementor-widget-spacer.elementor-widget-empty,.e-con>.elementor-widget-spacer.elementor-widget-empty{position:relative;min-height:22px;min-width:22px}.e-con-inner>.elementor-widget-spacer.elementor-widget-empty .elementor-widget-empty-icon,.e-con>.elementor-widget-spacer.elementor-widget-empty .elementor-widget-empty-icon{position:absolute;top:0;bottom:0;left:0;right:0;margin:auto;padding:0;width:22px;height:22px}<\/style>\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-022355a elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"022355a\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-e474424\" data-id=\"e474424\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-2ae5c66 elementor-widget-tablet__width-initial elementor-widget elementor-widget-image\" data-id=\"2ae5c66\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.18.0 - 08-12-2023 *\/\n.elementor-widget-image{text-align:center}.elementor-widget-image a{display:inline-block}.elementor-widget-image a img[src$=\".svg\"]{width:48px}.elementor-widget-image img{vertical-align:middle;display:inline-block}<\/style>\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.amazon.com\/REMO-DI-ULISSE\/dp\/8829710725\" target=\"_blank\">\n\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"594\" height=\"849\" src=\"https:\/\/web.colby.edu\/gianluca-rizzo\/files\/2023\/08\/Screen-Shot-2023-08-07-at-2.30.19-PM.png\" class=\"elementor-animation-push attachment-large size-large wp-image-1013\" alt=\"\" srcset=\"https:\/\/web.colby.edu\/gianluca-rizzo\/files\/2023\/08\/Screen-Shot-2023-08-07-at-2.30.19-PM.png 594w, https:\/\/web.colby.edu\/gianluca-rizzo\/files\/2023\/08\/Screen-Shot-2023-08-07-at-2.30.19-PM-210x300.png 210w\" sizes=\"(max-width: 594px) 100vw, 594px\" \/>\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-214bb7d elementor-widget elementor-widget-text-editor\" data-id=\"214bb7d\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.18.0 - 08-12-2023 *\/\n.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:#69727d;color:#fff}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap{color:#69727d;border:3px solid;background-color:transparent}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap{margin-top:8px}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap-letter{width:1em;height:1em}.elementor-widget-text-editor .elementor-drop-cap{float:left;text-align:center;line-height:1;font-size:50px}.elementor-widget-text-editor .elementor-drop-cap-letter{display:inline-block}<\/style>\t\t\t\t<p dir=\"ltr\" style=\"margin-top: 0pt;margin-bottom: 0pt;line-height: 1.2\" role=\"presentation\"><span style=\"font-size: 11pt;background-color: transparent;vertical-align: baseline\">\u201cApelle figlio di Apollo dipinge una sfingefenice: Figurazione e significazione nella poesia di Luigi Ballerini,\u201d in\u00a0<\/span><span style=\"font-size: 11pt;background-color: transparent;font-style: italic;vertical-align: baseline\">Il remo di Ulisse. Saggi sulla poesia e la poetica di Luigi Ballerini<\/span><span style=\"font-size: 11pt;background-color: transparent;vertical-align: baseline\">, edited by Ugo Perolini (Venezia: Marsilio, 2021), pp. 113-146.\u00a0<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-aec8067\" data-id=\"aec8067\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-c251bb9 elementor-widget-tablet__width-initial elementor-widget elementor-widget-image\" data-id=\"c251bb9\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"656\" height=\"1024\" src=\"https:\/\/web.colby.edu\/gianluca-rizzo\/files\/2023\/08\/Screen-Shot-2023-08-06-at-8.25.47-PM-656x1024.png\" class=\"attachment-large size-large wp-image-870\" alt=\"\" srcset=\"https:\/\/web.colby.edu\/gianluca-rizzo\/files\/2023\/08\/Screen-Shot-2023-08-06-at-8.25.47-PM-656x1024.png 656w, https:\/\/web.colby.edu\/gianluca-rizzo\/files\/2023\/08\/Screen-Shot-2023-08-06-at-8.25.47-PM-192x300.png 192w, https:\/\/web.colby.edu\/gianluca-rizzo\/files\/2023\/08\/Screen-Shot-2023-08-06-at-8.25.47-PM.png 682w\" sizes=\"(max-width: 656px) 100vw, 656px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-429ce76 elementor-widget elementor-widget-text-editor\" data-id=\"429ce76\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p dir=\"ltr\" style=\"margin-top: 0pt;margin-bottom: 0pt;line-height: 1.2\" role=\"presentation\"><span style=\"font-size: 11pt;background-color: transparent;vertical-align: baseline\">\u201cLa voce dei poeti: il contesto, la poesia, la rivista,\u201d in\u00a0<\/span><span style=\"font-size: 11pt;background-color: transparent;font-style: italic;vertical-align: baseline\">Sistema periodico: Il secolo interminabile delle riviste<\/span><span style=\"font-size: 11pt;background-color: transparent;vertical-align: baseline\">, edited by F. Bortolotto, E. Fuochi, D. Antonio Paone, F. Parodi (Bologna: Pendragon, 2018), pp. 257-267.\u00a0<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-6efed30\" data-id=\"6efed30\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-f6de22d elementor-widget-tablet__width-initial elementor-widget elementor-widget-image\" data-id=\"f6de22d\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.agincourtbooks.com\/opuntia\" target=\"_blank\">\n\t\t\t\t\t\t\t<img decoding=\"async\" width=\"585\" height=\"809\" src=\"https:\/\/web.colby.edu\/gianluca-rizzo\/files\/2023\/08\/Screen-Shot-2023-08-06-at-8.47.26-PM-1.png\" class=\"elementor-animation-push attachment-large size-large wp-image-890\" alt=\"\" srcset=\"https:\/\/web.colby.edu\/gianluca-rizzo\/files\/2023\/08\/Screen-Shot-2023-08-06-at-8.47.26-PM-1.png 585w, https:\/\/web.colby.edu\/gianluca-rizzo\/files\/2023\/08\/Screen-Shot-2023-08-06-at-8.47.26-PM-1-217x300.png 217w\" sizes=\"(max-width: 585px) 100vw, 585px\" \/>\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-c1253fe elementor-widget elementor-widget-text-editor\" data-id=\"c1253fe\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p dir=\"ltr\" style=\"margin-top: 0pt;margin-bottom: 0pt;line-height: 1.2\" role=\"presentation\"><span style=\"background-color: transparent;font-size: 11pt;vertical-align: baseline\">\u201cIl Faust della Neoavanguardia: Celli, Pagliarani e le riscritture di Goethe,\u201d in\u00a0<\/span><span style=\"background-color: transparent;font-size: 11pt;font-style: italic;vertical-align: baseline\">On the Fringe of the Neoavantgarde\/Ai confini della neoavanguardia, Proceedings of the conference\/Atti del congresso, Los Angeles, 17-19 Ottobre 2013<\/span><span style=\"background-color: transparent;font-size: 11pt;vertical-align: baseline\">, edited by Gianluca Rizzo (New York: Agincourt Press, February 2016), pp. 189-217.<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-1b8a7b5 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"1b8a7b5\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-6898940\" data-id=\"6898940\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-60a9227 elementor-widget-tablet__width-initial elementor-widget elementor-widget-image\" data-id=\"60a9227\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.agincourtbooks.com\/opuntia\" target=\"_blank\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"457\" height=\"699\" src=\"https:\/\/web.colby.edu\/gianluca-rizzo\/files\/2023\/08\/Screen-Shot-2023-08-06-at-7.47.46-PM.png\" class=\"elementor-animation-push attachment-large size-large wp-image-853\" alt=\"\" srcset=\"https:\/\/web.colby.edu\/gianluca-rizzo\/files\/2023\/08\/Screen-Shot-2023-08-06-at-7.47.46-PM.png 457w, https:\/\/web.colby.edu\/gianluca-rizzo\/files\/2023\/08\/Screen-Shot-2023-08-06-at-7.47.46-PM-196x300.png 196w\" sizes=\"(max-width: 457px) 100vw, 457px\" \/>\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-a8ebaa8 elementor-widget elementor-widget-text-editor\" data-id=\"a8ebaa8\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p dir=\"ltr\" style=\"margin-top: 0pt;margin-bottom: 0pt;line-height: 1.2\" role=\"presentation\"><span style=\"background-color: transparent;font-size: 11pt;vertical-align: baseline\">\u201cIssues of Language and Genre in Macaronic Invectives,\u201d in\u00a0<\/span><span style=\"background-color: transparent;font-size: 11pt;font-style: italic;vertical-align: baseline\">Savage Words: Invectives as a Literary Genre<\/span><span style=\"background-color: transparent;font-size: 11pt;vertical-align: baseline\">, edited by M. Ciavolella and G. Rizzo, with an Introduction by G. Rizzo (New York: Agincourt Press, 2016), pp. 153-165.\u00a0<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-0fef743\" data-id=\"0fef743\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-a3c9b8c elementor-widget-tablet__width-initial elementor-widget elementor-widget-image\" data-id=\"a3c9b8c\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.latteelinguaggio.org\/2015\/02\/11\/atti-del-convegno-latte-e-linguaggio-ii-del-2014\/\" target=\"_blank\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"734\" height=\"1024\" src=\"https:\/\/web.colby.edu\/gianluca-rizzo\/files\/2023\/08\/Screen-Shot-2023-08-06-at-8.06.52-PM-1-734x1024.png\" class=\"elementor-animation-pulse attachment-large size-large wp-image-1271\" alt=\"\" srcset=\"https:\/\/web.colby.edu\/gianluca-rizzo\/files\/2023\/08\/Screen-Shot-2023-08-06-at-8.06.52-PM-1-734x1024.png 734w, https:\/\/web.colby.edu\/gianluca-rizzo\/files\/2023\/08\/Screen-Shot-2023-08-06-at-8.06.52-PM-1-215x300.png 215w, https:\/\/web.colby.edu\/gianluca-rizzo\/files\/2023\/08\/Screen-Shot-2023-08-06-at-8.06.52-PM-1-768x1071.png 768w, https:\/\/web.colby.edu\/gianluca-rizzo\/files\/2023\/08\/Screen-Shot-2023-08-06-at-8.06.52-PM-1.png 957w\" sizes=\"(max-width: 734px) 100vw, 734px\" \/>\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-91f61aa elementor-widget elementor-widget-text-editor\" data-id=\"91f61aa\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p dir=\"ltr\" style=\"margin-top: 0pt; margin-bottom: 0pt; line-height: 1.2;\" role=\"presentation\"><span style=\"background-color: transparent; font-size: 11pt; vertical-align: baseline;\">\u201cLike Mother\u2019s Milk: lingua, purezza e traduzione,\u201d in\u00a0<\/span><span style=\"background-color: transparent; font-size: 11pt; font-style: italic; vertical-align: baseline;\">Latte e Linguaggio 2\u00a0<\/span><span style=\"background-color: transparent; font-size: 11pt; vertical-align: baseline;\">edited by L. Ballerini, P. la Torre, and E. Oliveti (Ravenna: Danilo Montanari Editore, 2015), pp. 91-100.<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-cefaf92\" data-id=\"cefaf92\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-ca7cc4a elementor-widget elementor-widget-image\" data-id=\"ca7cc4a\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.amazon.com\/Politics-Poetics-Activism-Early-Modern-Contemporary\/dp\/1443846236%20\" target=\"_blank\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"375\" height=\"524\" src=\"https:\/\/web.colby.edu\/gianluca-rizzo\/files\/2023\/08\/Screen-Shot-2023-08-17-at-3.35.48-PM.png\" class=\"elementor-animation-pulse attachment-large size-large wp-image-1270\" alt=\"\" srcset=\"https:\/\/web.colby.edu\/gianluca-rizzo\/files\/2023\/08\/Screen-Shot-2023-08-17-at-3.35.48-PM.png 375w, https:\/\/web.colby.edu\/gianluca-rizzo\/files\/2023\/08\/Screen-Shot-2023-08-17-at-3.35.48-PM-215x300.png 215w\" sizes=\"(max-width: 375px) 100vw, 375px\" \/>\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-79416b0 elementor-widget elementor-widget-text-editor\" data-id=\"79416b0\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p dir=\"ltr\" style=\"margin-top: 0pt; margin-bottom: 0pt; line-height: 1.2;\" role=\"presentation\"><span style=\"background-color: transparent; font-size: 11pt; vertical-align: baseline;\">\u201cProviamo ancora col corpo\u2019: The Theatrical Aspects of Elio Pagliarani\u2019s Poetry<\/span><span style=\"background-color: transparent; font-size: 11pt; font-style: italic; vertical-align: baseline;\">,\u201d<\/span><span style=\"background-color: transparent; font-size: 11pt; vertical-align: baseline;\">&nbsp;in&nbsp;<\/span><span style=\"background-color: transparent; font-size: 11pt; font-style: italic; vertical-align: baseline;\">The Politics of Poetics: Poetry and Social Activism in Early-Modern through Contemporary Italy<\/span><span style=\"background-color: transparent; font-size: 11pt; vertical-align: baseline;\">, edited by F. Santini and G. Summerfield (Newcastle upon Tyne: Cambridge Scholars Publishing, 2013), pp. 121-148.<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-102ec16 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"102ec16\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-12960c6\" data-id=\"12960c6\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-2bdeb21 elementor-widget elementor-widget-spacer\" data-id=\"2bdeb21\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-a09a06b elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"a09a06b\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-bf4ab42\" data-id=\"bf4ab42\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-b11e3ea elementor-widget elementor-widget-text-editor\" data-id=\"b11e3ea\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p dir=\"ltr\" style=\"margin-top: 0pt; margin-bottom: 0pt; font-size: 12px; line-height: 1.2;\"><span style=\"font-size: 11pt; font-family: Garamond, serif; background-color: transparent; font-weight: bold; vertical-align: baseline;\">Other Works:<\/span><span style=\"background-color: transparent; font-size: 11pt; font-family: Garamond, serif;\">&nbsp;<\/span><\/p><p dir=\"ltr\" style=\"margin-top: 0pt; margin-bottom: 0pt; font-size: 12px; line-height: 1.2;\"><span style=\"background-color: transparent; font-size: 11pt; font-family: Garamond, serif;\"><br><\/span><\/p><ul>\n<li dir=\"ltr\" style=\"font-size: 11pt; font-family: Garamond, serif; background-color: transparent; vertical-align: baseline; margin-left: -14.4pt;\">\n<p dir=\"ltr\" style=\"margin-top: 0pt; margin-bottom: 0pt; line-height: 1.2;\" role=\"presentation\"><span style=\"background-color: transparent; font-size: 11pt; vertical-align: baseline;\">\u201cIssues of Language and Genre in Macaronic Invectives,\u201d in&nbsp;<\/span><span style=\"background-color: transparent; font-size: 11pt; font-style: italic; vertical-align: baseline;\">Savage Words: Invectives as a Literary Genre<\/span><span style=\"background-color: transparent; font-size: 11pt; vertical-align: baseline;\">, edited by M. Ciavolella and G. Rizzo, with an Introduction by G. Rizzo (New York: Agincourt Press, 2016), pp. 153-165.&nbsp;<\/span><\/p>\n<\/li>\n<li dir=\"ltr\" style=\"font-size: 11pt; font-family: Garamond, serif; background-color: transparent; vertical-align: baseline; margin-left: -14.4pt;\">\n<p dir=\"ltr\" style=\"margin-top: 0pt; margin-bottom: 0pt; line-height: 1.2;\" role=\"presentation\"><span style=\"background-color: transparent; font-size: 11pt; vertical-align: baseline;\"><span style=\"font-family: &quot;Times New Roman&quot;, sans-serif; background-color: transparent; font-size: 11pt; vertical-align: baseline;\">\u201cMucchiachias Sathanae: From Dante\u2019s Sinners to Folengo\u2019s witches,\u201d in&nbsp;<\/span><span style=\"font-family: &quot;Times New Roman&quot;, sans-serif; background-color: transparent; font-size: 11pt; font-style: italic; vertical-align: baseline;\">Women in Hell, Donne all\u2019inferno. Giornate Internazionali Francesca da Rimini. Sesta Edizione, Los Angeles, 20-21 aprile 2012<\/span><span style=\"font-family: &quot;Times New Roman&quot;, sans-serif; background-color: transparent; font-size: 11pt; vertical-align: baseline;\">, edited by F. Farina (Rimini: Romagna Arte e Storia, 2013), pp. 101-111<\/span><br><\/span><\/p>\n<\/li>\n<\/ul>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-4e760ef elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"4e760ef\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-b427b75\" data-id=\"b427b75\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-c63bb03 elementor-widget elementor-widget-spacer\" data-id=\"c63bb03\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-78cf37c elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"78cf37c\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-203918d\" data-id=\"203918d\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-75fa56e elementor-widget elementor-widget-spacer\" data-id=\"75fa56e\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>\u201cApelle figlio di Apollo dipinge una sfingefenice: Figurazione e significazione nella poesia di Luigi Ballerini,\u201d in\u00a0Il remo di Ulisse. Saggi sulla poesia e la poetica di Luigi Ballerini, edited by Ugo Perolini (Venezia: Marsilio, 2021), pp. 113-146.\u00a0 \u201cLa voce dei poeti: il contesto, la poesia, la rivista,\u201d in\u00a0Sistema periodico: Il secolo interminabile delle riviste, edited [&hellip;]<\/p>\n","protected":false},"author":11144,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","ngg_post_thumbnail":0,"footnotes":""},"_links":{"self":[{"href":"https:\/\/web.colby.edu\/gianluca-rizzo\/wp-json\/wp\/v2\/pages\/519"}],"collection":[{"href":"https:\/\/web.colby.edu\/gianluca-rizzo\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/web.colby.edu\/gianluca-rizzo\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/web.colby.edu\/gianluca-rizzo\/wp-json\/wp\/v2\/users\/11144"}],"replies":[{"embeddable":true,"href":"https:\/\/web.colby.edu\/gianluca-rizzo\/wp-json\/wp\/v2\/comments?post=519"}],"version-history":[{"count":107,"href":"https:\/\/web.colby.edu\/gianluca-rizzo\/wp-json\/wp\/v2\/pages\/519\/revisions"}],"predecessor-version":[{"id":1295,"href":"https:\/\/web.colby.edu\/gianluca-rizzo\/wp-json\/wp\/v2\/pages\/519\/revisions\/1295"}],"wp:attachment":[{"href":"https:\/\/web.colby.edu\/gianluca-rizzo\/wp-json\/wp\/v2\/media?parent=519"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}