{"id":2125,"date":"2018-04-06T20:15:06","date_gmt":"2018-04-07T00:15:06","guid":{"rendered":"http:\/\/web.colby.edu\/bookhistory2020\/?p=2125"},"modified":"2018-05-30T18:14:46","modified_gmt":"2018-05-30T22:14:46","slug":"intended-audience-of-the-poems-of-celia-thaxter","status":"publish","type":"post","link":"https:\/\/web.colby.edu\/bookhistory2020\/2018\/04\/06\/intended-audience-of-the-poems-of-celia-thaxter\/","title":{"rendered":"Intended Audience of The Poems of Celia Thaxter"},"content":{"rendered":"<p><span style=\"font-weight: 400\">The Appledore Edition of <\/span><i><span style=\"font-weight: 400\">The Poems of Celia Thaxter<\/span><\/i><span style=\"font-weight: 400\"> was published in 1896, two years after Celia Thaxter\u2019s death in August of 1894. This edition was published as a celebration of Thaxter\u2019s life and all of her work. The collection of poetry is meant to be read by Celia Thaxter fanatics, Mainers, and lovers of nature. It is meant to be read in a comfortable setting with enjoyment of content as a priority. It is meant to be read often and not from cover to cover but instead in sections to the readers\u2019 choosing. The Appledore Edition was meant for a few of the most avid fans of Thaxter.<\/span><\/p>\n<p><span style=\"font-weight: 400\">The preface of the Appledore Edition of <\/span><i><span style=\"font-weight: 400\">The Poems of Celia Thaxter<\/span><\/i><span style=\"font-weight: 400\"> was written by the poet Sarah Orne Jewett, and speaks of Celia Thaxter\u2019s love of nature and the ocean. \u201cAs her eyes grew quicker to see the blooming of flowers and the flight of birds, the turn of the waves as they broke on the rocks of Appledore, so the eyes of her spirit read more and more clearly the inward significance of things, the mysterious sorrows and joys of human life\u201d (Thaxter V). This summary of who Thaxter is and, what she enjoyed and wrote about shows that the book is intended for an audience of fans of Thaxter\u2019s work before its publication.<\/span><\/p>\n<p><span style=\"font-weight: 400\">The poetry itself deals with themes of life by the ocean and an appreciation for nature, including titles such as, \u201cThe Watch of Boon Island,\u201d \u201cFootprints in the Sand,\u201d and \u201cSeaside Goldenrod.\u201d These common themes in Thaxter\u2019s work show that the intended audience for the book is people that enjoy being in or seeing nature, either through their own eyes or someone else\u2019s writing. The poems are also for people from Maine or a place similar to the islands described by Thaxter in her work, as full appreciation of poems about nature comes with an understanding of their geographical context.<\/span><\/p>\n<p><span style=\"font-weight: 400\">The physical book of <\/span><i><span style=\"font-weight: 400\">The Poems of Celia Thaxter<\/span><\/i><span style=\"font-weight: 400\"> is about five inches wide by eight inches tall, and fits comfortably in one\u2019s hands. The cover is made of a stiff board and has been rebound with white protective cloth, and the pages are made of a thick paper. The size and durability of the book and its pages show that it is meant to be read often, as it is protected from too much damage from \u00a0handling. When the book was rebound, the spine was completely covered, hiding the title from view. This shows that the book is less of a piece of decoration and more of a book to be enjoyed for its contents. The owner did not care to maintain its original look, because that was less important than the poems within.<\/span><\/p>\n<p><i><span style=\"font-weight: 400\">The Poems of Celia Thaxter<\/span><\/i><span style=\"font-weight: 400\"> contains a table of contents, an index of first lines, as well as an index of titles. The publisher wanted the reader to be able to find whichever piece of poetry they needed as easily as possible. This attention to the organization of the book shows that it is meant to be read in sections. The reader is not meant to read the book cover to cover, but instead come back to it often, when they want to find some of their favorite pieces of Celia Thaxter\u2019s work. The publisher included both an index of titles and an index of first lines because the book is for people that have already enjoyed Thaxter\u2019s work before its publication and may know the poems by their favorite lines if not titles.<\/span><\/p>\n<p><span style=\"font-weight: 400\">The preface mentions that the book is a collection of Celia Thaxter\u2019s work from multiple other collections, including both collections of poetry for children and poetry for more mature audiences. This shows that <\/span><i><span style=\"font-weight: 400\">The Poems of Celia Thaxter<\/span><\/i><span style=\"font-weight: 400\"> is meant to be owned by members of a family or other group of individuals. It isn\u2019t a collection of poems just for one person.<\/span><\/p>\n<p><span style=\"font-weight: 400\">The book has two seller prices written in pencil on the first few pages. It sold first for five dollars in 1896, which today would be about 140 dollars, and then it was sold again for three dollars, which today would be about 84 dollars. While this is a bit more expensive than most hardcovers today, it isn\u2019t unattainable for most middle class consumers. Upon searching the web for other copies of the Appledore Edition, I could not find more than two. Despite its rarity, the book was not meant to be a prize piece of someone\u2019s collection, but instead an enjoyable read for an avid fan of Thaxter.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Appledore Edition of The Poems of Celia Thaxter was published in 1896, two years after Celia Thaxter\u2019s death in August of 1894. This edition was published as a celebration of Thaxter\u2019s life and all of her work. The collection of poetry is meant to be read by Celia Thaxter fanatics, Mainers, and lovers of [&hellip;]<\/p>\n","protected":false},"author":8224,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[399546,399547,1],"tags":[],"_links":{"self":[{"href":"https:\/\/web.colby.edu\/bookhistory2020\/wp-json\/wp\/v2\/posts\/2125"}],"collection":[{"href":"https:\/\/web.colby.edu\/bookhistory2020\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/web.colby.edu\/bookhistory2020\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/web.colby.edu\/bookhistory2020\/wp-json\/wp\/v2\/users\/8224"}],"replies":[{"embeddable":true,"href":"https:\/\/web.colby.edu\/bookhistory2020\/wp-json\/wp\/v2\/comments?post=2125"}],"version-history":[{"count":1,"href":"https:\/\/web.colby.edu\/bookhistory2020\/wp-json\/wp\/v2\/posts\/2125\/revisions"}],"predecessor-version":[{"id":2126,"href":"https:\/\/web.colby.edu\/bookhistory2020\/wp-json\/wp\/v2\/posts\/2125\/revisions\/2126"}],"wp:attachment":[{"href":"https:\/\/web.colby.edu\/bookhistory2020\/wp-json\/wp\/v2\/media?parent=2125"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/web.colby.edu\/bookhistory2020\/wp-json\/wp\/v2\/categories?post=2125"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/web.colby.edu\/bookhistory2020\/wp-json\/wp\/v2\/tags?post=2125"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}