{"id":547,"date":"2023-09-19T10:18:10","date_gmt":"2023-09-19T14:18:10","guid":{"rendered":"https:\/\/web.colby.edu\/ar473-fall2023\/?p=547"},"modified":"2023-09-19T10:18:10","modified_gmt":"2023-09-19T14:18:10","slug":"9-20","status":"publish","type":"post","link":"https:\/\/web.colby.edu\/ar473-fall2023\/2023\/09\/19\/9-20\/","title":{"rendered":"9\/20"},"content":{"rendered":"\n<p>In preparation for this class session, we read chapters 5-9 of Caplan\u2019s <em>Written on the Body<\/em>. Chapter 5, by Juliet Fleming, first discusses how tattooing is, of course, permanent; for some reason, current Western culture has identified permanence as a negative thing. I thought this was interesting, because there are some things \u2013 like marriage \u2013 that our culture holds on a pedestal for their permanence. But, when the permanent change involves the body, we\u2019ve gone too far. On the other hand, Fleming raises the point that tattoos are only as permanent as the body they adorn \u2013 so, not very permanent at all in the grand scheme of things. At the end of her chapter, Fleming makes a compelling point about the connection between tattooing and \u201cforeignness.\u201d&nbsp; She writes \u201cthe tattoo may be thought to have achieved its status as the mark of strangeness or barbarity by force of analogy, since it is itself caused by the introduction of a foreign body under the skin\u201d (81). I wish Fleming had explored this idea more thoroughly; I like arguments that compare the action of tattooing to its figurative effect.&nbsp;<\/p>\n\n\n\n<p>In the next chapter, Harriet Guest discusses 18th-century British views on South Pacific tattooing. To be honest, I found this chapter and the point it was trying to make confusing. Guest does provide a lot of interesting information about different cultures\u2019 customs of tattooing, but given that this is done through the lens of 18th-century Britain, the information is heavily skewed. From my understanding, Guest mainly reiterated the point that the British did not view these South Pacific people as people, which added fuel to their fascination with their tattooing customs. I think the most interesting point she raised was that, in Enlightenment philosophy, \u201cthe treatment of women\u201d is \u201cthe index of civility\u201d (91). I had not encountered this idea before, so it provides a helpful framework for other 18th-century readings I may do in the future. It makes sense that these philosophers would have viewed femininity as unchanging and therefore a valid index to judge how \u201ccivilized\u201d a certain culture may be. They only saw white men as having depth or agency, so these same white men\u2019s treatment of women became the pinnacle of \u201ccivilization.\u201d&nbsp;<\/p>\n\n\n\n<p>Clare Anderson moves the discussion to India and the practice of <em>godna<\/em>. Anderson describes how, in Hinduism, tattooing had several functions: \u201cevidence of earthly suffering,\u201d religious rites, a way to achieve good health, and a way to signify caste (104). I think this is such a beautiful variety of uses for tattooing, and I had no idea that tattooing was so integral to both tribal groups and caste Hindus in India. Unfortunately, tattooing also had a punitive function, even before the arrival of the British. I thought the most interesting result of this function was that \u201ccultural norms relating to dress and physical appearance thus became a means through which convicts were able to mask the identity assigned to them by colonial penal codes\u201d (115). Convicts would use turbans or their hair to cover forehead tattoos, which does seem like an obvious flaw in the forehead tattooing system. So, even though the marks themselves were permanent \u2013 or, as permanent as they can be on a human body \u2013 these people were able to effectively erase them.&nbsp;<\/p>\n\n\n\n<p>In chapter 8, Hamish Maxwell-Stewart and Ian Duffield discuss the tattooing practices of convicts shipped to Australia for their crimes. Maxwell-Stewart and Duffield mention how common anchor tattoos were among these convicts as a symbol of hope, originating from a New Testament passage. I found it super cool to see how far back the tradition of anchor tattoos goes because I think they are still very common today. Further, I think a lot of people who get anchor tattoos today get them to represent hope or another similar sentiment. The authors use this meaning of anchor tattoos to, in a sense, translate many convict tattoos; by saying the word \u201chope\u201d in place of \u201canchor,\u201d these tattoos gain a more coherent meaning. Apparently, many of these convicts would get some, if not all, of their tattoos while on the long journey to Australia. Because they were booked in and identified by their tattoos, some convicts would then tattoo over previous tattoos to take back control of their bodies.&nbsp;<\/p>\n\n\n\n<p class=\"has-regular-font-size\">Finally, in chapter 9, James Bradley discusses tattooing in Victorian Britain. I was most interested in Bradley\u2019s assertion that some members of the upper class got tattoos; thus far, much of the scholarship we have read has heavily identified tattooing with criminals or the working class. Bradley mentions Gambier Bolton, a member of the \u201cnewly tattooed upper classes\u201d who had several tattoos, some acquired over the course of world travels (146). I don\u2019t think I have ever encountered media that depicts rich Victorian people with tattoos, but this chapter completely flips any assumptions I may have made on their heads. However, I also thought it was important that Bradley noted that a lot of Victorian people still would not have viewed tattooing as a normal thing. In this case, tattoos were \u201ca leisured and luxurious form of consumption,\u201d cementing the type of tattooing Bolton engaged with as a somewhat frivolous, unattainable practice (153).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In preparation for this class session, we read chapters 5-9 of Caplan\u2019s Written on the Body. Chapter 5, by Juliet Fleming, first discusses how tattooing is, of course, permanent; for some reason, current Western culture has identified permanence as a negative thing. I thought this was interesting, because there are some things \u2013 like marriage [&hellip;]<\/p>\n","protected":false},"author":11910,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/web.colby.edu\/ar473-fall2023\/wp-json\/wp\/v2\/posts\/547"}],"collection":[{"href":"https:\/\/web.colby.edu\/ar473-fall2023\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/web.colby.edu\/ar473-fall2023\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/web.colby.edu\/ar473-fall2023\/wp-json\/wp\/v2\/users\/11910"}],"replies":[{"embeddable":true,"href":"https:\/\/web.colby.edu\/ar473-fall2023\/wp-json\/wp\/v2\/comments?post=547"}],"version-history":[{"count":1,"href":"https:\/\/web.colby.edu\/ar473-fall2023\/wp-json\/wp\/v2\/posts\/547\/revisions"}],"predecessor-version":[{"id":548,"href":"https:\/\/web.colby.edu\/ar473-fall2023\/wp-json\/wp\/v2\/posts\/547\/revisions\/548"}],"wp:attachment":[{"href":"https:\/\/web.colby.edu\/ar473-fall2023\/wp-json\/wp\/v2\/media?parent=547"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/web.colby.edu\/ar473-fall2023\/wp-json\/wp\/v2\/categories?post=547"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/web.colby.edu\/ar473-fall2023\/wp-json\/wp\/v2\/tags?post=547"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}