{"id":1692,"date":"2021-11-09T12:43:16","date_gmt":"2021-11-09T17:43:16","guid":{"rendered":"https:\/\/web.colby.edu\/ar257-fall2021\/?p=1692"},"modified":"2021-11-09T12:43:16","modified_gmt":"2021-11-09T17:43:16","slug":"10-4","status":"publish","type":"post","link":"https:\/\/web.colby.edu\/ar257-fall2021\/2021\/11\/09\/10-4\/","title":{"rendered":"10\/4"},"content":{"rendered":"\n<p>In class on Thursday, we analyzed Leonardo da Vinci&#8217;s Last Supper. The tempera wall mural is not in the best condition due to the chosen medium and poor conservation. However, the condition doesn&#8217;t undermine all the symbolism and technique Leonardo used in this work of art. Leonardo adds depth to this work by employing one-point perspective in his work where the different structures in the mural lead to a singular vanishing point that is conveniently placed by Jesus Christ&#8217;s head. This can be seen with the table and the four panels on each side of the walls &#8212; all the lines are orthogonal that lead to the vanishing point. The emergence of this vanishing point allows for paintings to be painted in a more naturalistic manner because it replicates what and how people actually see. <\/p>\n\n\n\n<p>Additionally, I found it really convenient how artists were able to portray the religious aspect of the painting without the overuse of gold\/gilded backgrounds and unrealistic halos around the heads of religious figures through symbolism. By using numbers such as 3 and 4 that represent Holy Trinity, theological virtues and the gospels, cardinal virtues respectively, artists such as Leonardo are able to emphasize the religiousness of the painting in a more natural manner. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>In class on Thursday, we analyzed Leonardo da Vinci&#8217;s Last Supper. The tempera wall mural is not in the best condition due to the chosen medium and poor conservation. However, the condition doesn&#8217;t undermine all the symbolism and technique Leonardo used in this work of art. Leonardo adds depth to this work by employing one-point [&hellip;]<\/p>\n","protected":false},"author":10186,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/web.colby.edu\/ar257-fall2021\/wp-json\/wp\/v2\/posts\/1692"}],"collection":[{"href":"https:\/\/web.colby.edu\/ar257-fall2021\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/web.colby.edu\/ar257-fall2021\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/web.colby.edu\/ar257-fall2021\/wp-json\/wp\/v2\/users\/10186"}],"replies":[{"embeddable":true,"href":"https:\/\/web.colby.edu\/ar257-fall2021\/wp-json\/wp\/v2\/comments?post=1692"}],"version-history":[{"count":1,"href":"https:\/\/web.colby.edu\/ar257-fall2021\/wp-json\/wp\/v2\/posts\/1692\/revisions"}],"predecessor-version":[{"id":1695,"href":"https:\/\/web.colby.edu\/ar257-fall2021\/wp-json\/wp\/v2\/posts\/1692\/revisions\/1695"}],"wp:attachment":[{"href":"https:\/\/web.colby.edu\/ar257-fall2021\/wp-json\/wp\/v2\/media?parent=1692"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/web.colby.edu\/ar257-fall2021\/wp-json\/wp\/v2\/categories?post=1692"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/web.colby.edu\/ar257-fall2021\/wp-json\/wp\/v2\/tags?post=1692"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}