This recorded class continued our discussion of the role of women in Rennaisance art by examining manuscripts. Jean Pucelle’s Hours of Jeanne d’Evreux, created for the Queen of France, represents a shift from previous books of hours. I found it interesting how the artist was able to influence many other works and the manuscript was considered important enough to be included in the succession of the kingdom. The use of grisaille and a little color allows the material to show through and makes images feel borderless. The juxtaposition of events from different parts of theological stories prompts deeper thought from the viewer and helps clarify the importance or relevance of the prayer on each page. Similarly, scenes in the bas-de-page support and add context to the main scenes. It was interesting how this work differed from but also seemed reflected in the Grandes Heures of Anne of Britanny, which emphasizes luxury through gold paint and adds frames within images that appear realistic. The artist utilized both extremely real-looking depictions for plants and insects and highly idealized imagery for religious scenes. The different styles between the two types of image reflected the interests of the patron and a difference in intent by the artist when depicting each subject.