{"id":2672,"date":"2024-05-14T19:53:26","date_gmt":"2024-05-14T19:53:26","guid":{"rendered":"https:\/\/web.colby.edu\/ar112-spring2024\/?p=2672"},"modified":"2024-05-14T19:53:26","modified_gmt":"2024-05-14T19:53:26","slug":"04-22","status":"publish","type":"post","link":"https:\/\/web.colby.edu\/ar112-spring2024\/2024\/05\/14\/04-22\/","title":{"rendered":"04\/22"},"content":{"rendered":"\n<p>Today in class we discussed post-Impressionism. We began our discussion by exploring the works of Paul C\u00e9zanne, which emerge as a fascinating departure from the Impressionist style. C\u00e9zanne&#8217;s dedication to capturing the essence of his native landscape, exemplified by his depictions of Mont Sainte-Victoire, resonates deeply with me. His meticulous attention to different light effects and his use of regular straight lines demonstrate a deliberate departure from the spontaneous brushwork of his Impressionist predecessors. I was particularly intrigued by C\u00e9zanne&#8217;s method of copying from Poussin, as evidenced in his scene from Bibemus Quarry, which he revisited a decade later with a markedly abstract approach, characterized by boxy forms and darker, thicker outlines.<\/p>\n\n\n\n<p>C\u00e9zanne&#8217;s famous dictum, &#8220;Treat nature by the cylinder, the sphere, and the cone,&#8221; encapsulates his philosophy of reduction and simplification in art, which was evident not only in his landscapes but also in his still lifes. His still life compositions, such as &#8220;Basket of Apples,&#8221; &#8220;Peppermint Bottle,&#8221; and &#8220;Apples in a Bowl,&#8221; reveal a mastery of form and color. I was struck by how C\u00e9zanne effortlessly manipulated space and perspective, creating distinct areas of warm and cool colors to delineate objects on a horizontal surface. The way common elements like tablecloths and fabrics seem to spill out from the table underscores his keen sense of observation and meticulous attention to detail.<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Today in class we discussed post-Impressionism. We began our discussion by exploring the works of Paul C\u00e9zanne, which emerge as a fascinating departure from the Impressionist style. C\u00e9zanne&#8217;s dedication to capturing the essence of his native landscape, exemplified by his depictions of Mont Sainte-Victoire, resonates deeply with me. His meticulous attention to different light effects [&hellip;]<\/p>\n","protected":false},"author":17782,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/web.colby.edu\/ar112-spring2024\/wp-json\/wp\/v2\/posts\/2672"}],"collection":[{"href":"https:\/\/web.colby.edu\/ar112-spring2024\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/web.colby.edu\/ar112-spring2024\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/web.colby.edu\/ar112-spring2024\/wp-json\/wp\/v2\/users\/17782"}],"replies":[{"embeddable":true,"href":"https:\/\/web.colby.edu\/ar112-spring2024\/wp-json\/wp\/v2\/comments?post=2672"}],"version-history":[{"count":1,"href":"https:\/\/web.colby.edu\/ar112-spring2024\/wp-json\/wp\/v2\/posts\/2672\/revisions"}],"predecessor-version":[{"id":2673,"href":"https:\/\/web.colby.edu\/ar112-spring2024\/wp-json\/wp\/v2\/posts\/2672\/revisions\/2673"}],"wp:attachment":[{"href":"https:\/\/web.colby.edu\/ar112-spring2024\/wp-json\/wp\/v2\/media?parent=2672"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/web.colby.edu\/ar112-spring2024\/wp-json\/wp\/v2\/categories?post=2672"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/web.colby.edu\/ar112-spring2024\/wp-json\/wp\/v2\/tags?post=2672"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}