{"id":2670,"date":"2024-05-14T19:53:26","date_gmt":"2024-05-14T19:53:26","guid":{"rendered":"https:\/\/web.colby.edu\/ar112-spring2024\/?p=2670"},"modified":"2024-05-14T19:53:26","modified_gmt":"2024-05-14T19:53:26","slug":"04-17","status":"publish","type":"post","link":"https:\/\/web.colby.edu\/ar112-spring2024\/2024\/05\/14\/04-17\/","title":{"rendered":"04\/17"},"content":{"rendered":"\n<p>During yesterday\u2019s class we discussed Impressionsim, which is probably one of the period\u2019s I am most familiar with. However as it usually goes, I am struck by the profound influence of light and visible brushstrokes on the movement&#8217;s style. The goal of capturing the transitory feel of modern life, as a continuation of a form of realism, resonates deeply with me. \u00c9douard Manet&#8217;s pivotal role as a hinge between Realism and Impressionism became evident as we delved into his works. &#8220;Fl\u00e2neur&#8221; stands out as a portrayal of the modern city dweller, embodying intelligence and sophistication while navigating urban life.<\/p>\n\n\n\n<p>In examining Manet&#8217;s paintings such as &#8220;Luncheon on the Grass&#8221; and &#8220;Olympia,&#8221; I couldn&#8217;t help but admire his bold departure from traditional conventions. The deliberate absence of depth in &#8220;Luncheon on the Grass,&#8221; coupled with its focus on the foreground, modernizes classical themes in a way that challenges viewers to reconsider their perspectives. Similarly, &#8220;Olympia&#8221; confronts societal norms with its portrayal of a Parisian prostitute, engaging viewers directly and presenting a stark contrast to traditional depictions of women in art. Manet&#8217;s commitment to supporting modern art through his rejection of conventional standards and embrace of visible brushwork and irregularities is both admirable and inspiring.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>During yesterday\u2019s class we discussed Impressionsim, which is probably one of the period\u2019s I am most familiar with. However as it usually goes, I am struck by the profound influence of light and visible brushstrokes on the movement&#8217;s style. The goal of capturing the transitory feel of modern life, as a continuation of a form [&hellip;]<\/p>\n","protected":false},"author":17782,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/web.colby.edu\/ar112-spring2024\/wp-json\/wp\/v2\/posts\/2670"}],"collection":[{"href":"https:\/\/web.colby.edu\/ar112-spring2024\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/web.colby.edu\/ar112-spring2024\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/web.colby.edu\/ar112-spring2024\/wp-json\/wp\/v2\/users\/17782"}],"replies":[{"embeddable":true,"href":"https:\/\/web.colby.edu\/ar112-spring2024\/wp-json\/wp\/v2\/comments?post=2670"}],"version-history":[{"count":1,"href":"https:\/\/web.colby.edu\/ar112-spring2024\/wp-json\/wp\/v2\/posts\/2670\/revisions"}],"predecessor-version":[{"id":2671,"href":"https:\/\/web.colby.edu\/ar112-spring2024\/wp-json\/wp\/v2\/posts\/2670\/revisions\/2671"}],"wp:attachment":[{"href":"https:\/\/web.colby.edu\/ar112-spring2024\/wp-json\/wp\/v2\/media?parent=2670"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/web.colby.edu\/ar112-spring2024\/wp-json\/wp\/v2\/categories?post=2670"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/web.colby.edu\/ar112-spring2024\/wp-json\/wp\/v2\/tags?post=2670"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}