We began with a continued investigation of the work of the “Little Masters” in Holland, who all had niche specialties for paintings. One section was known as skyscapes, created on horizontal canvases. Using a 1\/3 land, 2\/3 sky composition, a visually pleasing ratio, landscapes were used to show everyday activities or views of the land. The smaller the figures, the larger the land appeared. Interior landscapes were also a subject, with the interiors of churches being painted to display their architectural details. Traditionally, in the hierarchy of painting, landscapes were low. Even below these were still lives. However, still lives gained respect in the Baroque era for Holland. Many incorporated the idea of Vanitas, a reminder that life is fleeting, to evoke emotions from simple objects such as dishes or flowers. <\/p>\n\n\n\n
Transitioning to France, King Louis XIV was a big supporter of art. He commissioned the building of the palace of Versailles, with a rational, clean facade, artfully crafted gardens, and lavishly decorated rooms. A relief of the king himself decorates his Salon of War to glorify him, and his famous Hall of Mirrors works to open up the room and mirror the space and riches. Louis XIV’s portrait by Rigaud sums up perfectly the grandness he emitted. Painted in full length, the king looks down on his viewer surrounded by symbols of his power – the crown, scepters, ermine fur, and the Fleur-de-lis. His positioning gestures outwards and makes him appear dominating, projecting an image of a rich, strong nation and King. <\/p>\n","protected":false},"excerpt":{"rendered":"
We began with a continued investigation of the work of the “Little Masters” in Holland, who all had niche specialties for paintings. One section was known as skyscapes, created on horizontal canvases. Using a 1\/3 land, 2\/3 sky composition, a visually pleasing ratio, landscapes were used to show everyday activities or views of the land. […]<\/p>\n","protected":false},"author":18379,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/web.colby.edu\/ar112-spring2024\/wp-json\/wp\/v2\/posts\/2180"}],"collection":[{"href":"https:\/\/web.colby.edu\/ar112-spring2024\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/web.colby.edu\/ar112-spring2024\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/web.colby.edu\/ar112-spring2024\/wp-json\/wp\/v2\/users\/18379"}],"replies":[{"embeddable":true,"href":"https:\/\/web.colby.edu\/ar112-spring2024\/wp-json\/wp\/v2\/comments?post=2180"}],"version-history":[{"count":1,"href":"https:\/\/web.colby.edu\/ar112-spring2024\/wp-json\/wp\/v2\/posts\/2180\/revisions"}],"predecessor-version":[{"id":2181,"href":"https:\/\/web.colby.edu\/ar112-spring2024\/wp-json\/wp\/v2\/posts\/2180\/revisions\/2181"}],"wp:attachment":[{"href":"https:\/\/web.colby.edu\/ar112-spring2024\/wp-json\/wp\/v2\/media?parent=2180"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/web.colby.edu\/ar112-spring2024\/wp-json\/wp\/v2\/categories?post=2180"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/web.colby.edu\/ar112-spring2024\/wp-json\/wp\/v2\/tags?post=2180"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}