{"id":2040,"date":"2024-03-12T13:06:11","date_gmt":"2024-03-12T13:06:11","guid":{"rendered":"https:\/\/web.colby.edu\/ar112-spring2024\/?p=2040"},"modified":"2024-03-12T13:06:11","modified_gmt":"2024-03-12T13:06:11","slug":"class-ten-11-2024","status":"publish","type":"post","link":"https:\/\/web.colby.edu\/ar112-spring2024\/2024\/03\/12\/class-ten-11-2024\/","title":{"rendered":"Class ten 11-2024"},"content":{"rendered":"\n<p><\/p>\n\n\n\n<p>Class ten 3-11-2024<\/p>\n\n\n\n<p>We started class ten by with Gian Lorenzo Bernini, a child prodigy sculptor who started sculpting at age ten (lots of ten in this write-up) and by 17 was receiving commissions for his sculpture work. He worked at fast speeds with stones which are words usually separate. He spent his career in Rome working for a total of eight popes over his lifetime. Bernini\u2019s sculpture seems to capture a single moment in time, that still appears to be happening as you view his work. A baroque ideal is that the art involves the viewer, in a church interior, Bernini created the statue of St Herrera&#8217;s vision of ecstasy. From other points in the church, he made statues that tape rot be watching the statue in the center. This affirms the truth of the scene implying that people saw it happen. This idea is called a coextensive space. Aligning with this idea is the book of spiritual exercises that asks you to imagine a biblical scene and then step into it. Francesco Borromini creates a church with no strong wall planes, consisting of a pinched oval and concave\/convex surfaces in stark contrast to St Peters&#8217;s Basilica.\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Class ten 3-11-2024 We started class ten by with Gian Lorenzo Bernini, a child prodigy sculptor who started sculpting at age ten (lots of ten in this write-up) and by 17 was receiving commissions for his sculpture work. He worked at fast speeds with stones which are words usually separate. He spent his career in [&hellip;]<\/p>\n","protected":false},"author":18790,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/web.colby.edu\/ar112-spring2024\/wp-json\/wp\/v2\/posts\/2040"}],"collection":[{"href":"https:\/\/web.colby.edu\/ar112-spring2024\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/web.colby.edu\/ar112-spring2024\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/web.colby.edu\/ar112-spring2024\/wp-json\/wp\/v2\/users\/18790"}],"replies":[{"embeddable":true,"href":"https:\/\/web.colby.edu\/ar112-spring2024\/wp-json\/wp\/v2\/comments?post=2040"}],"version-history":[{"count":1,"href":"https:\/\/web.colby.edu\/ar112-spring2024\/wp-json\/wp\/v2\/posts\/2040\/revisions"}],"predecessor-version":[{"id":2041,"href":"https:\/\/web.colby.edu\/ar112-spring2024\/wp-json\/wp\/v2\/posts\/2040\/revisions\/2041"}],"wp:attachment":[{"href":"https:\/\/web.colby.edu\/ar112-spring2024\/wp-json\/wp\/v2\/media?parent=2040"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/web.colby.edu\/ar112-spring2024\/wp-json\/wp\/v2\/categories?post=2040"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/web.colby.edu\/ar112-spring2024\/wp-json\/wp\/v2\/tags?post=2040"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}