Today, much of class was spent discussing the works of Masaccio. Early on he was commissioned to paint the private Brancacci Chapel, which included one of his more famous works, the Tribute Money. The continuous narrative he created of a lesser-represented scene with St. Peter is skillful. The use of atmospheric perspective gives the fresco depth and linear perspective all collides to a vantage point above Christ’s head. The range of colors (specifically of the tax collectors, Christ’s, and his apostles’ clothes) also add a range of depth as the warmer colors feel closer to the viewer. Overall, the figures created by Masaccio are realistic and focused on the details to create a convincing portrait. Small details like the gesturing of Christ mirrored by St. Peter represent deeper meaning and the reflection of Christ that St. Peter (the pope) is supposed to be. <\/p>\n\n\n\n
Another noticeable work was the construction of the Medici city palace in Florence by Michelozzo. Similar to the construction of other buildings in the city, the palace focused on the appearance of strength. The bottom level is made of rough stone to give it rustication and strength on the level of the people. The middle level, the noble level, is more grand with arched windows. The top level is smooth and the shortest of the three, giving the building the impression of being lighter on top. The fortress architecture helps establish the Medici family as the influential group they were. <\/p>\n","protected":false},"excerpt":{"rendered":"
Today, much of class was spent discussing the works of Masaccio. Early on he was commissioned to paint the private Brancacci Chapel, which included one of his more famous works, the Tribute Money. The continuous narrative he created of a lesser-represented scene with St. Peter is skillful. The use of atmospheric perspective gives the fresco […]<\/p>\n","protected":false},"author":18379,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/web.colby.edu\/ar112-spring2024\/wp-json\/wp\/v2\/posts\/1769"}],"collection":[{"href":"https:\/\/web.colby.edu\/ar112-spring2024\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/web.colby.edu\/ar112-spring2024\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/web.colby.edu\/ar112-spring2024\/wp-json\/wp\/v2\/users\/18379"}],"replies":[{"embeddable":true,"href":"https:\/\/web.colby.edu\/ar112-spring2024\/wp-json\/wp\/v2\/comments?post=1769"}],"version-history":[{"count":1,"href":"https:\/\/web.colby.edu\/ar112-spring2024\/wp-json\/wp\/v2\/posts\/1769\/revisions"}],"predecessor-version":[{"id":1770,"href":"https:\/\/web.colby.edu\/ar112-spring2024\/wp-json\/wp\/v2\/posts\/1769\/revisions\/1770"}],"wp:attachment":[{"href":"https:\/\/web.colby.edu\/ar112-spring2024\/wp-json\/wp\/v2\/media?parent=1769"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/web.colby.edu\/ar112-spring2024\/wp-json\/wp\/v2\/categories?post=1769"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/web.colby.edu\/ar112-spring2024\/wp-json\/wp\/v2\/tags?post=1769"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}