{"id":1626,"date":"2024-02-14T17:39:12","date_gmt":"2024-02-14T17:39:12","guid":{"rendered":"https:\/\/web.colby.edu\/ar112-spring2024\/?p=1626"},"modified":"2024-02-14T17:39:12","modified_gmt":"2024-02-14T17:39:12","slug":"lecture-2-02-12-m","status":"publish","type":"post","link":"https:\/\/web.colby.edu\/ar112-spring2024\/2024\/02\/14\/lecture-2-02-12-m\/","title":{"rendered":"Lecture 2 \u2013 02.12.M"},"content":{"rendered":"\n<p>In today&#8217;s lecture we explored 15th-century Northern European art, a time period in which innovation, symbolism, and realism felt like the prominent themes. The comparison of Italian Renaissance ideals with the distinct Northern European sensibilities gives rise to a whole new brach of expressing. One of the defining features of this period is the emphasis on religious imagery, particularly in altarpieces. These works serve as visual aids, vividly illustrating the transformation of bread and wine into the body and blood of Christ. Mary, depicted as the queen of heaven symbolizes both maternal warmth and spiritual authority within the church given the way she is depicted.<\/p>\n\n\n\n<p>A notable distinction between Italian and Northern European art lies in their concepts while creating art. While Cimabue&#8217;s altarpiece leans towards abstraction, conveying ideas rather than precise representations, Giotto&#8217;s works give a sense of tangible realism? His mastery of perspective, seen in the intricate interior of the Scrovegni chapel, immerses viewers in the depicted scenes, making them active participants rather than passive observers. Giotto&#8217;s &#8220;Lamentation&#8221; stands out as a great representation of emotional expression, with its dynamic composition evoking a sense of tension and anguish. From the contorted figures in the foreground to the barren landscape, every element contributes to the scene&#8217;s haunting power. In contrast, artists like Duccio offer a more detached perspective, meticulously detailing every aspect of the scene from a distant point of reference. Their works often included a lot of symbolism in the form of everyday objects.<\/p>\n\n\n\n<p>The lecture also shed light on the  collecting habits of prominent figures like John, Duke of Berry. His passion for illuminated manuscripts not only served as a status symbol but also provided valuable insights into the material culture of the time. The intricately illustrated calendars, known as &#8220;Books of Hours,&#8221; offered a glimpse into the duke&#8217;s lifestyle, with red-letter days marking significant events amidst a background of detailed realism. I am intrigued by the interplay of symbolism and realism and how art from this time period expresses the two. In the coming lecture, I look forward to delving deeper into these themes and exploring the diverse perspectives that shaped one of the most prominent periods in art history.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In today&#8217;s lecture we explored 15th-century Northern European art, a time period in which innovation, symbolism, and realism felt like the prominent themes. The comparison of Italian Renaissance ideals with the distinct Northern European sensibilities gives rise to a whole new brach of expressing. One of the defining features of this period is the emphasis [&hellip;]<\/p>\n","protected":false},"author":17781,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/web.colby.edu\/ar112-spring2024\/wp-json\/wp\/v2\/posts\/1626"}],"collection":[{"href":"https:\/\/web.colby.edu\/ar112-spring2024\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/web.colby.edu\/ar112-spring2024\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/web.colby.edu\/ar112-spring2024\/wp-json\/wp\/v2\/users\/17781"}],"replies":[{"embeddable":true,"href":"https:\/\/web.colby.edu\/ar112-spring2024\/wp-json\/wp\/v2\/comments?post=1626"}],"version-history":[{"count":1,"href":"https:\/\/web.colby.edu\/ar112-spring2024\/wp-json\/wp\/v2\/posts\/1626\/revisions"}],"predecessor-version":[{"id":1628,"href":"https:\/\/web.colby.edu\/ar112-spring2024\/wp-json\/wp\/v2\/posts\/1626\/revisions\/1628"}],"wp:attachment":[{"href":"https:\/\/web.colby.edu\/ar112-spring2024\/wp-json\/wp\/v2\/media?parent=1626"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/web.colby.edu\/ar112-spring2024\/wp-json\/wp\/v2\/categories?post=1626"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/web.colby.edu\/ar112-spring2024\/wp-json\/wp\/v2\/tags?post=1626"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}