{"id":216,"date":"2014-09-15T15:27:34","date_gmt":"2014-09-15T19:27:34","guid":{"rendered":"http:\/\/web.colby.edu\/aeneid-migrations\/?page_id=216"},"modified":"2015-03-21T23:13:28","modified_gmt":"2015-03-22T03:13:28","slug":"work-cited","status":"publish","type":"page","link":"https:\/\/web.colby.edu\/aeneid-migrations\/work-cited\/","title":{"rendered":"Work Cited"},"content":{"rendered":"

Vergil’s Experience of Dispossession and his Sympathy for Migrants and Exiles<\/strong><\/p>\n

Covi, Madeline. “Dido in Vergil’s Aeneid<\/em>.”\u00a0The Classical Journal<\/em>\u00a060.2 (1964): 57-60.<\/p>\n

Dyck, Andrew. “Sychaeus.”\u00a0Phoenix\u00a0<\/em>37.3 (1983): 239-244.<\/p>\n

Khan, Akbar. “Exile and the Kingdom: Creusa’s Revelations and Aeneas’ Departure from Troy.”\u00a0Latomus\u00a0<\/em>60.4 (2001): 906-915.<\/p>\n

Leach, Eleanor.\u00a0Vergil’s Eclogues:\u00a0Landscapes of Experience.<\/em>\u00a0London: Cornell University Press, 1974. 113-142.<\/p>\n

Levi, Peter.\u00a0Virgil: His Life and Times<\/em>.\u00a0New York: St. Martin’s Press, 1998. 13-43.<\/p>\n

Maro, Publius Vergilius. Eclogues, Georgics, Aeneid 1-6<\/em>. Edited by George Gould. Translated by H. Rushton Faircough. Cabridge, MA: Harvard University Press, 2001. 24-31.<\/p>\n

Rose, Herbert.\u00a0The Eclogues of Vergil.<\/em>\u00a0Berkeley: University of California Press, 1942. 45-68.<\/p>\n

Slavitt, David.\u00a0Virgil<\/em>. New Haven: Yale University Press, 1991. 3-17.<\/p>\n

Smith, Riggs.\u00a0The Primacy of Vision in Virgil’s Aeneid<\/em>. Austin: University of Texas Press, 2005. 77-82.<\/p>\n

Images<\/p>\n

Guerin, Pierre-Narcisse.\u00a0Dido and Aeneas<\/em>. 1815.\u00a0Oil on canvas. 292 x 390 cm.\u00a0Mus\u00e9e du Louvre, Paris, France.<\/p>\n

Hollar, Wenceslaus and Pierre Lombard.\u00a0Aeneas Encounters Creusa<\/em>, 1697. Copper plate engraving within Drydens\u2019 The Works of Virgil: Containing his Pastorals, Georgics, and Aeneis<\/em>. \u00a0Colby College, Waterville, Maine: Special Collections, 2014.<\/p>\n

Hollar, Wenceslaus and Pierre Lombard.\u00a0Tityrus and Meliboeus<\/em>, 1697. Copper plate engraving within Drydens\u2019 The Works of Virgil: Containing his Pastorals, Georgics, and Aeneis<\/em>. \u00a0Colby College, Waterville, Maine: Special Collections, 2014.<\/p>\n

Hollar, Wenceslaus and Pierre Lombard.\u00a0Virgilius<\/em>, 1697. Copper plate engraving within Drydens\u2019 The Works of Virgil: Containing his Pastorals, Georgics, and Aeneis<\/em>. \u00a0Colby College, ME: Special Collections, 2014.<\/p>\n

Roman Gold Aureus of Augustus, 27 B.C.E.-14 C.E. Struck in 19 BC, in celebration of Victory. <http:\/\/www.romanemperors.com\/augustus.htm>. accessed 20 Feb. 2015.<\/p>\n

Tityrus Meets Meliboeus<\/em>. 1469. Vellum within Vergil’s\u00a0Eclogues<\/em>\u00a0with a commentary by Servius. Bibliotheque Municipale, Dijon, France.<\/p>\n

Wicar,\u00a0Jean-Baptiste Joseph.\u00a0Virgil Reading the \u201cAeneid\u201d to Augustus, Octavia, and Livia.\u00a0<\/em>1793. Oil on canvas.\u00a043 \u00be x 56 1\/8 in.\u00a0 Art Institute of Chicago, Chicago, Illinois.<\/p>\n

 <\/p>\n

Winners or Losers, Colonists or Exiles: What is Roman Identity?<\/strong><\/p>\n

Arno, Claudia. “How Romans Became ‘Roman’: Creating Identity in an Expanding World.” PhD diss., University of Michigan, 2012.<\/p>\n

Bell, Sinclair, ed. Role Models in the Roman World: Identity and Assimilation<\/em>. Ann Arbor: University of Michigan Press, 2008.<\/p>\n

Bloom, Harold, ed. Vergil’s Aeneid: Modern Critical Interpretations.<\/em> New York: Chelsea House Publishers, 1987.<\/p>\n

Stahl, Hans-Peter, ed. Vergil’s Aeneid: Augustan Epic and Political Context.\u00a0<\/em>London: Duckworth, 1998.<\/p>\n

Images<\/p>\n

Aeneas Latium<\/em>, 140-150 AD. Marble, 14.6in x 24 in. British Museum, London. <http:\/\/commons.wikimedia.org\/wiki\/File:Aeneas_Latium_BM_GR1927.12-12.1.jpg>, accessed 6 Mar. 2015.<\/p>\n

Bouguereau, William-Adolphe. The Remorse of Orestes<\/em>. 1862. Oil on canvas. 227cm x 278cm. Chrysler Museum of Art, Norflolk, Virgina.\u00a0<http:\/\/commons.wikimedia.org\/wiki\/File:William-Adolphe_Bouguereau_%281825-1905%29_-_The_Remorse_of_Orestes_%281862%29.jpg>, accessed 6 Mar. 2015.<\/p>\n

Boulogne, Bon de. Abduction of Helen of Troy (Enl\u00e8vement D’H\u00e9l\u00e8ne).\u00a0<\/em>1649-1717. Oil on Canvas. Musee Bonnat, Bayonne, France.<\/p>\n

Barocci, Federico. Aeneas\u2019 Flight from Troy<\/em>. 1598. Oil on Canvas. Galleria Borghese, Rome. <http:\/\/commons.wikimedia.org\/wiki\/File:Aeneas%27_Flight_from_Troy_by_Federico_Barocci.jpg>, accessed 6 Mar. 2015.<\/p>\n

Flag of the East Roman Empire. 705-1265. Flag. <http:\/\/althistory.wikia.com\/wiki\/File:Flag_of_the_Roman_Empire_(East)_705-1265.png>, accessed 6 Mar. 2015.<\/p>\n

Giordano, Luca. Enea Vince Turno<\/em>, 17th Century. Oil on Canvas. 176 cm x 236 cm. Galleria Corsini, Florence. <http:\/\/commons.wikimedia.org\/wiki\/File:Aeneas_and_Turnus.jpg>, accessed 6 Mar. 2015.<\/p>\n

\u00a0<\/strong><\/p>\n

Carthaginians as Migrants and Colonizers<\/strong><\/p>\n

Adcock, F.E. “Delenda Est Carthago.”\u00a0Cambridge Historical Journal<\/em>\u00a08.3 (1946): 117-128.<\/p>\n

Adler, Eve.\u00a0Vergil’s Empire: Political Thought in the Aeneid.\u00a0<\/em>Lanham: Rowman & Littlefield Publishers, 2003. 17-40.<\/p>\n

Austin, R.G., ed. “Various Pages,\u201d P. Vergili Maronis Aeneidos, Liber Primus<\/em>. Oxford: Oxford University Press, 1971. 124- 138.<\/p>\n

Austin, R.G., ed. \u201cP. Vergili Maronis Aeneidos, Liber Primus.\u201d In Various Pages, <\/em>124- 138. Oxford: Oxford University Press, 1971.<\/p>\n

Lansel, Serge.\u00a0Carthage: a History. <\/em>Oxford: Blackwell Publishers, 1995. 1-427.<\/p>\n

Miles, Richard.\u00a0Carthage Must be Destroyed<\/em>. New York: Penguin, 2010. 58-81.<\/p>\n

Reed, J.D.\u00a0Virgil’s Gaze: Nation and Poetry in the Aeneid. <\/em>Princeton, New Jersey: Princeton University Press, 2007. 73-100.<\/p>\n

Soren, David, Aicha Ben Abed, Ben Khader, and Hedi Slim. Carthage: Uncovering the Mysteries and Splendors of Ancient Tunisia<\/em>. New York: Simon and Schuster, 1990. 17- 47.<\/p>\n

Images<\/p>\n

\u00a0Aeneas and Dido<\/em>,\u00a0circa 340 AD. Mosaic, 430 cm. x 430cm. Low Ham Roman Villa, Somerset, England. <http:\/\/en.wikipedia.org\/wiki\/Low_Ham_Roman_Villa>, accessed 6 Dec. 2014.<\/p>\n

Cayot, Claude-Augustin.\u00a0The Death of Dido<\/em>. 1711. Marble. 86 cm. x 55 cm. x 59 cm.\u00a0Mus\u00e9e de Louvre, Paris.<http:\/\/commons.wikimedia.org\/wiki\/File:Death_Dido_Cayot_Louvre_MR1780.jpg>, accessed 6 Dec. 2014.<\/p>\n

Columns of what is believed to be palaestra (athletes’ training area) at the Al Mina excavation area.\u00a02006. Tyre, Lebanon. <http:\/\/en.wikipedia.org\/wiki\/Tyre,_Lebanon>, accessed 6. 2014.<\/p>\n

de Troy, Fran\u00e7ois.\u00a0The Feast of Dido and Aeneas<\/em>. 1704. Oil on canvas. 160.5 cm. x 202.5 cm. < http:\/\/commons.wikimedia.org\/wiki\/File:The_Feast_of_Dido_and_Aeneas_by_Fran\u00e7ois_de_Troy,_1704.jpg >, accessed 6 Dec. 2014.<\/p>\n

Gu\u00e9rin, Pierre-Narcisse.\u00a0Aeneas tells Dido about the Fall of Troy<\/em>. 1815. Oil on canvas. 292 cm. x 390 cm. Mus\u00e9e de Louvre, Paris. <http:\/\/en.wikipedia.org\/wiki\/Aeneas>, accessed 6 Dec. 2014.<\/p>\n

Tsetskhladze, Gocha R.\u00a0 \u201cOikistes.\u201d In The Encyclopedia of Ancient History <\/em>(2012).\u00a0http:\/\/onlinelibrary.wiley.com\/store\/10.1002\/9781444338386.wbeah04222\/asset\/wbeah04222.pdf?v=1&t=i6y4k8zt&s=bd8d79888d92046030536ba9dbef7b1ce34fde26&systemMessage=Wiley+Online+Library+will+be+disrupted+on+7th+March+from+10%3A00-13%3A00+GMT+%2805%3A00-08%3A00+EST%29+for+essential+maintenance.++Apologies+for+the+inconvenience<\/a>.<\/p>\n

Turner, JMW.\u00a0Dido Building Carthage, <\/em>or The Rise of the Carthaginian Empire<\/em>. 1815. Oil on canvas. 155.5 in. x 230 in. National Collection, London. <http:\/\/en.wikipedia.org\/wiki\/Dido_building_Carthage>, accessed 6 Dec. 2014.<\/p>\n

 <\/p>\n

Immigration and Foundation Stories in Classical Myth<\/strong><\/p>\n

Bacon, Helen.\u00a0 \u201cMortal Father, Divine Mother: Aeneid VI and VIII.\u201d\u00a0 Poets and Critics Read Vergil.<\/em> Edited by Sarah Spence.\u00a0 New Haven: Yale University Press, 2001. 76-85.<\/p>\n

Berman, Daniel W.\u00a0 \u201cThe Double Foundation of Boiotian Thebes.\u201d\u00a0Transactions of the American Philological Association<\/em> 134 (2004): 1-22.<\/p>\n

Brinkman, John A.\u00a0 \u201cThe Foundation Legends in Vergil.\u201d The Classical Journal<\/em> 54 (1958): 25-33.<\/p>\n

Burn, Lucilla.\u00a0 Greek Myths<\/em>.\u00a0 Avon: British Museum Press, 1990.<\/p>\n

Cairns, Francis. Virgil\u2019s Augustan Epic<\/em>.\u00a0Cambridge: Cambridge University Press, 1989.<\/p>\n

Campbell, Joseph.\u00a0 The Hero with a Thousand Faces<\/em>.\u00a0 Princeton: Princeton University Press, 1973.<\/p>\n

Gardner, Jane F. Roman Myths<\/em>.\u00a0 Avon: British Museum Press, 1993.<\/p>\n

Images<\/p>\n

Del Pollaiuolo, Antonio.\u00a0 Hercules and the Hydra,<\/em> 1475.\u00a0 Oil tempera on panel.\u00a0 Uffizi Gallery, Florence. <http:\/\/en.wikipedia.org\/wiki\/Hercules#mediaviewer\/File:Antonio_del_Pollaiolo_-_Ercole_e_l%27Idra_e_Ercole_e_Anteo_-_Google_Art_Project.jpg<\/a>>, accessed 3 Nov. 2014.<\/p>\n

Goltzius, Hendrick.\u00a0 Cadmus Fighting the Dragon<\/em>, 1573- 1617. Oil on Canvas, 189cm x 248cm.\u00a0 <http:\/\/sk.wikipedia.org\/wiki\/Kadmos#mediaviewer\/File:Hendrick_Goltzius_Cadmus_Statens_Museum_for_Kunst_1183.jpg<\/a>>, accessed 3 Nov. 2014.<\/p>\n

Lorrain, Claude.\u00a0 Arrival of Aeneas in Italy, the Dawn of the Roman Empire<\/em>, 17th<\/sup> century. Oil on Canvas, 53.54 in x 39.66 in. Pushkin Museum, Moscow, Russia. <http:\/\/www.claudelorrain.org\/Arrival-of-Aeneas-in-Italy,-the-Dawn-of-the-Roman-Empire-large.html<\/a>>, accessed 3 Nov. 2014.<\/p>\n

Map of Aeneas\u2019 Journey.\u00a0 <<\/em>http:\/\/en.wikipedia.org\/wiki\/Aeneid#mediaviewer\/File:Aeneae_exsilia.png<\/a>>, accessed 3 Nov. 2014<\/p>\n

The Capitoline She-Wolf with the Boys Romulus and Remus<\/em>, 5th<\/sup> century. Bronze, 75cm. Museo Nuovo,Rome.\u00a0<http:\/\/commons.wikimedia.org\/wiki\/File:She-wolf_suckles_Romulus_and_Remus.jpg<\/a>>, accessed 3 Nov. 2014.<\/p>\n

Troschel, Julius.\u00a0 Amphion and Zethus. <\/em>1840- 1850. Marble. Neue Pinkothek, M\u00fcnchen.\u00a0 <<\/strong>http:\/\/en.wikipedia.org\/wiki\/Amphion_and_Zethus#mediaviewer\/File:Julius_Troschel_Zethus_und_Amphion_1840-50.jpg<\/a>>, accessed 3 Nov. 2014.<\/p>\n

 <\/p>\n

Mythological Models of Migration<\/strong><\/p>\n

\u00a0Avery, William T. \u201cAugustus and the \u2018Aeneid.\u2019\u201d The Classical Journal\u00a0<\/em>52.5\u00a0(1957): 225- 29.<\/p>\n

Galinsky, G.K. “Hercules in the\u00a0Aeneid.” Oxford Readings in Vergil’s\u00a0<\/em>Aeneid. Edited by S.J. Harrison. Oxford: Oxford University Press, 1990. 275- 94.<\/p>\n

Hardie,\u00a0Philip R. Vergil’s\u00a0<\/em>Aeneid: Cosmos\u00a0and\u00a0Imperium.<\/em> Oxford: Clarendon Press, 1986.<\/p>\n

Hansen, William. “Herakles (Latinized Form Hercules).” In\u00a0Classical Mythology. 189- 96. <\/em>Oxford: Oxford University Press, 2004.<\/p>\n

Hansen, William. “Olympians (Greek Olympioi).” In Classical Mythology<\/em>. 250- 51. Oxford: Oxford University Press, 2004.<\/p>\n

Hansen, William. “Kronos (Roman Saturn).”\u00a0 In\u00a0Classical Mythology, <\/em>216 – 217. Oxford: Oxford University Press, 2004.<\/p>\n

Schiebe, Marianne Wifstrand. “The Saturn of the ‘Aeneid’- Tradition or Innovation?”\u00a0Vergilius\u00a0<\/em>32 (1986): 43 – 60.<\/p>\n

Sutton, Dana. “The Greek Origins of the Cacus Myth.”\u00a0The Classical Quarterly\u00a0<\/em>27.2 (1977): 391.<\/p>\n

Virgil. Aeneid, Book VIII<\/em>. Edited by K.W. Gransden. Cambridge: Cambridge University Press, 1976.<\/p>\n

Images<\/p>\n

Bandinelli, Bartolommeo.\u00a0\u00a0Hercules and Cacus<\/em>.\u00a0 1534. Marble sculpture.\u00a0 505 cm.\u00a0 Piazza della Signoria, Florence.<\/p>\n

Beham, Sebald. Killing a Fire-Breathing Cacus<\/em>. 1545. Engraving within The Labours of Hercules<\/em> (1542- 1548).<\/p>\n

Cranach, Lucas.\u00a0The Golden Age.\u00a0<\/em>c. 1530. Oil painting on panel.\u00a073.5 cm x 105.3 cm. Alte Pinakothek, Munich.<\/p>\n

Da Caravaggio, Polidoro. Saturnus. <\/em>1592. Engraving. 34.7 x 21 cm.<\/p>\n

Da Cortona, Pietro. \u00a0The Golden Age<\/em>. 1637. Fresco. Palazzo Pitti, Florence.<\/p>\n

Giordano, Luca.\u00a0Aeneas Defeats Turnus.<\/em>\u00a0c. 1670. Oil on canvas.\u00a0176 \u00d7 236 cm. Palazzo Corsini al Parione, Florence.<\/p>\n

Gossart, Jan. Hercules Killing Cacus. <\/em>\u00a0c. 1520. Drawing in pen and brush and brown ink over black chalk. 36.7 cm x 5.45 cm. \u00a0Rijksmuseum, Amsterdam.<\/p>\n

Goya, Francisco. Saturn Devouring his Son. <\/em>1819 \u2013 1823. Oil mural transferred to canvas. 146 cm \u00d7 83 cm. Prado Museum, Madrid.<\/p>\n

Heracles Fighting Geryon (Dying Eurytion on the Ground)<\/em>. C. 540BC. On the Side of an Attic Black-Figure Amphora. Le Louvre Museum, Paris. <http:\/\/tobaccopipeartistory.blogspot.com\/2013\/03\/the-gallic-cult-of-hercules.html>, accessed 6 Mar. 2015.<\/p>\n

Possible Return Route of Hercules with Cattle of Geryon.\u00a0 <<\/em>http:\/\/hellenicperiod.blogspot.com\/2010\/11\/labors-of-hercules.html>, accessed 6 Mar. 2014<\/p>\n

Poussin, Nicholas. Landscape with Hercules and Cacus.<\/em> 1658 – 59 . Oil on canvas. 156.5 cm x 202 cm. Pushkin Museum, Moscow.<\/p>\n

Statue of Hercules in Gilded Bronze<\/em>. 2nd<\/sup> century BC. Gilded Bronze Statue. 241cm. Musei Capitolini, Rome. <http:\/\/en.museicapitolini.org\/collezioni\/percorsi_per_sale\/museo_del_palazzo_dei_conservatori\/esedra_di_marco_aurelio\/statua_di_ercole_in_bronzo_dorato>, accessed 6 Mar. 2015.<\/p>\n

Taillasson, Jean-Joseph.\u00a0Virgil reading the Aeneid to Augustus and Octavia<\/em>. 1787.\u00a0147.2 cm \u00d7 166.9 cm. National Gallery, London.<\/p>\n

 <\/p>\n

Aeneas in America<\/strong><\/p>\n

Alexander, Caroline. \u201cOut of Context.\u201d New York Times<\/em>, April 6, 2011.<\/p>\n

CollegeBoard. \u201cAP Latin Course Home Page.\u201d Last modified November 5, 2014.<\/p>\n

http:\/\/apcentral.collegeboard.com\/apc\/public\/courses\/teachers_corner\/2260.html<\/a>.<\/p>\n

Dunlap, David. \u201cA Memorial Inscription\u2019s Grim Origins.\u201d New York Times<\/em>, April 2, 2014.<\/p>\n

Gummere, Richard M.\u00a0The American Colonial Mind and the Classical Tradition: Essays in Comparative Culture.<\/em>\u00a0Cambridge: Harvard University Press, 1963.<\/p>\n

Reinhold, Meyer. \u201cVergil in the American Experience from Colonial Times to 1882.\u201d In Vergil at 2000: Commemorative Essays on the Poet and his Influence, <\/em>edited by John D. Bernard, 185- 205. (New York: AMS Press, 1986).<\/p>\n

Shields, John C. The American Aeneas: Classical Origins of the American Self<\/em>. Knoxville: University of Tennessee Press, 2001.<\/p>\n

Wiltshire, Susan Ford. \u201cAeneas in America,\u201d Vergilius <\/em>25 (1979): 2-9.<\/p>\n

Images<\/p>\n

Arad, Michael, Daniel Libeskind, and Peter Walker. \u201cNO DAY SHALL ERASE YOU FROM THE MEMORY OF TIME Virgil Aeneid<\/em>,\u201d 2011. Steal, 60 ft. National September 11 Memorial & Museum, New York. <http:\/\/www.nytimes.com\/2014\/04\/03\/nyregion\/an-inscription-taken-out-of-poetic-context-and-placed-on-a-9-11-memorial.html>, accessed 6 Mar. 2015.<\/p>\n

Bartholdi, Fr\u00e9d\u00e9ric Auguste. Statue of Liberty<\/em>, 1886. Copper, 46m x 93m. Liberty Island, New York City. < http:\/\/www.sfexaminer.com\/sanfrancisco\/celebrate-the-statue-of-liberty-turning-125-in-new-york\/Content?oid=2188561>, accessed 6 Mar. 2015.<\/p>\n

Cayot, Claude-Augustin.\u00a0The Death of Dido<\/em>, 1711. Marble. 86 cm. x 55 cm. x 59 cm.\u00a0Mus\u00e9e de Louvre, Paris.<http:\/\/commons.wikimedia.org\/wiki\/File:Death_Dido_Cayot_Louvre_MR1780.jpg>, accessed 6 Dec. 2014.<\/p>\n

Giordano, Luca.\u00a0Aeneas Defeats Turnus,<\/em>\u00a0c. 1670. Oil on canvas.\u00a0176 \u00d7 236 cm. Palazzo Corsini al Parione, Florence.<\/p>\n

Pharr, Clyde, and Virgil. Vergil\u2019s Aeneid<\/em>. Boston: D.C. Health, 1964. Cover.<\/p>\n

Roman, Jean-Baptiste. Nisus and Euryalus<\/em>, 1827. Marble. 167cm x 140cm x 80cm. Mus\u00e9e de Louvre, Paris. < http:\/\/commons.wikimedia.org\/wiki\/File:Nisos_Euryalos_Louvre_LL450_n2.jpg>, accessed 6 Mar. 2015.<\/p>\n","protected":false},"excerpt":{"rendered":"Vergil’s Experience of Dispossession and his Sympathy for Migrants and Exiles\nCovi, Madeline. “Dido in Vergil’s Aeneid.”\u00a0The Classical Journal\u00a060.2 (1964): 57-60.\nDyck, Andrew. “Sychaeus.”\u00a0Phoenix\u00a037.3 (1983): 239-244.\nKhan, Akbar. …","protected":false},"author":668,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"_links":{"self":[{"href":"https:\/\/web.colby.edu\/aeneid-migrations\/wp-json\/wp\/v2\/pages\/216"}],"collection":[{"href":"https:\/\/web.colby.edu\/aeneid-migrations\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/web.colby.edu\/aeneid-migrations\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/web.colby.edu\/aeneid-migrations\/wp-json\/wp\/v2\/users\/668"}],"replies":[{"embeddable":true,"href":"https:\/\/web.colby.edu\/aeneid-migrations\/wp-json\/wp\/v2\/comments?post=216"}],"version-history":[{"count":27,"href":"https:\/\/web.colby.edu\/aeneid-migrations\/wp-json\/wp\/v2\/pages\/216\/revisions"}],"predecessor-version":[{"id":997,"href":"https:\/\/web.colby.edu\/aeneid-migrations\/wp-json\/wp\/v2\/pages\/216\/revisions\/997"}],"wp:attachment":[{"href":"https:\/\/web.colby.edu\/aeneid-migrations\/wp-json\/wp\/v2\/media?parent=216"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}