Tanya Sheehan joined the Colby faculty in 2013, after teaching at Rutgers University (2008-2013) and Columbia University (2005-2007). Her first book, Doctored: The Medicine of Photography in Nineteenth-Century America (Pennsylvania State University Press, 2011) takes a new look at the relationship between photography and medicine in American culture. Sheehan focuses on Civil War and postbellum Philadelphia, exploring the ways in which medical models and metaphors helped strengthen the professional legitimacy of the city’s commercial photographic community as well as define the physical and social effects of studio operations. Concluding with a chapter on digital culture, Doctored reveals important connections between the professionalization of American photographers and the construction of photography’s cultural identity.
With fellowship support from the W. E. B. Du Bois Institute at Harvard University, the Harry Ransom Center at the University of Texas at Austin, and other major research libraries, Sheehan is writing a second book that examines the prolific references to race in photographic humor, from 1839 to present. The objects of this study include comic photographs, graphic satire, popular literature, and contemporary art in which photographic processes express ideas about blackness and whiteness. While much of this humor originated in or makes reference to the United States, Sheehan traces its circulation and interpretation across the Atlantic and to the farthest reaches of the British Empire.
She is at work on several other research and publication projects. These include two edited volumes, one on the writing of global and “other” histories of photography and another on new approaches to photography’s origins. She also has recent and forthcoming essays on popular images of the black in the US and Europe; writing about race in American art histories; the social politics of the photographic smile; vernacular digital photography; African American modernist Jacob Lawrence; and twentieth-century American photographer Mike Disfarmer.
Interdisciplinary research has significantly shaped her teaching interests and practices. Her courses include explorations of American and African American art history, medicine and visual culture, and race and representation. Engaging with a broad range of visual forms – from high-status paintings to snapshots and new media – these courses emphasize the relationship between images and social history, identity formation, and popular culture.
Sheehan serves on the editorial boards of caa.reviews (College Art Association), Panorama (Association of Historians of American Art), Photography and Culture (Berg Publishers), and the web project Mirror of Race. She has also served as the Guest Editor of Photography for Grove Art Online (Oxford University Press).
For a list of publications, please see her curriculum vitae.