As Colby students, we first see the spaces we live in as bare, white-walled rooms, devoid of any evidence of human presence. They feel alien at first—disconcertingly empty boxes we’ll inhabit for nine months, but never really own. We wage war against this unfamiliarity and temporariness through the decoration and personalization of our dorm room walls.
Women play an important role in Henry Kirke Brown’s life and career. Filatrice manifests this strong influence and the significance of women in industrial society. Henry Kirke Brown’s statuette Filatrice
For [Alvin Langdon] Coburn, as for Stieglitz—a second-generation German Jewish immigrant who spent his student years in his ancestral homeland—the city of New York surfaces, symbolically, as a point of reentry, a place where the exhilaration and anticipation disintegrate, in Coburn’s words, into a “sudden . . . plung[e] into the rush and turmoil.”
Tara Kohn, Andrew W. Mellon Postdoctoral Fellow, Bowdoin College