There is a story that the artist Tim Rollins liked to tell about his grandmother, Alice Rollins. She worked at Colby, in Foss dining hall, from 1957 to 1975. One
In this series of blogposts, my students [in the Writing Art Criticism class] revisit their interviews and share additional perspectives on the rich and compelling practices of their peers.
Entitled Space for Conversation, this series was designed to establish a shared understanding of best practices for public art initiatives and innovative projects and to examine the ways art can instigate meaningful exchange and serve as a catalyst for reshaping public spaces.
Okón decided to place the video in a desert, a location contrary to all female concepts. The barren terrain depicts an infertile soil with few signs of fauna or animals. The desert offers the men of the video a place where even the soil exudes hypermasculinity. Ironically, the only other animal species found in this work are the ants, which exist under a matriarchal system.
As part of the presentation of [Judy Crook 5] in the Colby Museum’s lobby, visitors are invited to compose dedications to their favorite teachers on paper leaves. A cascade of these leaves now fills one of the lobby’s windows, and a handful of dedications appears here in celebration of Teacher Appreciation Week.
